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  • In the UK there is a growing movement of bands that are revisiting 70s progressive and classic rock. Diagonal and Litmus would be examples although compared to Wolf People they explore the more progressive side of the spectrum. I got turned on to Wolf People a couple of years ago, purchasing a CD-EP they marketed themselves. I was struck by the similarities to 70s British blues legends The Groundhogs. Now signed to hot indi label Jagjaguar, Wolf People have delivered the goods with their first proper full length album. It was apparently recorded in a converted chicken barn on a 17th century Welsh mansion and while I can't say the album sounds like it was recorded 400 years ago it definitely doesn't sound like a modern recording.If anything the band has amped up the psychedelic/hard rock quotient but still are rooted in a bluesy sound. Guitarist Jack Sharp tears it up from beginning to end. You will definitely be reminded of The Groundhogs, Human Beast, Incredible Hog and dare I utter the magic words Cream? The occassional use of flute vaguely adds the whiff of early Tull but that's the cherry on top. Highly recommended.You can preview a healthy chunk of the album here: Hear for yourself: Wolf People's MySpace Page
    $15.00
  • One of the great Vertigo releases and certainly one of the great folk rock albums of the 70s. Tudor Lodge was the trio of Ann Steuart, Lyndon Green, and John Stannard. They all sing and play guitar, with Ms. Steuart also playing flute. They are augmented by a number of musicians, including the great Danny Thompson on bass, Tony Coe on flute, and many others giving them a full band sound. Its a beautiful, upbeat and dreamy album focusing on the vocal harmonies of the trio which remind a bit of Peter, Paul and Mary but the music is far more developed. This new Esoteric edition comes with the usual detailed liner notes as well as one bonus track.
    $15.00
  • Steve Hillage's early Canterbury gem featuring Dave Stewart on keyboards, Nicholas Greenwood on bass and Eric Peachey on drums. Although it's not as psychedelic as his later work with Gong the album gives Hillage plenty of room to strut his stuff. Later on Greenwood made the great "Cold Cuts' disc with Peachey in tow. Remastered edition featuring two previously unreleased bonus tracks and extensive liner notes.
    $16.00
  • Blazing second solo album, from 1977. This has some of the fastest guitarwork you will ever hear in your lifetime. DiMeola shows many facets to his playing touching upon pure electric fusion as well as gorgeous acoustic work. The acoustic duet with Paco De Lucia on "Mediterranean Sundance" is breathtaking. Jan Hammer and all the other stars play their nuts off here. Great.
    $7.50
  • First album from this Italian band featured a heavier sound not to far from Deep Purple.  There are prog and psych moves so if you want to call it "proto-prog" you wouldn't be far off the mark.  
    $15.00
  • 4th album now remastered in a deluxe edition at a budget price (go figure...). Only bonus is a dispensable remix of "The Bells Of Notre Dame". Perhaps the band's most underappreciated album. A space rock classic.
    $13.00
  • From time to time over their career Tangerine Dream would release a live album - most of them are pretty good.  This one is pretty phenomenal.  It was recorded in the US on their 1977 tour in support of Stratosfear.  It consists of 4 epic length tunes.  If you are into electronic music this is a must own.
    $10.00
  • "One of the great things about Jeff Beck is his utter unpredictability. It's also one of the most maddening things about him, too, since it's as likely to lead to flights of genius as it is to weird detours like Beck, Bogert & Appice. It's hard to tell what exactly attracted Beck to the rhythm section of Vanilla Fudge and Cactus -- perhaps he just wanted to rock really loud and really hard, beating Led Zeppelin at their own game. Whatever the motivation, the end result was the same -- a leaden album, with occasional interesting guitar work smothered by heavy riffs and rhythms that don't succeed on a visceral level. It's a loud, lumbering record that may be of interest for Beck archivists, provided they want to hear absolutely everything he did." - All Music Guide
    $7.50
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00
  • 2nd album carries on with this blend of Marillion and IQ with some metal-ish guitar.
    $15.00
  • "With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it's a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock's electric piano -- one of the very first sounds on the record, as a matter of fact -- and the guest appearance of guitarist George Benson on "Paraphernalia." All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it's primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy "Country Son," this is less visionary than its predecessor and feels like a transitional album -- and, like many transitional albums, it's intriguing and frustrating in equal measures." - All Music Guide
    $7.50