Home (Deluxe Mediabook)

SKU: GAOM026LE
Label:
Gentle Art Of Music
Category:
Progressive Rock
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"With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."

This is the deluxe mediabook edition.  Same track listing as the jewel box but in much nicer packaging.

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  • "The second live DVD release by the outstanding art-rock band from Poland. Believe's music appeals to the lovers of Collage, Satellite, Porcupine Tree or Pink Floyd. This concert was recorded in November 2011 in Wyspianski Theater in Poland. The DVD also includes over 100 minutes of additional video material: 2 bootleg videos, an interview with Mirek Gil and Karol Wr+Ýblewski, and "Music for One Leg" documentary!"
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  • "FIRST EVER CD RELEASE EDITION OF THE RARE 1969 DEMOS BY THE LEGENDARY CRESSIDANEVER BEFORE RELEASED ON CD WITH TWO PREVIOUSLY UNRELEASED TRACKSBOOKLET WITH FULLY RESTORED ARTWORK & NEW ESSAY.Esoteric Recordings are pleased to announce the first ever CD released of TRAPPED IN TIME, a collection of rare demos and recordings made in 1969 by the legendary band CRESSIDA. The band would later sign to VERTIGO records, recording two classic albums for the label. TRAPPED IN TIME reflects the very first recordings made by the band prior to signing to Vertigo and was previously released as 500 limited edition LP.Featuring a line-up of ANGUS CULLEN (vocals), JOHN HEYWORTH (guitar), KEVIN McCARTHY (bass), LOL COKER (organ), PETER JENNINGS (organ on tracks 3,4 & 5) and IAIN CLARK (drums), this Esoteric Recordings release features two extra tracks not included on the original vinyl LP and a booklet that features a new essay and rare photographs."
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  • New 2CD "Definitive Edition".  The second disc features the live "A Live Time In Eden" release.Third studio album picks up from where Arcana leaves off. Gorgeous soaring progressive symphonic metal with a bombastic touch. Vocalist Sabine Edelsbacher continues to develop as one of the great voices in metal. Composer/guitarist Lanvall is great at coming up with anthem-like melodies. Sabine finally meets her male counterpart match in D.C. Cooper who guests on the 9 minute epic "Red Ball In Blue Sky".
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  • Remastered edition of the band's classic 4th album with two bonus tracks.  Its a concept album that literally defined classical rock.  Sure its pop oriented but the overarching progressive elements are prominent through out.  Highly recommended and at 5 bucks a steal.
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  • Live set recorded at Rosfest and Calprog in 2009. Touchstone are getting a lot of hype in the British press at the moment but that shouldn't deter you. The band's music is from the more melodic side of the prog spectrum. Fronted by Kim Seviour, she complements the band well. If you like your prog a bit light you should enjoy this band - they went over a ton at both festivals.
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  • "An intriguing Symphonic Metal mix here, Germany’s NEOPERA began under the foundation of DARK AGE guitarist Jörn Schubert in 2010, slowly assembling all the right components to see his ideas come to life. Many of you will know Dirk Schlächter from his work in GAMMA RAY, as well as drummer André Schumann as he also is a member of DARK AGE. The inclusion of three distinct voices- one male who handles the heavier/ shouting elements, while the opera parts get divided between a male baritone and a female soprano – makes these 12 tracks more than a mere NIGHTWISH knockoff, and more in line with what you would expect on a KAMELOT or THERION release.The opener “The Marvel of Chimera” has an interesting country fiddle lick that transforms into this heavier electric burst, very much in line with latter day KAMELOT – as all three vocalists get a chance to trade off in voice and verses, quite a potent starter to easily gain the listeners attention. Keyboards do take center stage at times in terms of the musical hook department – check out “Remote” as the guitars circle and swarm against the multi-level melodies and shouting vocals, another stunner in the sense that musically the back and forth Power parts swirl against the building and falling Symphonic elements. It wouldn’t be a Symphonic album of course without some tender Ballad action – so expect “Falling Water” and “Last Pantomime” to give you the slower, emotional moments, the latter working better to my ears as a true ‘power ballad’, and some great melody action from Thorsten in his comfortable lower register.What makes NEOPERA very appealing is their bursts of heaviness, straddling the lines of Power and Melodic Death on a shorter song like “Song of Revenge” – and then being musically exhilarating on a straightforward arrangement such as the title cut, where you will hear a lead break that is brilliant and shred worthy all the same. At 12 tracks and 52 minutes, “Destined Ways” has just enough versatility to gain credibility through multiple genres of metal – yet never wear out its welcome.Let’s hope this is not a one-off project and could transform into a multiple album/ live act, as these Germans have the goods to go places." - Metal Temple
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  • "Fatal Fusion play in a prog style which remains rooted in the genre's 1970s roots (with a strong flavour of 1980s neo-prog on the side), but avoid turning themselves into a sterile nostalgia act by playing in a loose, wild style which feels like it could have blasted forth from the stage of prog venues of old. Avoiding the overprecise, fussy production which less interesting retro-prog outfits pursue in the name of sonic perfection, Fatal Fusion instead create an album whose imperfections are, in fact, part of its charm - the rest of its charm being taken up with its gloriously sincere embrace of its fantasy themes as expressed in its lyrics.This is one of those albums like Galadriel's Muttered Promises From an Ageless Pond where somehow it ends up sounding incredible even though in terms of originality and technical excellence it's nothing special - there's a magic to Fatal Fusion's compositions which drips from every second of the album. Great stuff." - ProgArchives
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  • "Maxi Nil (ex Visions of Atlantis) and Raphael Saini (ex Iced Earth) after touring the world and captivating audiences along the way, decided to join forces and re enter the music world as Jaded Star!Exploding with energy, experience and drive the band's debut album "Memories From The Future" is ready.Produced by Maxi Nil, mixed and mastered by Fredrik Nordstrom at the legendary Fredman Studios in Sweden, this album showcases Maxi's electrifying vocals and the masterful drum work Saini is known for.Guitar hero Kosta Vreto with his unique finger strumming style, eschews the plectrum in favor of a raw, organic sound that literally comes straight through his hands. Babis Nikou on the bass brings a solid foundation and the chemistry between he and Maxi as the song writing team provides emotion to match the power of the sound.The elements are there, the forces have aligned, the Jaded Star is ready to shine!" 
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  • "In 1972 Jethro Tull were riding high on the crest of a popularity wave. They sold out huge arenas on the back of their critically acclaimed fifth album Thick As A Brick. The question was, how do you follow a concept album comprising a single 44-minute piece of music? The answer was, with a double album of separate songs of course.For the first time in their five year career Tull went into the studio with an unchanged line-up. Founder member and undisputed leader Ian Anderson was still writing songs on flute, acoustic guitar and now saxophone, and he was again joined by guitarist Martin Barre, bassist Jeffrey Hammond-Hammond, drummer Barriemore Barlow and keyboard player John Evans. But which studio to use?The first criterion was that it had to be abroad. The second criterion was that the studio of choice had to have a good reputation. The 18th century Château d'Hérouville near Paris had previously been used by Elton John to record Honky Château and by Pink Floyd for Obscured By Clouds. It contained living accommodation as well as studio facilities, and so seemed the ideal choice. What could possibly go wrong?The choice was a disaster. First up, there were technical problems with the studio itself. Then there was the accommodation... the band all slept in a dormitory, it was very basic which might have been tolerable, had they been the sole occupants of the rooms. Unfortunately, they had unwelcome company, of a bed-bug variety. And then to make matters infinitely worse everybody got food poisoning from the in-house catering.Unsurprisingly the band decided to go home and the decision was made to ditch the hour or so s worth of music recorded in France. They decided to start from scratch and write a whole new album, instead of trying to somehow regenerate everybody s interest and commitment to something that had already struggled.And so to A Passion Play, an album that evolved into a 45-minute piece of quasi-prog rock, with complex time-signatures, complex lyrics and, well, complex everything, really. With a mere nine days left in the studio before the next tour, the pressure was on to produce something quickly. The concept explored the notion that choices might still be faced in the afterlife. It recognizes that age-old conflict between good and bad, God and the Devil.This beautifully packaged 2CD/2DVD case-bound book expanded edition of A Passion Play includes the original album and earlier Château d'Hérouville Sessions both of which have been mixed to 5.1 surround sound and new stereo mixes by Steven Wilson."Disc: 11. Lifebeats /Prelude2. The Silver Cord3. Re-Assuring Tune4. Memory Bank5. Best Friends6. Critique Oblique7. Forest Dance #18. The Story Of The Hare Who Lost His Spectacles9. Forest Dance #210. The Foot Of Our Stairs11. Overseer Overture12. Flight From Lucifer13. 10.08 to Paddington14. Magus Perde15. EpilogueDisc: 21. The Big Top2. Scenario3. Audition4. Skating Away5. Sailor6. No Rehearsal7. Left Right8. Solitaire9. Critique Oblique (Part I)10. Critique Oblique (Part II)11. Animelee (1st Dance) [Instrumental]12. Animelee (2nd Dance) [Instrumental]13. Law Of The Bungle (Part I)14. Tiger15. Law Of The Bungle (Part II)Disc: 31. A Passion Play mixed to 5.1 DTS and AC3 Dolby Digital surround sound and PCM 96/24 PCM stereo.2. A flat transfer from the original master at PCM 96/24 stereo3. Video clips of The Story Of The Hare Who Lost His Spectacles an intro and outro film used in the Passion Play tour of 1973.Disc: 41. The Château d'Hérouville Sessions mixed to 5.1 DTS and AC3 Dolby Digital surround sound
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  • Double CD set contains the two great - but recently out of print - albums from the Seattle thrash band that morphed into Nevermore. Warrel Dane at his finest!
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  • This one is a bit of a head scratcher.  Its the most un-Inside Out release ever released on Inside Out.  Stealing Axion are a djent metal/metalcore band based out of Seattle, WA.  The sound will draw comparisons to Periphery and Tesseract.  In fact the album was mixed by Tesseract's guitarist Acle Kahney.  I admit I don't get it.  I think Century Media shoved this release onto Inside Out because they sounded too much like the bands already signed to CM.
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  • "Unavailable in the U.S. 1986 debut from this British Art-Rock/Prog-Pop quartet fronted by Francis Dunnery. Produced by former Gong member Steve Hillage, this album was the most commercial of their releases and includes the bona-fide hit single 'Calling All The Heroes'."
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  • Sixth studio album from this Finnish symphonic power metal band now fronted by Annette Olzon. In 2005, the band had an acrimonious split with Tarja Turunen, their incredible operatic vocalist. The band didn't try to find a singer with a similar range. Olzon is a solid singer with no operatic aspirations. With the changeover, band leader Tuomas Holopainen has tailored the music to fit her range. This is reportedly the most expensive Finnish album ever recorded due to the use of the London Philharmonic. Pure epic symphonic metal is Nightwish's calling card and it's here in spades - bigger than ever.
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