Fly By Night ($5 Special)

SKU: 314534624
Category:
Progressive Rock
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The band's second album. At this point the progressive elements were just starting to be displayed.  Remastered edition.

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  • "Features guest appearance by Gentle Giant guitarist Gary Green on “Words and Miracles” (Electric Guitar, Guitar solos and backing vocals) and “Crush of Night” (Guitar solo) IZZ’s new studio album, Crush of Night serves as Part 2 of a 3-part series of thematic albums that began with The Darkened Room (TDR) in 2009.Crush of Night is a worthy successor to the well-received TDR and continues the exploration of one’s journey of self-knowledge, doubt and ultimately the search for meaning. IZZ brings their characteristic sense of melody to the fore on this album while at the same time fusing high reaching emotion with the driving impact that IZZ fans have come to identify with the band. From the opening vocal melody of You’ve Got a Time to the guitar-driven Words and Miracles featuring the distinctive guitar sound of Gary Green, to the stirring emotion of Half the Way culminating with the impressive 26 minute suite that shares ist name with the album title, Crush of Night delivers on all fronts by creating a sound and passion that belong to IZZ alone."
    $12.00
  • "Over 5 hours of great performances including the entire Testimony and One albums plus special encores of the Spock's Beard classic, "The Light" featuring Alan Morse, and the Transatlantic epic "Stranger In Your Soul." Also included is a behind-the-scenes documentary with footage of Neal's exclusive acoustic concert, rehearsal footage, "Name That Prog Tune" game with Mike and more!Complete with 4 piece horn section, 6 member female background vocal section, violin and cello, full orchestra percussion with timpani and chimes, dancers, special guests and special staging, this is the most elaborate live release of Neal Morse's career!Neal even flew out Rich Mouser who mixed the original studio albums to do the front of house mix! Neal says "We really went all out this time. I wanted it to be the quintessential presentation and performance of this music." And so it was...and is!Says Mike Portnoy - "I've got to say... as a fan of this wonderful music, how incredible this is! I am so happy to see this come to fruition. This music really deserves this… everything from the incredible presentation, and all these amazing musicians...it's great to hear this music come to life on stage like this. To be doing it in his hometown with all his friends and family present and to be doing it here in this building that has such incredible importance to him and his story, it's elevated the music to a whole new level. This is just been an amazing experience!""
    $20.00
  • Yet another brilliant work from this Norwegian prog band.  The Greatest Show On Earth is the band's third effort.  While the first album Identity delved into alternative/prog realms bearing similarity to Radiohead, their second album All Rights Removed was full on Pink Floyd worship.  This latest effort carries on in similar fashion.  There are parts of the album that were written with tracing paper.  It evokes the mood and feel of Dark Side Of The Moon, Wish You Were Here, and maybe even a bit of The Wall.  This isn't to say the band doesn't inject any personality of their own - they do.  There are contemporary elements, its just that when they go into full on Pink Floyd mode its so apparent and so well executed that it blinds you to everything else that is going on.  What Bi Kyon Ran is to King Crimson or The Watch is to Genesis, Airbag is to Pink Floyd.  Original?  Truth be told not really.  It doesn't matter, its so well executed that you will just immerse yourself in the listening experience.  Highly recommended.
    $17.00
  • Remastered with 3 bonus tracks."Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine." - Allmusic
    $5.00
  • Love 'em or hate 'em you know you want to hear them. This British cheese metal band has captured the hearts and souls of the Guitar Hero set. For any metal head that thinks time stood still in 1984.
    $4.00
  • "The title of Even in the Quietest Moments... isn't much of an exaggeration -- this 1977 album finds Supertramp indulging in some of their quietest moments, spending almost the album in a subdued mood. Actually, the cover photo picture of a snow-covered piano sitting on a mountain gives a good indication of what the album sounds like: it's elegant yet mildly absurd, witty but kind of obscure. It also feels more pop than it actually is, despite the opening single, "Give a Little Bit," their poppiest song to date, as well as their biggest hit. If the rest of the album doesn't boast another song as tight or concise as this -- "Downstream" comes close but it doesn't have the same hook, while "Babaji," a pseudo-spiritual moment that falls from the pop mark; the other four tracks clock in well over six minutes, with the closer, "Fool's Overture," reaching nearly 11 minutes -- it nevertheless places a greater emphasis on melody and gentle textures than any previous Supertramp release. So, it's a transitional album, bridging the gap between Crime of the Century and the forthcoming Breakfast in America, and even if it's not as full formed as either, it nevertheless has plenty of fine moments aside from "Give a Little Bit," including the music hall shuffle of "Loverboy," the Euro-artiness of "From Now On," and the "Fool on a Hill" allusions on "Fool's Overture."" - All Music Guide
    $5.00
  • Yet another groove 'n riff monster from Devon Graves. Emotion charged slow mover with a definite Tool vibe. Graves calls this "tribal metal" but I would say that it approaches metal from more of a doom angle. The flute work on "The Gossamer Strand" caused Eric Corbin, Inside Out's promo dude extraordinare, to refer the band as Jethro Tool!
    $7.00
  • “Crazy French phenomenon Christophe Godin applies his nothing short of bonkers rock guitar abilities to this ferocious yet tongue-in-cheek display of post-Vai/Zappa composition and musicianship. Jazzy it ain’t, but full of immense playing technique and cool tones it most definitely is. Be afraid.” – Guitarist Magazine Brutal Romance is the fifth release from this intense French instrumental trio. Through extensive gigging in the US, this Morglbl has developed an ever expanding fanbase addicted to their crazy blend of jazz and metal. The band consists of Christophe Godin (guitars), Ivan Rougny (bass), and Aurelian Ouzoulias. All three members of the band are known around the world not just from Morglbl but as clinicians as well. Morglbl injects a dose of tongue in cheek humor into jazz rock laced with crushing power chords. They have a strong cross over appeal between fans of progressive rock, fusion, and metal. Morglbl has performed at festivals alongside Liquid Tension Experiment and Umphrey’s McGee. They have most recently toured the US as co-headliners with Sweden’s Freak Kitchen. Fans of shred and fusion Gods like Allan Holdsworth, Steve Vai or Freak Kitchen’s Mattias Eklundh will find this essential.
    $13.00
  • Digibook edition that is identical in content to the US jewel box edition. Some people like to collect these things... New double album is a continuation of Out Of The Tunnel's Mouth (much of the material was composed during those sessions). The first album also contains a couple of tracks that indicate Steve Howe and Jonathan Mover among the co-writers so I assume this is refurbished and unreleased GTR material. Chris Squire and Simon Phillips also play on the album so its probably taken from the still to be released Squackett album. The bonus disc contains 9 tracks that were recorded at previous sessions. So what's the story with the music? Well...it's pretty great. Mr. Hackett is still writing progressive rock. His playing is always inspired - whether acoustic or electric. Some of the tracks have a slow burn quality and others just blaze away. Whenever I hear his acoustic work I wish he would record a duet with Gordon Giltrap - that would be something to hear. I don't know if its studio wizardry or he's just gotten better but his vocals (which were previously a bit of a distraction) are totally fine. This one really hits the spot in the right way. Highly recommended.
    $18.00
  • I'm not familar with what is currently going on in the Venezuelan progressive rock scene but if this is any indication I want to hear more... Mojo Pojo's music is an amalgam of melodic prog rock and fusion with a smattering of metal tossed in for good measure. The music grooves and is extremely catchy. A good chunk of the album is instrumental and these guys stretch out and shred Morglbl style on some tracks and just straight up prog rock on others. Vocals are fine - a mix of English and Spanish. Oh yeah - James Murphy heavies it up with a guest guitar solo on one tune but if you are metal averse I wouldn't sweat it, you'll enjoy the tune as well. Overall the music has a real upbeat feel good vibe. Nice packaging courtesy of Hugh Syme (how the hell can they afford them? Life must be good in Venezuela!). Mojo Pojo offers much for all progressive rock interests and can be easily recommended.
    $11.00
  • Perhaps we all burnt out on this album some time ago - I know I played it to death. Released in the US as "Security". In retrospect it may well be Gabriel's solo album that held up the best and could be considered the pinnacle of his solo career. Gabriel explored world music tribal rhythms and sampled sounds The whole album has lots of electronic processing courtesy of Larry Fast which lend an otherworldly quality to the production (which is of audiophile standards). It's an extremely dynamic recording that will tax your audio system and your brain. This one is filled with classics like "San Jacinto" and "Lay Your Hands On Me". Not prog rock per se - but progressive for sure. Very forward thinking thought provoking intense music. A classic.
    $12.00
  • "The Moody Blues returned after a five year hiatus with a very different sounding album. The punk and disco era were now in full flower and such groups as Styx, Journey, and REO Speedwagon were dominating the rock charts. Octave would abandon the cosmic and symphonic sound of the group’s past, and move toward one more in tune with the era. As such it would not stand out as a unique creation as did their core of classic albums.Octave would also be the last album for founding member Mike Pinder. He had always provided a spiritual and in many ways the classical center of their music through his mellotron and chamberlin. Now playing a synthesizer the sound was different and not as grand. Years later it would come to light that he was not pleased with the musical direction of the group. Patrick Moraz would replace him as the group’s keyboardist and tour in support of the album.Octave would have no unifying theme and be the most diffuse album that The Moody Blues had released up until that time. Each song would match the individual personality of its composer.The John Lodge composition, “Steppin’ In A Slide Zone,” was typical of the new sound. It is a typical energetic Lodge rocker but the musical center was the keyboard-guitar interplay which was in vogue at the time. Still it was catchy and was a commercially successful single.Justin Hayward is in ballad mode for this release and while he would not create anything as wonderful or unique as “Nights In White Satin,” his music is still very listenable because of the innate beauty of the songs. “Had To Fall In Love” and “Top Rank Suite” are both very mellow. “Driftwood” is the best of the three as it is a gentle love ballad which was a Hayward trademark by this time.Ray Thomas created two songs for this release. “I’m Your Man” just disappears but “Under Moonshine” contains a strong lead vocal by him plus some classic harmonies by the other members of the group.“One Step Into The Light” would be a final spiritual statement by Mike Pinder and his only composition on the album. The music would be more progressive rock than the grandiose sound of his past as he would bring his Moody Blues career to a conclusion.A fourth Justin Hayward song would close the album. “The Day We Meet Again” would unintentionally or intentionally point toward the future as a new keyboardist was on the way and the grand classical sounds were being left behind.Make no mistake, Octave remains a very good late seventies album but does fall short of the group’s best work. It was different, more modern, and ultimately a transitional work. Despite all that it still remains a good, if not essential, Moody Blues listen today." - Blogcritics.org
    $9.00
  • "Jeff Beck returns two years after the ten-years-in-the-making Who Else?, and You Had It Coming isn't surprising just for its rapidity, but for its music. From the moment the electronicized, post-rave beats of "Earthquake" kick off the record, it's clear that Beck isn't content to stay in place -- he's trying to adapt to the modern world. To a certain extent, this isn't an entirely new phenomenon, since each of his records is clearly, inextricably of its time, from the crunching metal of Truth through the breezy jazz fusion of Blow By Blow to the modernized album rock of Guitar Shop. This is just another side of that, as Beck works with electronic music, both noisy and new age introspective. It's a bit clever, actually, since Beck's playing has always been otherworldly, dipping, bending, and sounding like anything other than a normal guitar. The problem is, when he's surrounded by lockstep, processed beats and gurgling synths, his guitar doesn't leap to the forefront and capture attention the way it does on his best recordings. Still, there's something to be said for the effort, because even if it doesn't sound like a Beck record, it isn't a bad record, and it's certainly a helluva lot more successful than Clapton's similar forays into these waters. Besides, knowing that he knocked this out so quickly makes it a little endearing." - All Music Guide
    $5.00