High Voltage Festival (2CD Ltd Ed)

SKU: 5060158732517
Label:
High Voltage
Category:
Progressive Rock
Add to wishlist 

Strictly limited 2CD set from the band's live performance at the inaugural High Voltage Festival at Victoria Park, London on July 25, 2010. This is the Steve Hogarth fronted edition - don't go expecting miracles. The audio is taken straight from the mxing console with no overdubs. Strictly limited edition that will definitely be a collector's item in the future.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Marillion seems to be appealing to a commercially-oriented buying demographic with this album. There are parts of this record you'll love, and there are parts ... you might not. The band's work in the Hogarth era is marked by its variability - or some might say inconsistency. Although there have been some dud CDs, arguably including Radiation, Anoraknophobia and marillion.com, each of those records had some excellent songs. Similarly, the great albums had songs that were less than stellar. So it's generally safer to think of Marillion's work in terms of the songs rather than the CDs. Having said that, though - Somewhere Else probably fits somewhere between Marbles and marillion.com stylistically, and it's closer to .com in terms of quality.Somewhere Else doesn't share all of Marbles's progressive elements, its subtleties, or its general appeal. This music is a bit more linear, and it's very vocals-oriented. Steve Hogarth's singing is as emotion-laden as ever, switching effortlessly in and out of falsetto, and very expressive - in the style of "The Invisible Man" or "Angelina" from Marbles, or Radiohead's classic "Creep". But you might wish that he would stop singing for just a few minutes and let some instrumentals shine through. Steve Rothery's legendary guitar work is heard in only a few places, and Mark Kelly provides some very appealing piano lines, but there aren't any instrumentals to into which you can really sink your teeth."Most Toys" is a hard-hitting rocker with very simplistic lyrics that won't have much appeal to Marillion's traditional fanbase, although it might win them some commercial radio time. "Last Century for Man" also has simplistic lyrics with little subtlety, and a catchy melody that stays with you for days. There are no epics here, with 10 songs in just 52 minutes, and the title track (the longest at 8 minutes) is the standout piece with a meandering structure, gently appealing delivery and an almost minimalist approach to the instrumentals. Some might call it sleepy - but it definitely goes into the list of Marillion's better songs. Other highlights are the opening track "The Other Half", and "Thank You, Whoever You Are" - a fairly straightforward piece that features some nice but all-too-brief moments from Rothery's guitar.If Marillion is chasing after radio time, or if they're wooing the Coldplay / Radiohead / Pineapple Thief audience, this song-oriented record will probably get them there. But it will do so at the cost of a significant portion of their progressive rock fanbase." - Sea of Tranqulity
    $13.00
  • All region NTSC DVD featuring Hackett's recent concert from Buenos Aires. This 105 minute disc features a nice selection of Hackett solo material new and old as well as some Genesis stuff. Similar set to the Nearfest gig.
    $18.00
  • New expanded 2CD edition of one of the great neoprog albums of all time. I should preface that comment. While Twelfth Night are part of the neoprog bedrock that developed in the late 70s/early 80s UK scene, this is an instrumental album. Geoff Mann didn't record with them until the first proper studio album, Fact And Fiction. Live At The Target actually owes quite a bit to Camel and Yes, consisting of 4 long killer tracks. The album appears intact here but is augmented with a second disc featuring material recorded at various locations in the UK between 1979 and 1981. A good chunk of this is previously unreleased. A great album made even better. Highly recommended.
    $18.00
  • "Equinox produced Styx's first single with A&M, the highly spirited "Lorelei," which found its way to number 27 on the charts. Although it was the only song to chart from Equinox, the album itself is a benchmark in the band's career since it includes an instrumental nature reminiscent of their early progressive years, yet hints toward a more commercial-sounding future in its lyrics. "Light Up" is a brilliant display of keyboard bubbliness, with De Young's vocals in full bloom, while "Lonely Child" and "Suite Madame Blue" show tighter songwriting and a slight drift toward radio amicability. Still harboring their synthesizer-led dramatics alongside Dennis De Young's exaggerated vocal approach, the material on Equinox was a firm precursor of what was to come . After Equinox, guitarist John Curulewski parted ways with the band, replaced by Tommy Shaw, who debuted on 1976's Crystal Ball album." - Allmusic Guide
    $5.00
  • First new studio album in 12 years!"2012 release from Fusion pioneers, Tribal Tech. X documents the latest musical journey of this revered Jazz Fusion super group, known for their complex arrangements and phenomenal solo interplay. On X, the members of Tribal Tech, Scott Henderson, Gary Willis, Scott Kinsey, and Kirk Covington once again throw convention out the window and entered the studio without a set list of heavy arrangements. Instead, each member brought musical sketches to the table and they turned on the tape machines and bravely set out to play together as a unit. Tribal Tech has delivered perhaps the most phenomenal recording of their impressive 25+ year history as a band. This album embraces the group dynamic. Only when you have a rich band history forged by virtuoso musicians, can you achieve the kind of synergistic genius that Tribal Tech reaches on X."
    $15.00
  • Complete show filmed at the Bowery Ballroom in New York City on March 16, 2007. Obviously the focus of the material is taken from the two Blackfield albums although there is a cover of Alanis Morrisette's "Thank You". As a bonus you get the promo videos for "Hello", "Pain", and "Blackfield" - all produced by Lasse Hoile and all are great. Highly recommended.
    $20.00
  • 35th anniversary box set from Kayak featuring their first NTSC format DVD. The legendary symphonic rock band performed at the Paradiso in Amsterdam on 10/7/08 at which time this pro-shot set was broadcast out over the internet. The tour was in support of the Coming Up For Air album but there was a pretty healthy cross-selection of material from their deep catalog. This is the complete concert. In addition you get 4 CDs with the set - 2 CDs are the audio portion of the convert. The other 2CDs are a greatest hits set of sorts as selected by vote of Kayak fans.
    $45.00
  • "Guitarist Tommy Shaw joined Styx in time for this 1976, helping the band begin the rise that would soon take them to the top. The album was a hit and Mademoiselle went Top 40; it joins Put Me On; Crystal Ball; This Old Man , and more theatrical pop!"
    $5.00
  • "Love's Forever Changes made only a minor dent on the charts when it was first released in 1967, but years later it became recognized as one of the finest and most haunting albums to come out of the Summer of Love, which doubtless has as much to do with the disc's themes and tone as the music, beautiful as it is. Sharp electric guitars dominated most of Love's first two albums, and they make occasional appearances here on tunes like "A House Is Not a Motel" and "Live and Let Live," but most of Forever Changes is built around interwoven acoustic guitar textures and subtle orchestrations, with strings and horns both reinforcing and punctuating the melodies. The punky edge of Love's early work gave way to a more gentle, contemplative, and organic sound on Forever Changes, but while Arthur Lee and Bryan MacLean wrote some of their most enduring songs for the album, the lovely melodies and inspired arrangements can't disguise an air of malaise that permeates the sessions. A certain amount of this reflects the angst of a group undergoing some severe internal strife, but Forever Changes is also an album that heralds the last days of a golden age and anticipates the growing ugliness that would dominate the counterculture in 1968 and 1969; images of violence and war haunt "A House Is Not a Motel," the street scenes of "Maybe the People Would Be the Times or Between Clark and Hillsdale" reflects a jaded mindset that flower power could not ease, the twin specters of race and international strife rise to the surface of "The Red Telephone," romance becomes cynicism in "Bummer in the Summer," the promise of the psychedelic experience decays into hard drug abuse in "Live and Let Live," and even gentle numbers like "Andmoreagain" and "Old Man" sound elegiac, as if the ghosts of Chicago and Altamont were visible over the horizon as Love looked back to brief moments of warmth. Forever Changes is inarguably Love's masterpiece and an album of enduring beauty, but it's also one of the few major works of its era that saw the dark clouds looming on the cultural horizon, and the result was music that was as prescient as it was compelling." - Allmusic Guide
    $8.00
  • Third album from this New Jersey symphonic rock band.  All of the band's albums are conceptual pieces based around literary works.  In fact the band's name is derived from a Ray Bradbury story.  On A Dark And Stormy Night is based on Madeleine L'Engle's fantasy novel of the same name.  The album is a wet dream for any fan of symphonic prog.  As I make my way through the album I'm frequently reminded of some similarities to Glass Hammer.  This is very keyboard driven music with a healthy amount of guitar leads.  There are even some nice Mellotron sounds popping up now and then.  These guys dream big and hit the mark.  Highly recommended.
    $11.00
  • "‘Les Fleurs du Mal’ is a conceptual album by Swedish band THERION that features only French lyrics and consists of cover versions of old French pop songs from 60-70s. THERION celebrates by "a special art project", headlining by the material, its 25 anniversary. It was also said that the album is available only during the tour and from THERION online store; it is sponsored by the only founding member, Christofer Johnsson. But you can buy it i.e. on Amazon as well. I am not going to go at length comparing THERION old and new and trying to rationalise things. The reason is simple, as this album was actually the first that caught my full attention. I start from the cover: it's full of topless females. Obviously, Charles Baudelaire's legacy is quite reminiscent there. The cover is made of a quite rich artwork of Saturno Butto, themed mainly erotic and varying from matte painting to charcoal sketches.Most of the songs here are quite short, yet powerful. Why these songs? I have at hand some lengthy explanations from the press kit, but in fact it boils to one single thing: the overall direction of French songs that are dark and telling some quite grim stories. Yet we all aware of a largely poetic language and melodic music background of French culture. Christofer has a great, fluent knowledge of musical styles and approaches, so he claims influences from King Diamond, Candlemass to folk music and ABBA. The album is beating with energy, in carries you along with its set of 15 songs performed mainly by the lead opera singer, soprano Lori Lewis.Of course I was curious about how exactly the original songs were altered. It's too much of effort to get past all these tracks, so I picked few favourites. ‘Mon amour, mon ami’ by Marie Laforet is a playful pop song, performed originally in circus-like up-tempo, but THERION specialists worked closely in order bring about the "inner darkness", toned down tempo and timbre and added traditionally "darker" music instruments such as organ - so song became indeed heavier and more minor, yet more powerful and strong. ‘Polichinelle’, performed with a cute teenage girl's voice by France Gall, is initially a pretty love ballad that relates to a Commedia dell 'arte character (note that comedian masks are worn by the naked ladies on the album booklet. (Thumbs up for the throughout conceptual work!) THERION ended up with an operetta rendering of the song, making of it somewhat of an opera house hymn, this type of sound you would expect from contemporary French musicals. Despite being one of the most experimental pieces on the album, it would be, probably, one of the most noticeable tracks.Finally, Victoire Scott's ‘Une fleur dans le coeur’ - Christofer did not like very much a feature you can hear in original, the honky-tonk (tuned-off) piano that he only describes as "dreadful". Instead, THERION interpretation is deeply lyrical, with plenty of acoustic guitar and strong soprano of Lori multiplied by the riffs you might expect from Jann Tiersen, metal additions and whole lot of different styles changing one to another. One drawback that I see is that the vocal style often remains of the same across album, so if you listen to 15 songs in a row, you might be tired a bit with the similar style. Yet the band paid enough attention to insert pleasant breaks by quest vocalists. The album sounds sound, fresh, and original and there is additional fun to compare originals to the covers." - Reflections Of Darkness
    $11.00
  • Sound Of Contact is a new band put together by Simon Collins and session keyboardist Dave Kerzner.  Yeah - Simon is Phil's son.  The apple doesn't fall far from the tree - Simon plays drums and he also sings.  His voice is eerily like his dad.  At times virtually indistinguishable.  The music follows a similar path to Phil's work with Genesis and solo.  Parts of the album are pure prog - in fact the album closes with a killer 19 minute epic called "Mobius Slip".  Other parts of the album exhibit a poppier more commercial side.  I don't think of the album as a pop album - its a prog rock album.  Kerzner provides some very interesting keyboard work - lots of intricacies through out the album.  There is that commercial element that reminds me of Genesis in the 80s.  With his voice sounding so much like his father, Simon will always be cursed with being compared to Phil.  That's a fact.  Overall I think he's come up with an interesting album that fans of more contemporary progressive rock will enjoy.
    $12.00
  • Metal Mind Productions combined jewel box editions of A Street Between Sunrise And Sunset and Into The Night together in a slipcase and a very attractive price.
    $16.00
  • New remastered edition of the expanded version of Art & Illusion. Previously available on Cyclops but out of print for some time. There is also a bonus disc with 12 live tracks taken from various gigs in 1984.
    $18.00