Home (Deluxe Mediabook)

SKU: GAOM026LE
Label:
Gentle Art Of Music
Category:
Progressive Rock
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"With 'Home', for the first time since their critically acclaimed 'Posthumous Silence' of 2006, Sylvan have taken the chance to create another full-on concept album. Even though the Hamburg natives attach great importance to creating contextually comprehensive pieces of art with any of their albums, this time around Sylvan have upped their ambition another notch and taken on the mammoth task of building an overall concept around the never ending quest of the human condition for 'home' - that very special place that can provide a feeling of complete safety."

This is the deluxe mediabook edition.  Same track listing as the jewel box but in much nicer packaging.

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  • 1976's Straosfear clearly defined the band's heavily sequenced sound.  It was highly melodic - all the experimentalism of the early 70s was gone.  Dark and a bit intimidating, its one of their best.
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  • "SILENT VOICES is a relatively unknown band hailing from Finland, nevertheless they had already published many recommended albums such as their debut in 2002 “Chapters Of Tragedy” or 2006’s “Building Up The Apathy” or the great “Infernal” (2004), the line-up team is also composed by ex-members of REQUIEM and also share some musicians with SONATA ARCTICA like Henrik Klingenberg as keyboardist and bass player Pasi Kauppinen (WINTERBORN / KLINGENBERG SYNDROME). It’s been a while since the last SILENT VOICES album was out in the streets, it had occurred a lot of things in their lives, lots of turmoils, hassles -you name it-, the band was on deep winter sleep and they lost their vocalist, the great but rather inconstant Michael Henneken (SENTIMENT / ADAMANTRA) was gone for good.While they were in quest of searching for a new perfect singer they opted for the trick that consist to have different famous vocalists at the same time in order to increase their creativity and the band’s polyvalence, it’s also a good marketing move but the risk is to weakened the impact, to have a dilution of the personality of the music with each guest singer's specificity but finally the idea works pretty well, I believe.Now the new permanent singer for SILENT VOICES is known as Teemu Koskela from WINTERBORN’s fame (their 2008’s release “Farewell To Saints” is warmly recommended). But the album contains, beside the impressive vocals of Mr. Koskela in the very first song (which is a killer), nothing more than four guest vocalists such as:Mats Leven (ex-TREAT / ex-SWEDISH EROTICA / ex-ABSTRACT ALGEBRA / ex-RISING FORCE / ex-SOUTHPAW / ex-THERION / ex-ADAGIO / ex-AT VANCE / ex-FATAL FORCE / ex-SABBTAIL / DOGFACE), Michael Vescera (ex-LOUDNESS / OBSESSION / ex-RISING FORCE / ex-FATAL FORCE / ex-DR SIN / ex-REIGN OF TERROR / ex-KILLING MACHINE / WARRION / ANIMETAL USA / SAFE HEAVEN / MVP), Tony Kakko (SONATA ARCTICA / ex-NOTHERN KINGS) and Mike DiMeo (PHENOMENA / THE LIZARDS / ex-RIOT / ex-ILLIUM / ex-MASTERPLAN).Swedish citizen Mats Leven is absolutely stunning within the songs “No Turning Back” & with “Burning Shine”, his vivid interpretations, his deep implication and his voice leaves no hope for another contender, his signature vocalizing are clearly unbeatable, he is the king. Those songs are very well composed , maybe a little more direct than before but with still some intriguing arrangements and great orchestrations plus as always some acrobatic playing.Mike Vescera from USA delivers also a very solid performance, within the third track that is quite reminiscent of the SILENT VOICES old style, with an amazing display of virtuosity in the solo section, that’s funny that they opted for the titled “Reign Of Terror” with Vescera singing on it. Tony Kakko is the weakest of all the hired vocalist, the track is quite good but don’t fit with the thin voice of the SONATA ARCTICA’s mastermind, I believe that Teemu Koskela could do a better job with that particular one.“Black Water” is an instrumental number that allows to each member to shine a little more, a fine demonstration of agility. New York City very own Mike DiMeo is doing a fine rendition of this song called “Through My Prison Walls” but I still think that Teemu is able to sing even better, the long epic cut itself  is a good mix of past and fresh Prog Metal , with some amazing musical parts and many twists and turns.Only little disappointment is the length of the disc itself, after seven years in the making I had wished for one more song with Teemu, a remake of an old song could have been a good ide. Maybe this is their best album, I don’t know only time will tell, but it surely can compete with their great back-catalogue, easily. " - Metal Temple
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  • "Winter In Eden’s latest offering comes on the heels of their highly acclaimed debut ‘Awakening’ and follow up ‘Echoes Of Betrayal’. Latching onto the production team behind fellow symphonic hard rockers Within Temptation and with critical support from the rock and metal media , ‘Court Of Conscience’ sees them looking to rub shoulders with the big players in the field.Has anyone else noticed a marked increase in the numbers of females becoming part of the rock scene? You only need check out some of the rock publications on the shelves of your local newsagents to find the latest in a new breed or the new release featuring a talented rock goddess on its cover (and let’s face it, more often than not, the ladies tend to look a bit better than the guys.)Nowhere has it been more apparent than in the melodic/symphonic rock/metal scene, where the likes of Within Temptation, Evanescence, Amaranthe and  Nightwish have opened the doors and made female fronted rock almost a genre by itself. In fact, one of the best gigs I’ve attended this year was the Within Temptation/Delain double bill and as someone (probably Disney related) once said, it opened up a whole new world.To the point though. Winter In Eden are another five piece symphonic rock band from the north of England who can be added to the list. With an EP and two albums behind them and a string of recognition  (best new band, female vocalist, live act) from the likes of the Classic Rock Society, Metal Storm and Classic Rock magazine, anticipation is high for their third album, ‘Court Of Conscience’. It comes courtesy of producer Ruud Jolie (of Within Temptation) and mixed by Stefan Helleblad (of…..Within Temptation) and featuring a number of guest appearances most notably including  Landmarq/Threshold singer Damian Wilson. Sounding good so far.Opening track ‘Knife Edge’ has all the classic elements – the false sense of security of the  gentle piano opening giving way to the immediate vocal of Vicky Johnson amid a smack in the teeth blast from the band, a minor respite mid song giving way to a suitably symphonic ending and a flavour of what’s to come.  The typically dynamic expectations and atmospheres come courtesy of the ominous opening of ‘Critical Mass Pt 1- Burdened’ which smoulders along and builds into becoming the big production piece on the album.  With ‘Toxicate’ and ‘Order Of Your Faith’ they display a slightly harder edge while ‘The Script’ offers up something more akin to a string driven power ballad.Although the overall sound is naturally quite heavily orchestrated (expertly done by keyboard ist Steve Johnson) the band are driven along by Steve Hauxwell’s drums and it’s hard not to be impressed by Vicky Johnson’s symphonic metal goddess vocals which pour a velvety smooth coating over  the soundtrack which essentially provide the focus for the band. The album is accessible with some commercial hooks, dare I say radio friendly (maybe rock radio friendly might be more appropriate)  in songs like ‘Before It Began’ and full of sweeping strings and explosive guitars yet able to move into simple acoustic guitar driven pieces.Having come off the road and straight into recording saw the material coming together quickly and making the most of the benefits of playing together  as a live unit. The ‘been there and got the T shirt’ Within Temptation polished production influence has rubbed off  and given Winter In Eden the motivation and momentum to deliver a record which establishes and strengthens their reputation  in the genre." - Louder Than War
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