Haven (2CD Mediabook)
Please note that we are offering the 2CD import Mediabook edition which is not available in normal retail outlets. This is a much nicer version than the standard digipak version that will be available through normal distribution channels....but at the same price. The bonus second disc features instrumental and orchestral versions of Haven tracks.
"Opener ‘Fallen Star’ has a couple of elements that are comparable to ‘Silverthorn’. Mostly the intro, but something in the refrain also reminds me of the previous record. However the riffs are more aggressive, Karevik is giving it his everything in his very own way. It’s a unique feeling to listen to the opener like this.
There are two ballads on the record and first up is ‘Under Grey Skies’. It’s somewhat of a typical Kamelot ballad, combined with the pipes of Troy Donockley (Nightwish) and an amazing appearance of Delain’s Charlotte Wessels graces this track.
But on the other hand there is ‘Here’s To The Fall’, the other slow song. It could easily be one of the best refrains I’ve ever heard in a ballad. Everything on the track is gentle, the vocals are brilliantly executed and the refrain is only a little bit more bombastic than the rest of the track.
'My Therapy’ is a brilliant showcase of Kamelot songwriting. It has the well-known romantic touch that is ever present on the records. “You’re the antidote for solitude, injected in my vains. Let the touch of your hand forever be, my therapy.” The rest of the song is slightly heavier than we are used to hear, but very well played and mixed as well.
At the end of the record we find what is probably the most heavy song that Kamelot has ever recorded: ‘Revolution’. The grunts of Alissa White-Gluz (Arch Enemy) are very well integrated, way better than on ‘Sacrimony (Angel Of Afterlife)’ from the last record. It’s heavy, fast and aggressive, yet it never loses its symphonic sound. ‘Revolution’ is the last official track and it fits perfectly. With the melancholic ‘Here’s To The Fall’ before it and the two minutes of the somewhat triumphant instrumental closer ‘Haven’.
What an album! I couldn’t have wished for anything better than ‘Haven’. Kamelot have reinvented themselves, without losing their very essence. The sound has become somewhat more modern, while the vocal work of Tommy Karevik is spot-on the entire time. When the tunes of the short closing track ‘Haven’ fade away, all that’s left is a triumphant feeling. They nailed it again, but in an entirely different way. Kamelot has taken the next step and it has been in the best direction possible!" - Overall Loudness