GTR (2CD)

SKU: ECLEC22508
Label:
Esoteric Recordings
Category:
AOR
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New edition of the controversial 1986 album that featured both Steve Hackett and Steve Howe.  The music was a blend of AOR and prog rock.  Surprisingly they had a lot of commerical success with the album and a hit single with "When The Heart Rules the Mind".  I want my MTV!

This new version includes a remastered version of the album with a few bonus tracks.  The second disc is a live recording from the Wiltern Theater in Los Angeles on July 19, 1986.  Lots of liner notes from the appropriate culprits as well.

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    $15.00
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    $12.00
  • What needs to be said about this album? It's a complete masterpiece. This is the typical US Warner Bros pressing that's been kicking around for years.  CHEAP!
    $5.00
  • It is extremely difficult to put one specific label on the Degree Absolute material. While having firm roots in progressive metal, DA strays from the path quite frequently, exploring the worlds of jazz and ambient music, as well as doom, thrash, and technical metal. If it was possible to compare the music of DA to the music of other well-known bands, one could say that it is based somewhere between Fates Warning's semi-progressive melodies and WatchTower's technical playing skills.The Degree Absolute project began when multi-instrumentalist Aaron Bell came to the conclusion that his song ideas and concepts could not be realized in a typical band situation. After attempting to bring his original material into different local bands with disappointing results, he decided that a new project, void of any of the compromises associated with a true band, was necessary.To fill the bassist position, Aaron immediately contacted Dave Lindeman. They had worked together in a local band, Chaos Game, and Aaron thought Dave would be perfect for the role. Dave is a graduate of the Berklee College of Music, where he majored in music synthesis. He has performed in various capacities as a bassist in the Boston area, both as a studio musician and in live settings.The addition of Doug Beary on drums completed the Degree Absolute line-up. Doug has been drumming with the melodic metal band, Defyance, since its inception 15 years ago. Since joining Degree Absolute, he has proven himself to be a perfect match as well as the final piece of the puzzle.Mixing of the debut recording was performed by noted producer Neil Kernon (Nevermore, Spiral Architect, Cannibal Corpse, etc.) at Sonic Ranch in Tornillo, Texas.
    $4.00
  • "On ZAO's second album they have lost the stunning vocals of Mauricia Platon who has left,leaving the vocal duties to Dugrenot (bass player) who sang the low notes, and Seffer who would sing the high notes. There would be two guest percussionists in their lineup as well, and Seffer would not be playing clarinet on this one, only sax. As their liner notes state, they did not wish to have "Osiris" released on a major label and so turned to a new label called "Disjuncta" which had been created by Richard Pinhas of HELDON fame. He was a friend of Cahen and a cousin of MAGMA's singer Stella Vander. Thanks to Pinhas' hard work "Osiris" outsold their debut "Z=7L". One year later the label went bankrupt unfortunately and "Osiris" was deleted. Thankyou "Musea" for reissueing this amazing recording."Shardaz" opens with drums and sax as vocal melodies come in. Violin after a minute as the tempo picks up. The vocal melodies are prominant much like what you would hear on some MAGMA records. Piano before 3 minutes, and the bass is nice and heavy that follows. "Isis" is pastoral for 1 1/2 minutes until we get some guitar melodies that come and go as warm sax melodies play on. The drums and sound are building, and the tempo picks up 6 minutes in. Great sound ! Violin arrives a minute later. A calm takes over (that reminds me of the intro) for the final minute of the song. What a ride that was. "Reinna" features drums, bass, piano and sax while Zeuhl-like vocals arrive a minute in causing the instrumental work to take a back seat temporarily. Some great drumming and sax work follows. Piano and violin join in and we are cooking now ! Percussion too as this is quite jazzy."Yog" features deep vocals and piano that are contrasted with instrumental outbreaks. I love this stuff ! This is such a beautiful passage.The song takes off after 2 minutes with sax and vocal melodies taking center stage. It calms down 5 minutes in and check out the drumming after 6 minutes ! Vocal melodies end the song. "La Rhune" is a very good song with bass, percussion, drums and piano leading off before sax comes in followed by violin after 3 minutes. The bonus track is a live song that Seffer and Cahen recorded with members from Quebec artist Robert Charlebois' band who showed a great deal of interest in ZAO, and actually recorded three tracks with Seffer and Cahen in 1973. This one is called "Montreal" and it's truly an amazing live Zeuhl song at almost 12 minutes. Guest female vocals along with relentless bass and drums. Seffer especially stands out with his sax work. Cahen is incredible on the keys as well.This is not as challenging as their debut was, but it's not inferior either. These guys (Cahen & Seffer) were a big part of MAGMA's early sound and also composed a lot of their music then as well. "Osiris" is a feast that is as satisfying for me as their debut. 5 stars." - ProgArchives
    $15.00
  • "Originally released in 2002 on Hammerheart Records, Storm Before Calm marked Primordial’s fourth full-length release. Their mix of Celtic tradition and Nordic bleakness was fairly unique, with only Cruachan really even attempting to cover similar ground (with some success too, I highly recommend seeking their records out!).This reissue (on Metal Blade Records) is of the original version of the album, so we don’t get the UK edition’s extra track, The Burning Season, but that omission aside Storm Before Calm remains the essential, vital experience that it was back in 2002. Seamlessly welding elements of Irish folk music and Celtic lore to a spine of purest black metal, Primordial’s 11-year history as a band up to this point makes its presence felt throughout – songs of this length (4.57 and up, discounting the short instrumental piece “What Sleeps Within”) require a degree of skill in their crafting to hold the listener’s interest, something that the band had in spades by then.Although “The Heretic’s Age” is a fine opener, all blastbeats and shuddering melodic riffing relaxing into almost a swing feel, it’s when that track gives way to the sweeping dissonant doom of “Fallen To Ruin” and its spoken-word breakdown that the album truly reveals its intent and scope. From here on out, from “Cast To The Pyre” and its mournful yet spite-filled lyrical bent, to the scathing, full-bore assault of “Suns First Rays” and on through the folky paean to the Irish tri-goddess of battle “Sons Of The Morrigan”, to the closing salvo of “Hosting Of The Sidhe”, this is a most individual take on pagan metal, steeped in Irish legends and musical tradition.Epic in the truest meaning of the word, Storm Before Calm was Primordial’s last release strictly in this style, with 2005’s The Gathering Wilderness showcasing a bleaker, blacker feel which would become their calling-card from then onwards. If you don’t already have this, it’s more than worth your while to grab a copy of this reissue." - Alternative Matter
    $15.00
  • Last copies of the Brazilian digipak."Veterans in the Power/Progressive Metal scene, Brazil’s ANGRA set the world on fire right out of the gate on their debut album “Angel’s Cry” – at the time in 1992 a throwback to the classic Kiske-led HELLOWEEN era with its “Keepers of the Seven Keys” uplifting melodies and speed/ guitar harmony attack. Since that time they’ve blazed their own trail, surviving key member changes in the vocal and drummer departments as well as expanding their musical template into more of an original, Progressive Metal sound. Their eighth studio album “Secret Garden” will be another barometer test for their fans, as RHAPSODY OF FIRE vocalist Fabio Lione steps in the singer slot – and drummer Bruno Valverde slides into the percussion position. What does this mean overall for ANGRA? Will it be a step into the past- or a move into the future?After a solid 20 playbacks, this will probably be one of the favorite ANGRA records in their discography due to the quality and dynamic diversity for these 10 tracks. Those who expect Fabio to soar to high heavens solely on this record, well expand your minds because he truly delivers one of the best performances of his career – stretching out his lower and middle registers more so on this record than ever before. Check out opener “Newborn Me” and the serene ballad “Silent Call” for new facets to his range – emotionally connecting like never before. Musically you can hear a lot of the South American nuances plunging head first into more New Age/ jazz-like Progressive textures on highlight “Upper Levels”, something I would appreciate more from DREAM THEATER and helps ANGRA achieve that surprise element necessary beyond their obvious instrumental talent level.Those who desire the fast paced, double bass, scream to the sky Power anthem material, well “Black Hearted Soul” or “Perfect Symmetry” should give you the fist-pumping adrenaline workout you crave. Special guests include EPICA’s Simone Simons on the dramatic, Symphonic-laden title cut ballad and early Metal icon Doro Pesch who does a vocal duet with Guitarist Rafael Bettencourt on the heavier, bouncier “Crushing Room”. Add in a conceptual storyline that features a fictional account of a scientist seeking happiness after dealing with the tragic loss of his wife in an accident and stunning production values where all parts shine (including the bass heroics of Felipe Andreoli) and I’m sure this 49 minute record will receive consistent airplay for not just 2015, but an eternity as the best albums should.“Secret Garden” could be ANGRA’s best album to date: rich in Progressive Metal highlights but also remembering the right balance in terms of individual songwriting and melodic/hook aspects, this should be a benchmark for other bands to study and up their creative game. A great start to 2015 for sure." - Metal Temple
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  • "The debut recording from the Dixie Dregs (The Great Spectacular is considered a demo) stands as one fusion's high-water marks. This music is wholly original and played with a freshness and vigor that had begun to wane in a genre that was becoming a model in self-parody. The influences here are plentiful, but it is the country roots that provide the music with its vitality. Founder/guitarist Steve Morse proved to be an important new guitarist, offering an inimitable style with the technique the music demands. The music is complex and challenging, but that's easy to overlook due to the band's sunny approach. While they would go on to create more fully realized recordings, this one proved that fusion had a soul." - Allmusic Guide
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  • Mayan is the other band of Epica founder Mark Jansen.  As you can expect by now from Jansen, he doesn't do anything on a small scale.  Like Epica, Mayan is an epic sounding band.  The raison d'etre of Mayan is melodic death metal.  The band features Lauren Macri providing soprano vocals, Henning Basse on clean male vocals, and Jansen handles the death growls.  There is actually a pretty good balance between clean/death vocals.  As expected, lots of great guests - Floor Jansen appears on a couple of tracks, and Stream Of Passion's Marcel Bovio sings on three.  Dimitris Katsoulis contributes violin.  Mayan has coalesced into a band, as opposed to the debut which really was more of a project.  Symmetry guitarist Frank Schiphorst provides the shred, and ex-Delain bassist Rob Vander Loo is on board as well.  After Forever's Joost van den Broek co-produced the album and you get that larger than life sound that this music craves.   Oddly enough the album actually starts off with the bonus track...its a good one!  Highly recommended.
    $5.00
  • "This onslaught of ever-shifting double-bass and extreme guitar riffing is considered by many to be an essential (if not the premier) example of Deicide's world-class death metal. While bassist/vocalist and bandleader Glen Benton never accepted the categorization, his band helped define the early '90s death movement with their somewhat complicated, ultra-heavy music and low, growling vocals. Legion stands out as a musically complex but familiar offering from the band. Live favorite "Trifixion" is indeed one of the better cuts from the release, but it's easier to consider this disc (and most records like it) as a whole. Deicide's compositions and performances are solid and serious throughout, but Benton's outspoken anti-Christian beliefs and admitted Satanism are what first brought the group attention, and what ultimately separated them from secondary contributors to the genre. This radical philosophy is stated emphatically within the lyrics of Legion -- just in case fans weren't paying attention to interviews and onstage rants. Listeners who admire death and extreme metal in all its forms are generally aware of Deicide's abilities and outspoken antisocial beliefs, so newer death metal fans will do well to start off their collection with Legion." - Allmusic Guide
    $9.00
  •  Fascinating new post-rock from this Swedish band sporting at least one familiar name!WALRUS THE BAND: Renowned film music composer and piano player Matti Bye on Hammond & Farfisa Organs, Mellotron and Wurlitzer Piano. The Tiny and Gul 3 member Leo Svensson on Cello and Minimoog. Producer and composer Kristian Holmgren on Electric Bass and Fuzz Bass. Mattias Olsson of Änglagård on drums, with Henrik Olsson of Gul 3 and Harr joining him at their double drum kit, The Sprawl."Exciting new album from Sweden that mixes retro progressive with classic Krautrock sounds. Opening track 'Tromso III' gets the motorik running with a steady beat and analog keyboards layered on top. The real party begins with 'Signals', a haunting organ and violin led piece. Heavy bass and drums propel the track forward in an exciting way. Bleeping synthesizers are dropped on top to create a truly psychedelic atmosphere. But it's the 14 minute 'Spitsbergen' that really places Walrus in the big leagues. Starting out in Ohr music territory, with a decidedly funereal backdrop of organ, synthesizers, bass and plodding drums - the composition suddenly comes alive with an insane and massive fuzz bass attack followed by swirling organ and mellotron . If you don't fly off your couch and put a fist through the wall, then you are... ... legally dead. Very few bands ever capture a perfect moment like that. What a stunning song." - Tom Hayes/Under The Radar CDs
    $13.00
  • Limited mini-LP sleeve edition."Paul Chain is, apparently, a weirdo who came from the band Death SS, who I know nothing about and thus won’t bother trying to summarize. No, I think I have enough material here just talking about Paul Chain’s oddball solo debut Life and Death. It is an esoteric and individual beast without anything resembling trendiness or modernization, reaching back from its late 80s standing into the dark murkiness of the 70s at some parts, and at others into an entirely new dimension, unexplored by man before and since. People, I can’t come up with any more ways to say this is strange, so let’s just cut the middle man and start reviewing this sucker.Life and Death isn’t exactly a title that sends any warning signals to your brain, and neither the track names or the cover art does either, so I really had nothing to go on. I guess I was expecting some sort of dirty, minimalistic doomy affair with deep, grunted vocals and dirgey bass and occult themes, or something, but really I was completely unprepared for the airy strings, the clean, sluggish guitars that sometimes broke into melodious leads and the high-pitched warbling from the vocals that followed.Yes, Paul Chain as a vocalist is quite literally out of this world, as I can’t think of even one other singer I know to compare him to. His voice alone sounds a tiny bit like Jon Arch if he ever got a super-clean production job, but it’s the way he sings that is so different from anyone else. For one, a lot of the time he apparently isn’t even singing real words – he’s completely made up his own language. How fucked up is that? It’s actually really cool and lends to the alien mystical air this album was obviously trying to set up. And two, his vocal lines are just so idiosyncratic and so stylized that I doubt anyone could cover and not sound totally ridiculous even attempting. His voice dives and soars and croons and emotes a million different ways over the course of this album, and not once does he sound like he’s straining. His high, slightly breathy whine is layered over the music like a light morning mist.The music isn’t quite as weird, but it’s still pretty damned distinctive. The first track is a pretty useless intro without much to really make it worth hearing, but then “Antichrist” kicks in, with its crawling tempo and strange nuanced vocal lines, and this is a song that had to grow on me a little – it’s not one of the best on here, but it’s certainly good enough to introduce the listener to what’s going to come. This is music that succeeds when you just sit back and let it roll over you in waves – like on “Kill Me,” which rides a really simple, driving riff for the entire seven minute run-time, along with Chain’s moaning of the titular words for the chorus. But it works; it really works. It engulfs the listener in a chasm of melody so tight they might never be able to get out, and it’s probably the album standout at the end of the day. “Ancient Caravans” is a short, soft piece with some really delicate vocals and an atmosphere like the Middle East at nighttime, and then we kick into the other album highlight with “My Hills,” which explodes like a shooting star with happy island-style acoustics layered over colorful, blazing leads in what ends up being a mouthwatering affair. It’s not terribly metallic but it is a wonderful, engaging piece of music.The rest of the album remains curious, with the sliding guitar melodies of “Alleuia Song” and the muttered vocals and more traditional metal riff of “Spirits,” even though there are no songs as good as “My Hills.” “Cemetery” is 8 minutes of thumping bass-lines, grunted vocals and loopy, obscure guitar leads, and it comes together pretty well, never failing to entertain even if it isn’t really something that will blow you away. The album closes with “Oblivious,” which is an organ piece that leaves the listener feeling uncertain, staring at the night sky wondering what he or she has just experienced…I like it myself; it’s a good way to leave an impression. It’s like, what happened? I’d better listen to that again and inspect it more closely. And that’s always good.Life and Death is pretty much like that as a whole, really – it’s a curious affair, and no doubt inspired. With only seven tracks being actual songs it runs under 40 minutes of real music, and I think that hurts it a bit, as it really does fly by. And I don’t want to be mean to this album or anything, but a lot of these songs just don’t really catch fire. “Kill Me” and “My Hills” are about the only ones that do. Nothing else really comes up to that level, and it’s a little disappointing, as I know he has it in him to do a whole album like that. These songs are good, but most of them end up being just…curious, rather than spellbinding and arresting as those two mentioned songs can be. This feels like a warm-up album at the end of the day. Nothing wrong with that, and I can really dig this when it’s on, but I think the stars are telling me with this to go seek out Chain’s future exploits and find gold…" - Metal Archives 
    $17.00
  • To commemorate their 10th anniversary, Riverside has recorded a new 3 song “mini-album”. This 33 minute work consists of three long tracks that segue into one cohesive whole. Stylistically it’s a return to the spacier melancholy sound of their debut “Out Of Myself”. Memories In My Head is a musical rollercoaster ride of deep emotional power. This new release also marks the band's return to the Laser’s Edge, the label that they began their incredible journey with. Recommended to fans of Porcupine Tree, Pink Floyd, and Anathema.
    $10.00
  • Univers is the long awaited follow up to Element V from this very talented band from Oz. Once again they blend elements of power, progressive and death metal but in a way that is melodic and engaging. The death vocals pop up on occasion and offer a nice counterpoint to the clean male vox. This time around the music has a bit of a modern, poppier, component but it doesn't make this commercial in any way. Another first class release from this band that was clearly not resting on their laurels - this is what progressive is supposed to mean. Highly recommended.
    $9.00