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  • Outstanding live set parallels the DVD release. Great mix of Shaman and Angra tunes.
    $7.00
  • Well Steve is done resucitating the Genesis catalogue and back to concentrating on fresh solo material.  The new album Wolflight is a bit of a loose concept album and I find it to be one of his strongest releases in years.  The album is filled with lots of guests (including Chris Squire) contributing exotic instruments to the mix adding an old world sound.  Steve's trademark sound is locked into place so if you are looking for the wailing guitar, liquid runs and acoustic delicacy you won't be disappointed.  His vocals has never been my favorite part of a Steve Hackett album but either I've mellowed in age or his voice has - not sure which.  Regardless it fits the music just fine.  Classic Hackett and nothing less.  BUY OR DIE!
    $12.00
  • German reissue packages the two albums from this now defunct band at a budget price.  Superb progressive metal from Eastern Europe....
    $5.00
  • Nice stop gap release until their third album comes out. This features 3 tracks that were previously exclusive to Japan, 1 track from the upcoming album as well as an unreleased tune. There is also a video for "Time To Rock".
    $8.00
  • "Edguy are not going to win over Necrophagist or Portal fans with their new album, Space Police – Defenders Of The Crown. That isn’t what Edguy are about. They’re not Kvlt, tr00, etc. They do 80’s metal with massive amounts of fun and they do it really well.All the while annoying people who take music far too seriously. They are also are a superb band live, taking cues from Maiden with sing-along choruses and an almost pop sensibility towards song writing. After listening to Space Police once I was singing some of the tracks without realising it! The last couple of albums ‘Tinnitus Sanctus’ and ‘Age of the Joker’ took a more straight forward hard rock approach and while they were good albums, they didn’t have the pomposity and sense of ceremony ala Helloween or Gamma Ray of the preceding albums. This was for me, always part of the Edguy charm.Studio album number ten starts off almost where “Age of the Joker” left off with the track ‘Sabre and Torch‘ and quickly builds to an over the top masterpiece that brings back memories of  ‘Vain Glory Opera’ and ‘Hellfire Club.’ For some reason singer Tobias Sammet sounds a little restrained on this track and dare I say, somewhat tired. It’s almost as if this album was recorded live and he needed some time to warm up but there is no need to worry he quickly proves me wrong.The title track harks back to something off 2006′s superb Rocket Ride; a keyboard lead epic with a bouncing tempo to get a festival crowd going. It is like it was written for inclusion early in the live set. ‘Defenders of the Crown’ is where the smile really come across my face; double kick drums and a Manowar-esque chorus. It is nothing short of brilliant. ‘Love Tyger’ and ‘The Realms Of Baba Yaya’ are mid to fast tempo numbers that are as catchy as anything they have previously written and prove that Mr Sammet and co. are back in flying form! As usual, the band are excellent; loads of feeling and virtuosity, though not always at the same time….I love this album and it keeps getting better with their version of Falco’s ‘Rock me Amadeus’. Some tracks sound like they were Avantasia (Tobais Sammet’s metal opera side project) tracks but were considered to Edguy for those albums. ‘Do me like a Caveman’ and ‘Alone in Myself’ for example. ‘The Eternal Wayfarer’ is the kind of song Def Leppard wish they could write now, lucky for them Edguy still have it.Space Police- Defenders Of The Crown isn’t just the best thing Edguy have released in years, it is one of the best power metal albums released in years." - Planet Mosh
    $6.00
  • Latest release from the German kings of Cheese Metal. At the very least you can say these guys do it as well as any other band in the genre.
    $15.00
  • "Legendary Swedish Power/Folk metal band Falconer has brought upon us a new album, Black Moon Rising. This is an album full of epic sounding riffs, folk-tinged yet melodic and powerful metal vocals, and tunes that should keep you happy for quite a while!Locust Swarm kicks things off with a mighty barrage of riffs; there’s a lot going on in a very short period of time here, it works really well, lots of melodic riffs and some heavy moments blending very well. The vocal approach is very different to what you may well expect if you haven’t heard the band before. There is quite a folky and theatrical feel to the vocals, almost Blind Guardian-esque yet there’s plenty of power in there too suitable to the barrage of guitar riffs going on underneath and it works quite well and gives the band quite a different sound! There are lots of cool moments in the song, the main riff is pulled off very well and some more technical sections later only serve to add to the song as a whole, with some nice guitar harmonies later on too!Black Moon Rising really offers quite a lot as an album. Halls And Chambers is fairly straight ahead, with speedy riffage, a nice melodic chorus soaring above and some cool moments to get heads banging. Wasteland is another track that brings some blistering musicianship to play, with some snaky guitar licks and pounding drums. At the Jester’s Ball offers an almost “jolly” sound, with a bit more of a mid-tempo feel that gets a bit faster at times too, offering a nice dynamic overall sound. The Scoundrel And The Squire feels like a ballad in the more traditional sense of the word, telling a story through the medium of song, and this works really nicely with the vocal approach of the singer Mathias Blad, with some nice vocal harmonies later on too.There’s A Crow On The Barrow is probably my favourite from this album, as it feels like the song that captures the essence of the album. The heavy riffs meet perfectly with the vocals here, with a really great chorus and some fantastic musicianship overall, all topped off with great songwriting and sense of structure. This one was closely met by the track that immediately follows it however, Dawning Of A Sombre Age which is a real rocker, with some straight ahead drumming and some awesome melodic riffs met by a really great feeling lead vocal.The Album closes with The Priory, which opens with a really folky sounding lead guitar and a nice stabbing riff underneath, before harmonising and then opening up into some awesome chuggy guitars and some more cool vocals too. The song finishes on some awesome melodies before aptly closing the sound of a distant bell.The production is nice and tight on the album, the drums and guitars in particular work very nicely together, the bass keeps the low end solid and the vocals work quite well overall.This is a great album from Falconer with plenty of attitude, and what makes it worth a listen is that it blends heavier riffs very nicely with more melodic chorus and sections in their music. Definitely worth a look in for fans of the band, and also if you’re looking for some power metal with a bit of a folk edge to it, for something a little different!" - Metal Temple
    $12.00
  • One of the great overlooked prog metal albums of the 90s made available again. This album with the odd name was only released in Japan by Toshiba-EMI in 1998. It was the debut album from this Swiss trio and featured the great Thomas Vikstrom on vocals. The music was keyboard driven, a bit off kilter and totally amazing. The band didn't release anything again until this year's Retrospective but the similarities are superficial. Retrospective is a great album but a bit more conventional. Cosmic Handball has a lot more personality. Its been remixed and remastered which can only help as the original production was a bit murky sounding. Highest recommendation.
    $5.00
  • DeEvolution tells the story of an elite group of leaders from a heavily industrialized city who find, brainwash and then exploit an indigenous tribe’s shaman, believing he would be the perfect supreme leader. By propping him up as possessing all the answers to societies ills the elites use him in order to gain and keep more control over the masses. They plan to influence the masses on several fronts: Religion, Media, Consumerism, and Government.Twin brothers, Jasun and Troy Tipton along with Erik Rosvold released two albums with the Progressive-Metal act Zero Hour. The band's second album "The Towers of Avarice" won sparkling reviews from nearly every metal magazine around the World and has achieved classic status among prog metal fans. Zero Hour successfully toured Europe and performed twice at Prog Power USA, the largest prog-metal music festival in the World. In 2003, fans were disappointed when Zero Hour parted ways with Erik Rosvold.In late 2007, Jasun began writing material for Cynthesis. As the music developed Jasun could only imagine one vocalist to really connect to the material. After one phone call both Jasun and Erik were very excited to work together again.The final piece of the puzzle was to find an amazing drummer. Jasun asked Troy what drummer he would like to work with. Without any hesitation Troy said, "Sean Flanegan is the guy". Sean is best known for his work with the Progressive Rock band, Enchant (Blink of an eye & Tug of War).Produced by Dino Alden, DeEvolution is the first of a projected series of albums from this reunited force of progressive metal.
    $8.00
  • "Yet another female-fronted symphonic power metal band? Frankfurt's Arven does it better, five times better. Arven consists of five young gals at the forefront, and the only male forced behind his drum kit. One guy and five chicks. Don't go there, dude.Fundamentally, Arven has the whole symphonic power metal sound nailed down pretty tight. With the gothic overtones and Carina Hanselmann's mezzo-soprano to soprano voice, they easily get the Nightwish, Epica, Edenbridge crowd. Yet with the strength of their power metal they could easily pull in the male side of things by appealing to fans of Blind Guardian or Sonata Arctica, for instance.After these things, the real questions that remains is Arven doing anything novel or better than their peers. Not necessarily, but what they do, they do very well. They've got a bit of the Celtic folk flair with the instrumental Cercle D Emeraude; a traditional duet with Stefan Schmidt of Van Canto on The One For Me, very nice; My Darkest Dream is the song with the best rock groove and single potential; Believe, Don't Look Back, and Black Is The Color are solid mainstream symphonic power metal. In other words, as said before, they understand their chosen genre quite well and craft some very good songs. If you like the style or you're a fan of the aforementioned artists, you'll be pleased with this album. Recommended." - Danger Dog
    $15.00
  • "Have we reached the verdict regarding our future? Was George Orwell right? Has the big brother been watching over without us know, as if we were citizens in a global silent dictatorship? And what about the social networks, are those enough to be considered as the beginning of a certain end to our healthy minds? Too many questions and plenty of answers, maybe some would be left in the air for sure. Possibly the only thing left is tell about it, warn the commonwealth of probably future's dangers and hazards. Under the veil of melodic Metal, the Bavarian POWERWORLD created various perceptions of the future to come. Several views have been seen in movies over the years, others have been preserved for impending use, maybe to write songs about. POWERWORLD created the next revolutionary hysteria of the cyber world with their brand new album, "Cybersteria", via SPV / Steamhammer Records. Nothing too innovative musically, but this album, as the previous before it, is enough to encourage the listener to appreciate the band's profound talents for their version of Heavy Metal."Cybersteria", as the band's new album, served also a cornerstone for the change the engulfed the group. In 2011, after suffering from a continuous illness and bad health, the band's previous vocalist, Andrew McDermott, died. David Reece, known from his single work with ACCEPT and a constant member of BANGALORE CHOIR, stepped in as a replacement. Yet for the reason of musical differences, the ex-JADED HEART Bluesy voice of Michael Bormann, took charge of the vocal recordings. Furthermore, Guitarists, Andreas Rippelmeier (HEAVENWARD) substituting for Barish Kepic, and Keyboards players, Marco Grasshoff coming in for Nils Neumann, were replaced for the recording, possibly as new band members under the leadership of bassist, Ilker Ersin. In comparison to the previous "Human Parasite", this has been quite an uplifting experience, as this unified group generated a decisive, partly intricate and complex, concoction of Euro melodic, but heavy duty, Heavy Metal in range of ACCEPT or VICTORY, Bluesy furbished Hard Rock of whether 70s DEEP PURPLE and 80s WHITESNAKE, aside to a variety of Power Metal attributes of STRATOVARIUS and darkened features of EVERGREY. Not what I would call an explicit musical skirmish, but surly this particular one is a fresh air in a cool summer night."Cybersteria" enabled smooth catchiness just as the previous release, yet the dimmer veil that hovered above of the Blues created an atmosphere of something that might resemble sorrowfulness and emotional distress. One might also notice fear, especially within the theme of the lyrics, and Bormann's raspy tone of Jorn meets Coverdale tone of voice seemed to be the right choice to go along with. The album's rising star, "Coast Of Tears", is an aching, hooking, slow to mid tempo rumpus of emotional distress, a slight murky, powerful riffing and impressive vocals, reminded me a bit of EVERGREY but with a bleak PURPLE aloofness. "Back On Me" seemed endless at first, but ended up being highly articulate and melodic. Similar to "Human Parasite", POWERWORLD remained modernly produced in terms of sound, but for songs such as this one, nothing sounded as better. "Not Bound To The Evil" and "Like A Shadow" drenched in 80s Metal boundaries. Andreas Rippelmeier seemed quite capable of writing past oriented riffing. There have been several signatures of the 80s throughout the album, but these songs took me back to the hey days more than the others. The latter being a catchy speedster with an amazing main riff, a mere classic with an incredible lead guitar line, but with an even better was the vocal line. There you have it, dripping with the right volume of Blues, along with an expressional version of melodic Heavy and Power Metal, the pristine hysteria is delivered and here for your receiving and understanding. " - Metal Temple
    $15.00
  • Depending on your point of view of course, this German power metal band has gotten better with age. Somewhere along the line vocalist Hansi Kursch developed his voice and the band went for a more expansive - almost orchestral - sound. Still heavy as hell. 2CD special edition is in a digipak and features a bonus disc with demos, orchestral versions of tracks from the album an interview, and a video clip.
    $16.00
  • Perhaps inspired by the passing of the legendary Jon Lord (who the album is dedicated to) or by the creative infusion from producer Bob Ezrin, Deep Purple's 19th studio album arrives firing on all cylinders.  Sure I miss Ritchie Blackmore.  Steve Morse is Steve Morse.  A legend...but he brings a different element to the band that to my ears was always defined by the neoclassical explorations of Blackmore.  Getting past that this album is a pure smoker.  Don Airey replaced Jon Lord over a decade ago.  He's always played the hell out of the Hammond organ and he doesn't disappoint here.  He's the perfect replacement for Jon Lord and even adds his own imprint in some not so subtle ways.  Oh yeah - Ian Gillan sounds great.  I wasn't a huge fan of the last couple of albums but this one sure does kick some major ass. 
    $11.00
  • Limited edition digipak comes with a video clip and making of documentary.
    $12.00