GTR (2CD)

SKU: ECLEC22508
Label:
Esoteric Recordings
Category:
AOR
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New edition of the controversial 1986 album that featured both Steve Hackett and Steve Howe.  The music was a blend of AOR and prog rock.  Surprisingly they had a lot of commerical success with the album and a hit single with "When The Heart Rules the Mind".  I want my MTV!

This new version includes a remastered version of the album with a few bonus tracks.  The second disc is a live recording from the Wiltern Theater in Los Angeles on July 19, 1986.  Lots of liner notes from the appropriate culprits as well.

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  • Remastered edition of the second album is a must own for anyone that was a fan of the first UK album. Some of Mr. Holdsworth's best work. Comes with a bonus track.
    $18.00
  • "For their fourth album (the first I’ve heard), Finland’s Five Fifteen continue their tradition of long psychedelic titles. Gong fans don’t be fooled, the mention of the French cheese does not bode any resemblance. Five Fifteen are a hard rock band with progressive and psychedelic leanings, not really of the metal variety. Obvious referents might include Deep Purple and Golden Earring, but the presence of two lead vocalists, male and female, really sets the band apart from any comparison I can think of. The lyrics are all in English, sung with slight accents, and a bit on the goofy side, though not embarrassingly so. Lyricist Mika Järvinen has a strange sense of reality. Perhaps he sums it up best himself in “I Don’t Remember”: “I’m the psychedelic redneck, a progressive punk / A bebopalula with a freaky funk / .. / I’m a second generation of the electric warriors / A flowerblues child of the space cowboys.” What really strikes me are the band’s arrangements, going from a delicate acoustic section with flanged singing into a blues stomp with a killer electric riff, then a guitar solo over a tricky 11/8 rhythm. Very inventive and full of surprises. The disc ends with an strange uncredited story about a guy who meets three Martians and takes them to Las Vegas." - Expose
    $8.00
  • "Think of the new Megadeth album like this: take Endgame and add a large dose of Youthanasia and Countdown to Extinction, then mix it all in a blender and you’ll get a good idea of how it sounds. For die-hard Megadeth fans (like me), the album is a catchy, solid slice of good metal. Much like Endgame and United Abominations, Th1rt3en has a few weak spots, but is generally a decent album. Far from just generic recycling however, it has some fantastic highlights.The three opening tracks easily fit with some of Megadeth’s classic material, as Dave Mustaine has lost none of his talent for catchy melodies and thrash-metal attitude. Well produced and composed, the album flows much better than Endgame and more consistently than United. Dave’s voice retains much of its character but is not what it once was. He has wisely chosen to stay in his lower range, perhaps in order to avoid having to use his falsetto (…case in point). A curious thing about this album is its inclusion of earlier Megadeth material from past sessions. One of my favorites has to be Black Swan, from the United Abominations-era. As it happens, Dave’s voice was still in good condition in 2007, and it shows. Lyrically, Dave sticks to standard Megadeth-themes: the apocalypse, personal demons, ect. Some of the lyrics here are very compelling and well-written, but his pedantic musings on the “New World Order” have become a little obnoxious. Dave’s lyrics on political paranoia and deception worked very well with cold-war topics like those on Rust in Peace, but nowadays I can only cringe when he mouths off about The Illuminati and a “one world currency”.  That and, for obvious reasons, I would advise some caution when writing lyrics that denounce “A book written by man, use to control and demand” (from New World Order), when you espouse a similar book in your private life. I won’t even start with the lyrics on Fast Lane (you’d think Dave would have learned from Moto Psycho, ugh). Anyway, I should say that the guitar playing from Dave Mustaine and Chris Broderick is absolutely mind-blowing and it’s great to have Dave Ellefson back in the rhythm section as well. Aside from some of the things I've moaned about here, I found Th1rt3en to be a very satisfying Megadeth album." - Metal Injection
    $10.00
  • Latest from German power metal Gods. On a roll with Theater Of Salvation and Avantasia. Can they follow it up?
    $20.00
  • "Originally released in 2002 on Hammerheart Records, Storm Before Calm marked Primordial’s fourth full-length release. Their mix of Celtic tradition and Nordic bleakness was fairly unique, with only Cruachan really even attempting to cover similar ground (with some success too, I highly recommend seeking their records out!).This reissue (on Metal Blade Records) is of the original version of the album, so we don’t get the UK edition’s extra track, The Burning Season, but that omission aside Storm Before Calm remains the essential, vital experience that it was back in 2002. Seamlessly welding elements of Irish folk music and Celtic lore to a spine of purest black metal, Primordial’s 11-year history as a band up to this point makes its presence felt throughout – songs of this length (4.57 and up, discounting the short instrumental piece “What Sleeps Within”) require a degree of skill in their crafting to hold the listener’s interest, something that the band had in spades by then.Although “The Heretic’s Age” is a fine opener, all blastbeats and shuddering melodic riffing relaxing into almost a swing feel, it’s when that track gives way to the sweeping dissonant doom of “Fallen To Ruin” and its spoken-word breakdown that the album truly reveals its intent and scope. From here on out, from “Cast To The Pyre” and its mournful yet spite-filled lyrical bent, to the scathing, full-bore assault of “Suns First Rays” and on through the folky paean to the Irish tri-goddess of battle “Sons Of The Morrigan”, to the closing salvo of “Hosting Of The Sidhe”, this is a most individual take on pagan metal, steeped in Irish legends and musical tradition.Epic in the truest meaning of the word, Storm Before Calm was Primordial’s last release strictly in this style, with 2005’s The Gathering Wilderness showcasing a bleaker, blacker feel which would become their calling-card from then onwards. If you don’t already have this, it’s more than worth your while to grab a copy of this reissue." - Alternative Matter
    $15.00
  • "Annysia is a Symphonic Power Metal band from Spain, led by lead vocalist, Rose Mack. The obligatory instrumental, The Essence Of A New Born Star is a well written one, that builds up tension in the beginning of the disc much like a movie soundtrack to an epic battle movie. The operatic stylings of Mack can be heard immediately over a harpischord-laden keyboard effect before the rest of the band kicks in. She definitely has a style of her own, and the music behind her is well played. The highest range of her vocals on this song, show her range, though I think an octave lower is more in her power range. The guitar solo on the other hand sounds out of place, but it may be the production of the song,. Nephilim starts out much in the same vein, though the vocals during the verses are a little more subdued and similar to Liv Kristine in Leave's Eyes. The growly/black metal vocals on this particular song don't do much for me here. The brief but arppegio-laden guitar solo is again well played, and a better fit here. Battle of Mystics is the first track I heard from the band, and honestly the vocal gymnastics in the beginning and during parts of the song, show Mack's talent, but they are done a little too much for my taste, though the song itself is very good. Actually musically this is probably my favorite track on the disc Demontia is a track I could not get into, but musically is not a bad song. Fairysins though, features Mack and a soft piano. Her vocals on this song shows her unique tone, and her wheelhouse when it comes to her range. This song is actually quite beautiful. The epic-ness of Valkyrie is not just in its almost nine minute length, but the music as well. Mack commands her range throughout the entire song, and the twin guitar lead melody is well played. I am not sure if I like the lead tone of the guitar that much, its a little fuzzy for my taste, but the musicianship is definitely there. The previously mentioned death/black metal vocals make an appearance here, and again does nothing for me except take away from Mack's solid performance.Again the fuzzy guitar tone comes back on the beginning of Redemption though when it meshes with the symphonic parts it does not sound as bad. Straying from her operatic range for most the song, Mack shows that she can again, subdue her range, even on a much faster song. The ability for her to sing like this, without her sounding like she is singing in a monotone is a compliment to her abilities. Lost Soul is another piano song, showing the sweeping vocals of Mack. The expression “Less is more,” best explains her vocals on this song, and it was definitely the right call. The instrumental of Captain's Song shows her bandmates definitely have talent themselves, and it is a pretty damn good instrumental. Another standout song is the mid paced, Pirates Of The Sea. The male operatic vocals are too low in the mix to be heard clear enough, though they are much better than the “Blackened” ones of earlier. Nivek is next, and is another epic song in its song structure. For the seven minutes it runs, it pretty much hits all the right marks. With headphones on though, Mack's vocals could have been produced a little better,and be heard a little louder. Much like the disc begins, it ends with an instrumental track, an outro.While the imperfections do come to head when you hear the disc as a whole, Annysia's debut is actually a well written, if only inconsistently produced disc. The disc does have its highs, with strong songwriting and Mack's powerhouse vocals. I do believe in some songs, the band is trying to be as epic as possibly when possibly a little more restrain could have been used. Again most of this criticism is personal opinion, and every listener will have their own opinion. As a whole, this is a great start for a new band, who is obviously full of talented musicians. Let us hope for a label to find the band, and for stronger production values next time." - Metal Review
    $13.00
  • When seven Greek charlatans get together, the musical visions that springs from their minds, can only be described as a true freakshow.Back in late 2004 the idea of a band that could develop a theatrical attitude and combine different musical elements with the dynamics of metal and rock sound, brought DAKRYA to life ....Following the usual demos and local live shows, the band released its debut album "Monumento" in the spring of 2008. Receiving great reviews and good support from both the media and the fans in and around Greece, DAKRYA started touring on a broader scale, supporting such bands as MOONSPELL.In 2009 the band began to work on new material; the main goal was to put even more emphasis on the 'theatrical' style of DAKRYA, and in January 2010 the band entered the studio with engineer George Bokos (Rotting Christ) to record their sophomore album, "Crime Scene".Come March 2010 the band find themselves sitting in a studio in Sweden mixing the album together with Pelle Saether (Diablo Swing Orchestra, Draconian, Madder Morten), followed by a trip to other Swedish sound-guru Göran Finnberg (Opeth, Dark Tranquillity, In Flames, Arch Enemy) for the mastering of the disc.CRIME SCENE is actually a metaphor about the world we live in. So simple and so complicated at the same time. A person has to change so many faces in order to obtain a “socialized” and “normal” image, that if you think about it a little bit… we all look psychotic. In CRIME SCENE we improvise against reality! Snapshots taken from our everyday lives.From the opener "The Charlatans", over the obvious hit of "The Urban Tribe" to the final notes of the closing soundscape "A Dreadful Sidescene", the album is a one-of-a-kind musical experience. Ranging from the psychotic and cinematic melodrama heard in bands like Diablo Swing Orchestra and Unexpect to the orchestrated gothic metal comparable to Therion and Theatre Of Tragedy, DAKRYA paints their mark all over the canvas.
    $4.00
  • Second DVD of a projected series of four, filmed at Le Triton in Paris in May 2005. This features the current lineup with the added bonus of legendary bassist Jannick Top. Nearly two hours of unadulterated powerful Kobian bliss! Highest recommendation.
    $18.00
  • New Finnish supergroup of sorts featuring past and current members of Amorphis, Swallow The Sun, Moonsorrow, and Kreator. The music is a mix of death and doom with very strong underpinnings of progressive metal (some tasty keyboard solos - for real!). Vocals are a blend of clean and coarse and there is an overriding mournful feel to the music. The band enlisted the perfect guy to mix this album - Dan Swano! Opeth and Leprous fans need to check this band out.LINE-UPMikko Kotamäki – Vocals (Swallow The Sun)Olli-Pekka Laine – Bass (Ex-Amorphis, Mannhai)Kasper Mårtenson –Keyboards (Ex-Amorphis, Ben Granfelt Band)Janne Perttilä – Guitar (Rytmihäiriö)Marko Tarvonen – Drums (Moonsorrow)Sami Ylisirniö – Guitar (Kreator, Waltari)
    $7.00
  • "This fifth album for the underground Norwegian Prog / Power Metal kings starts with a short Flamenco guitar and compass handclap pattern intro named “Esperanto”, luckily DIVIDED MULTITUDE will quickly manage to change everything soon with a real Metal riff and a double kick onslaught, they set the power to maximum heaviness mixed with sheer elegance, indeed since then the remaining 10 tracks on the album are pretty sharp with furious drums and almost Thrashy rhythmic guitars but moderated with ultra-catchy vocals in the real Scandinavian method. I like to think of them about as an heaviest version of CIRCUS MAXIMUS (“What I See”), applicant of a few hyper challenging Melodic motifs with a stunning Schizophrenic vocal rendition, indeed Mr. Sindre Antonsen alternates brilliantly between "testo-tenroic" multi layered singing like Jekyll & Hyde, in the great PRETTY MAIDS & Ronnie Atkins tradition with a two-faced styled that switch from velvet to sandpaper in the same sentence.Of course all the players are ultra-competent, Christer Harøy (PS: his other band with his brother Rayner called TEODOR TUFF is also warmly recommended by yours truly) is a solid guitar player but stay quite discrete leaving much room to another essential strong element in their sound: the fantastic yet subtle Eskild Kløften, who provides some fine effective performance in multipl(a)ying synthetic ambient waves & Progressive Rock keyboards.In this genre the songwriting should be uselessly complicated, well it’s not exactly the case with “Feed On Your Misery”, but don’t get me wrong please, there is plenty of weird or cerebral moments as some strange structures mixed with passionate and luxurious arrangements quite rich in complexity with an average over six minutes in length without never sounding hermetic or rigid.The smartest cuts like the title track “Feed On Your Misery”, the delicious “Crimson Sunset” or the dark “Vicious By Heart” are also pretty much influenced by early QUEENSRYCHE or CRIMSON GLORY with some modernized vocals taken from the inherent omnipresent obvious reference while speaking about Prog Metal singer, the soulful, the one, the only: Sir Russell Allen (SYMPHONY X / ADRENALINE MOB) himself (“Scars”).Finally, the best comparison could have been PAGAN’S MIND meets ANUBIS GATE meets CONCEPTION. I already said it, I will say it again: “Feed On Your Misery” by DIVIDED MULTITUDE, that’s Scandinavian Melodic Prog at its Best." - Metal Temple
    $14.00
  • Excellent remaster of one of the greatest mellotron albums of all time! Not even sure where to begin as this album is loaded with masterpiece after masterpiece. Comes with an unreleased track as a bonus cut.
    $17.00
  • "Andy Tillison, the mastermind behind The Tangent, isn’t a wet-behind-the-ears newbie when it comes to the world of prog rock. He knows he’s taken a risk with the band’s new album, Le Sacre Du Travail, but ten years of leading the band on its journey and seven albums to show for it have given him the strength and courage to present something decidedly different in today’s world of prog.Spurred on by the growing resurgence of progressive rock to do something unexpected that stands outside the box, he zeroed in on the idea of creating an orchestra suite in the spirit of artists like Camel and Deep Purple’s dearly departed Jon Lord. The naysayers might consider the new album to be too far afield from what’s considered prog rock these days, but The Tangent enjoys a broad international fanbase that respects the fact their heroes are bent on being as big and bold and as adventurous as the people who originally started the progressive rock movement off in the late ‘60s.“Big and bold” i this case doesn’t mean loud and in-your-face. On the contrary, Le Sacre Du Travail serves up everything from ‘70s rock to smoky blues to jazz to classical music. Given the conceptual nature of the record, Tillison sees it as a soundtrack without a film.“Hopefully that's what I'm getting across with this music,” says Tillison. “I want to give the music the excitement I felt when I first started hearing classical music. That’s why I got into progressive rock music; hearing classical music as a child, I used to be off and away imagining pictures and scenes and telling myself stories to go along with it. What I wanted to do was tell those stories to somebody else with my own music.”Le Sacre Du Travail is, in brief, a story about 7 billion people that all have the same name; “You”. The Tangent wanted to put the listener into the picture, having decided that if they were going to present this story, it had to be something that absorbed everyone on a familiar level.Tillison: “We avoided the concept album idea for a really long time, and finally we’ve done one. Most of the lyrics came pretty easily; I never wrote them down, I just sang what I felt, lots and lots of different things. I had many takes and many ideas, so I had to go back and pick out the best ones, and eventually I got the idea of what I wanted to sing about. It came out very naturally.”Looking back on The Tangent’s catalogue, Tillison – who started his musical career writing punk songs and pays tribute to that era on a the bonus track ‘Hat (Live At Mexborough School 1979’ – admits that The Tangent’s evolution is something of a surprise. At the same time, given that he’s had a decade to refine his craft as a prog artist, “I knew this was coming.” Looking back on his roots, Tillison knows exactly what influenced the outcome of Le Sacre Du Travail“The obvious influence is one of the very first progressive rock albums ever made: The Days Of Future Past by The Moody Blues. They had the idea of breaking a day into pieces and running through it on the album. It must have been there in the back of my mind, although I must say I probably haven't listened to that album in 30 years. I never really thought about it while I was recording, but at some point I realized I was doing the history of a day with an orchestra and a rock band. Deep Purple’s Concerto For Group and Orchestra was a big influence, and at the same time Roger Waters' Amused To Death album is definitely in there.”“We know we’re taking a risk,” Tillison adds. “Some people will go ‘What the hell is this?’ because it’s a big piece of music to get into and you have to find your way around it. But that’s where I want to be; on the leading edge of progressive rock music.”"US jewel box edition with 3 bonus tracks. 
    $10.00
  • Metal Mind has packaged Basnie and Safe jewel boxes together in a slipcase and a very attractive price.
    $16.00
  • Its been five years but The Flower Kings are back from their hiatus. Without missing a beat they offer up their signature epic length tracks of symphonic rock. Funny thing...I've gotten used to hearing Lalle Larsson play with Roine and Jonas over the past five years. I forgot how good Tomas Bodin! Disc two is set up as the bonus set. It includes 4 extra tracks as well as an interview.
    $12.00