Halo Of Dark Matter

SKU: BBU-2090
Label:
Blues Bureau
Category:
Blues Rock
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"Blues-Rock veterans, the Stoney Curtis Band, returned to the studio in Las Vegas this summer in follow-up to their 2012 double-live release. The resulting CD, Halo Of Dark Matter, is a high-energy collection of guitar-oriented jams, that recalls the stadium guitar heroes of the 70's. This fifth record in Stoney's discography takes things up a couple of notches as his songwriting and soloing skills ascend to yet a higher plateau. The Stoney Curtis Band has been working the clubs between Los Angeles and Las Vegas, for over 10 years, honing their own brand of psychedelic Blues-Rock, readying their show for the road ahead. Over the past few years the band has done a number of USA tours and six European tours as well. Heavily steeped in 60's/70's Psychedelia, the Stoney Curtis Band has translated the energy of their phenomenal live show into an incredible new studio disc containing over 70 minutes of full tilt Blues-Rock."

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    $13.00
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    $17.00
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    $13.00
  • Guitarist/vocalist Clay Withrow is the heart and soul behind Vangough.  He's made some fine albums in the past but this is clearly his best as you can tell that he's exerting more of his own vision.  The previous albums were fine slices of progressive metal, bu they were clearly influenced heavily by Pain Of Salvation.  While there is some of that early PoS feel, Between The Madness has more of Clay than Daniel.  Its very angst driven music - from the vocals to the grinding guitar solos.  This is one pissed off band.  Its a non-stop prog metal roller coaster ride.  BUY OR DIE!"Over the last two full-length albums leading up to this, the band’s most important release, one thing is strikingly clear: Vangough has been eating their Wheaties. Whereas the last album couldn't find its center of gravity despite merits and high replay value, "Between The Madness" bridges the gap between Vangough's left brain and right brain. Moreover, the band feels much more balanced with the addition of drummer Kyle Haws. Further, it sounds like mastermind Clay Withrow had pushed himself beyond his limits to expand the Vangough tone palate.On the “Acoustic Scars” EP, Withrow developed a vocal technique that finds full maturation on "Between The Madness:” the rage-sing. Almost a yell, but neither a scream nor a simple vocal fry and free of any pitch interference, Withrow's rage-sing makes the lyrical intent as clear as it can be. The album offers bile to many parties, lyrically, and puts the listener behind a sometimes uncomfortable but necessary first-person perspective: any other perspective simply would not do justice to the intent. Vangough has always been more effective at conveying feelings than telling stories, but never before had the songs had such a natural novel-like flow to them. All the while, Withrow peppers his versatile clean singing with elaborate layers of harmony and polyphony, making for subtly different listening experiences each time.The overall sound hasn't drastically changed, and even shows some musical nods to prior songs. In "Vaudeville Nation," a scathing condemnation of a track, a clever link is established with "Mannikin Parade" around 4:28. The main melody of the latter is re-introduced on guitars in a straight-played manner. Later in the song, a similar "Mannikin Parade" vocal melody emerges in the line "...and burn the circus to the ground," and up through the yell following it. Further, continuing the storyline started with "Road To Blighttown" on the “Acoustic Scars” EP, "Depths of Blighttown" adds a fitting dark and ominous chapter to the story.The added input from Haws and bassist Jeren Martin have made the songs seem more logical, acting as balancing forces. The drumming style of Haws is noticeably organized, nuanced, and thought-out and could be accurately categorized as a blend of the styles of Lamb of God's Chris Adler, Opeth-era Martin Lopez, and Pain of Salvation-era Johan Langell. The mixing job by Sterling Winfield is a stunning step forward for the band as well, and the drum sound is particularly remarkable for its bright, punchy, but balanced character. Lead guitarist Jay Gleason makes several shred-tastic appearances to accentuate the technicality of Vangough's instrumentation, while Justus Johnston and Jose Palacios make appearances on strings to further amplify the feeling of the songs and add a superb creep factor touching on Resident Evil levels at times.No song feels out of place or unessential, with "Infestation," "Schizophrenia," "Vaudeville Nation," "Useless," and "Corporatocracy" as highlights. The dynamic growth between “Kingdom of Ruin” and “Between The Madness” makes this album out to be Vangough's “Blackwater Park,” what many will no doubt cite as the band’s seminal record. Put simply, there has never been a better time to jump off of whatever progressive metal train you've been on and ride with Vangough. "Into the dark I take you," Withrow jabs at us. Make sure your seatbelts are securely fastened." - Metal Underground
    $11.00
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  • Al DiMeola's solo debut from 1976, was released right around the time of RTF's Romantic Warrior. Stellar lineup includes the other three members of Return To Forever, Mingo Lewis, Steve Gadd, Anthony Jackson, Barry Miles, Jaco Pastorius, and Alphonse Mouzon.
    $5.00
  • "The Difference Machine is a concept album - a 'small' story; the loss of loved ones as life progresses, set against a 'big' story; the death of a distant star.The main musical motif for the album is set out early on in the opening track - an instrumental called Hope This Finds You. Played on viola by Becca King, the theme is restated briefly in Pick Up If You're There before returning at the end of the album in the closing section of Summer's Lease.Other musical motifs abound, some buried deeply in the music, some combining with others to form new themes. For example, the main album theme on the playout of Summer's Lease is intertwined with a motif from Perfect Cosmic Storm which is initially set out in an understated manner on electric piano, before returning as the grand closing section of the song.Amongst the epic long-form tracks, there are some short ambient pieces, intended to add atmosphere to the album. Breathing Space is exactly that, a short interlude between two longer pieces, and From The Wide Open Sea is an excerpt from the track The Wide Open Sea, which was eventually released on the Far Skies Deep Time EP.The Difference Machine saw BBT’s first involvement with Nick D'Virgilio who subsequently became the band’s permanent drummer. Nick played drums on Perfect Cosmic Storm and Pick Up If You're There for what was intended to be a special edition of the album with alternative versions of some of the songs. However, Nick's performances were so strong that we decided to use them on the album versions.A number of other songs which didn't make it onto the album also came out of the writing sessions: Brambling, Hope You Made It and (in unfinished form) a 17 minute track - The Wide Open Sea."
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  • NTSC Region 0 DVD featuring the moody English band in concert at the Metalmania Festival in Katowice, Poland on 3/4/06. The band is accompanied by the Bacchus String Quartet. We got the long awaited nod to Pink Floyd with a cover of "Comfortably Numb" as the set closer. As a bonus there is footage of a gig in Krakow from 2004 as well as a documentary. Highly recommended.
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    $5.00
  • Fourth studio album from the prog "supergroup" of Mike Portnoy (ex-Dream Theater), Roine Stolt (The Flower Kings), Neal Morse (ex-Spock's Beard), and Pete Trewavas (Marillion).  Like the previous albums expect marathon length pure prog rock that reflects back onto the golden age.  The title track is 32 minutes long!This is the 2CD/DVD Deluxe edition.Track List:Main Disc:1    Into the Blue                                          25:112    Shine                                                       7:263    Black as the Sky                                       6:434    Beyond the Sun                                        4:29 5    Kaleidoscope                                          31:53TOTAL TIME: 75:43      Bonus Disc:1    And You and I                                         10:432    I Can't Get It Out of My Head                   4:433    Conquistador                                            4:104    Goodbye Yellow Brick Road                      3:165    Tin Soldier                                               3:216    Sylvia                                                      3:497    Indiscipline                                              4:438    Nights In White Satin                                6:12TOTAL TIME: 40:59Making of Kaleidoscope DVD – Full length DVD behind the scenes of the writing and recording of this amazing album. Running time 1 hour and 26 minutes. Edited by Randy George. NTSC Region Free
    $28.00
  • "This album is the living proof that in my opinion progressive music will always survive. Even if the big fire seems to be reduced to a little flame, there is always something that will fan the fire now and then. Take for instance Big Big Train. In April 2002 I received a promo copy of“Bard” that was announced as the definitive studio album of Big Big Train. And I wrote the following conclusion in my review of “Bard”:I don't hope this is their last album. But if it is indeed the case than this “Bard” is a worthy last effort. It is just a good album with melodic, mellow prog. And I fell in love with the combination of tasteful mellotron sounds with acoustic guitar. This is not a spectacular album but it is relaxed, sounds great and has beautiful melodic moments and nice vocals.And now, two years later, this “Gathering speed” fell in my mail-box. I will not beat about the bush; this is the best CD I have heard of Big Big Train. A concept-album full of fresh and melodic symphonic/progressive rock. The album is mixed by Rob Aubrey and Andy Poole. The mastering is also by Rob Aubrey. IQ fans will recognize this name because he is also the sound engineer of IQ." - ProgVisions
    $12.00