Face The Music ($5 Special)

The band's fifth album was a brilliant amalgam of Beatles influenced pop and classically influenced progressive rock. I still get a rise out of hearing "Fire On High". This remastered edition comes with five bonus tracks which are a bit dispensible alternate mixes.

Product Review

Tue, 2010-06-08 09:53
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Their best album by a wide margin, simply for including "Fire On High." Truth be told, though, all of these songs are memorable and feature many progressive moves that some of their other output seems to lack. Leyth
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Product Review

Tue, 2010-06-08 09:53
Rate: 
0
Their best album by a wide margin, simply for including "Fire On High." Truth be told, though, all of these songs are memorable and feature many progressive moves that some of their other output seems to lack. Leyth
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    $10.00
  • We have some customers who collect digipaks. This is the import version of +4626 Comfortzone.  The content is identical to the much less expensive domestic jewel box version.  If you need to have a digi version jump on it as this is a limited edition and will definitely go out of print.Latest studio album from this outstanding band from Sweden.  The best thing about Beardfish is their ability to be contemporary but they blend in just enough old school sounds to appeal to the entrenched prog fan base.  The band never quite sounds retro yet they incorporate vintage keys and guitar sounds. Chalk this up to great songwriting. On their previous album, The Void, something went amiss and it didn't sit well with their fans.  The band had taken on a heavier edge touching on metal.  Well have no fear - the band has jettisoned all metal trappings and have returned to the sound of the earlier albums.  Swirls of organ and Mellotron are everywhere and the unmistakeable sound of the Rickenbacker bass will slam you in the gut.  Are you are fan of Anekdoten, Gentle Giant, King Crimson, or even The Flower Kings?  You need to hear this.With regards to the bizarre album title here is a clue from the band:“The comfort zone is the invisible protective suit of negative thinking, almost like an entity of itself. It’s been with you since birth: your parents and your teachers and your friends and your neighbours all teaching you the way the world works – this is how it is and will be and there’s nothing you can do about it. The negative vibe is like a voice living inside of you, a companion through life. With time you start to like that voice and the place it takes you to: your comfort zone. I’m so sick and tired of it and I want to address it and maybe in that way start to work my way out of it”+4626 Comfortzone comes with a bonus CD featuring 13 previously unreleased demo and outtake tracks spanning 2002-2008.BUY OR DIE!
    $17.00
  • Budget price nice slipcased 2CD set includes "Song Of The Marching Children" and "Atlantis".Song Of The Marching Children:Man when they talk about "Mellotron drenched" albums they mean this one. The band's second album is loaded with great organ/'tron passages and Ms. Kaagman sounds more and more like Annie Haslam. The album is capped off with the side long title track.Atlantis:Led by vocalist Jerny Kaagman, Earth And Fire had some success in Europe and eventually became quite popular in Netherlands. Synthesizers are in use now so its not just organ and 'tron although they figure prominently.[[{"type":"media","view_mode":"media_large","fid":"12265","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]][[{"type":"media","view_mode":"media_large","fid":"12266","attributes":{"alt":"","class":"media-image","height":"200","width":"200"}}]] 
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  • "It’s only been a year since Norwegian super-vocalist Jorn Lande’s last studio album (2012’s Bring Heavy Rock to the Land), but we’ve already seen a symphonic re-recordings album (Symphonic) and now a brand new studio offering. The album, Jorn’s tenth solo album (assuming the Dio covers album counts), is called Traveller, and it’s the first to feature Wig Wam’s Trond Holter on lead guitar.Bring Heavy Rock to the Land was, to be frank, uninspired, so it’s something of a surprise to find Jorn back for another round this soon. Perhaps his new collaboration with Holter has recharged his creative batteries. Traveller does sound a bit more exciting than Bring Heavy Rock to the Land. To be sure, it’s still your basic Jorn album, sounding much like something the late Ronnie James Dio might have written for David Coverdale to sing. Still, Jorn’s incredible vocals make the whole thing completely enjoyable, even if it’s not remotely original.Traveller has a very satisfying crunch to it. It’s not so heavy the melodies are overwhelmed, but it has some metal power the way your average Pretty Maids or Masterplan album does. You hear it especially on the one-two punch of “Legend Man” and “Carry the Black,” but songs like “Overload” and the title track also get the blood pumping. The only real dud here is the closing song “The Man Who Was King,” which is a heartfelt, but completely cheesy ode to Jorn’s hero Ronnie James Dio. His heart’s in the right place, but he already had “A Song For Ronnie James” on the Dio album.There are no real surprises here. If you’re a Jorn fan, you pretty much know what to expect from Traveller. If you were less than thrilled with Bring Heavy Rock to the Land, Traveller will probably restore your faith in Jorn at least a little bit. It’s not the powerhouse album Spirit Black or Lonely Are the Brave were, but it’s still a rock solid melodic metal album from one of the best voices in the genre." - Hard Rock Haven
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  • Newly remastered from the recently found original master tapes. HDCD as well.
    $15.00
  • The Italian band The Watch are probably the pre-eminent prog band to capture the classic Gabriel-era sound of Genesis.  While the band tours doing covers of Genesis tunes hey write original material that could easily have been lifted from Nursery Cryme.  Tracks From The Alps is their latest.  It includes all original compositions except their reinterpretation of "Going Out To Get You", a track from Genesis' debut album.  If you like "the sound" The Watch will be indispensible.  I consider them a guilty pleasure and have enjoyed all of their releases.  Highly recommended.
    $17.00
  • Latest from this Swedish melodic death metal band that incorporates a strong progressive element. The band utilizes two singers - one clean and one grunter. Essential for fans of Soilwork and even Meshuggah. US edition comes with a bonus track.
    $14.00
  • "Marillion seems to be appealing to a commercially-oriented buying demographic with this album. There are parts of this record you'll love, and there are parts ... you might not. The band's work in the Hogarth era is marked by its variability - or some might say inconsistency. Although there have been some dud CDs, arguably including Radiation, Anoraknophobia and marillion.com, each of those records had some excellent songs. Similarly, the great albums had songs that were less than stellar. So it's generally safer to think of Marillion's work in terms of the songs rather than the CDs. Having said that, though - Somewhere Else probably fits somewhere between Marbles and marillion.com stylistically, and it's closer to .com in terms of quality.Somewhere Else doesn't share all of Marbles's progressive elements, its subtleties, or its general appeal. This music is a bit more linear, and it's very vocals-oriented. Steve Hogarth's singing is as emotion-laden as ever, switching effortlessly in and out of falsetto, and very expressive - in the style of "The Invisible Man" or "Angelina" from Marbles, or Radiohead's classic "Creep". But you might wish that he would stop singing for just a few minutes and let some instrumentals shine through. Steve Rothery's legendary guitar work is heard in only a few places, and Mark Kelly provides some very appealing piano lines, but there aren't any instrumentals to into which you can really sink your teeth."Most Toys" is a hard-hitting rocker with very simplistic lyrics that won't have much appeal to Marillion's traditional fanbase, although it might win them some commercial radio time. "Last Century for Man" also has simplistic lyrics with little subtlety, and a catchy melody that stays with you for days. There are no epics here, with 10 songs in just 52 minutes, and the title track (the longest at 8 minutes) is the standout piece with a meandering structure, gently appealing delivery and an almost minimalist approach to the instrumentals. Some might call it sleepy - but it definitely goes into the list of Marillion's better songs. Other highlights are the opening track "The Other Half", and "Thank You, Whoever You Are" - a fairly straightforward piece that features some nice but all-too-brief moments from Rothery's guitar.If Marillion is chasing after radio time, or if they're wooing the Coldplay / Radiohead / Pineapple Thief audience, this song-oriented record will probably get them there. But it will do so at the cost of a significant portion of their progressive rock fanbase." - Sea of Tranqulity
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  • Third part of the trilogy created by Riverside vocalist Mariusz Duda. Impressions is a collection of instrumental material conceived during the sessions that produced the first and second albums. The album is acoustic based and quite moody and introspective. Duda is the primary musician and in some cases the sole musician on a given track. He is also accompanied by Maciej Szelenbaum and Wawrzyniec Dramawicz (Indukti). The music can be quite hypnotic at times as acoustic guitar, tuned percussion, and bass intertwine repeatedly with slight changes taking place over time - progressive rock meets classical minimalism. File under: MESMERIZING.
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  • "Miracles do happen: seven years after the announcement of their creative break, the original members of prog rock supergroup Transatlantic – Roine Stolt (The Flower Kings), Pete Trewavas (Marillion), Neal Morse (ex-Spock’s Beard) and Mike Portnoy (Dream Theater) – got together again and recorded a new studio album titled “The Whirlwind”, which went on to be TRANSATLANTICÂ’s best-selling album, entering mainstream charts in the US, Germany and Netherlands. Their two seminal albums, tours and DVDs redefined prog’s artistic and commercial possibilities with a combination of modern and traditional prog, classic pop sensibilities, and mind-blowing musicianship.The “An Evening With TRANSATLANTIC Whirld Tour 2010” was the group’s largest tour, covering both sides of the Atlantic across 11 countries. With the addition of Pain of Salvation’s Daniel Gildenlow on guitar and keyboards, it was also their most musically powerful. On May 21, 2010, at Shepherd's Bush Empire in London, the cameras were rolling.The upcoming Release entitled “Whirld Tour 2010: Live At Shepherd’s Bush London” will be available as a 2-DVD NTSC-version set, a 3CD-Audio Version and a 2DVD and 3CD Deluxe Edition. The concert featured the entire Whirlwind album performed exactly as on the studio recording. But that’s just the beginning. For the next two and half hours, Transatlantic performed nearly every song they’ve ever recorded, along with some surprises. The audio recorded at the show was later mixed by the band’s own Roine Stolt, ensuring a genuine presentation of the music from that night. The show doesn’t end, though, with the fading echoes of the final note. Backstage, in and around cities throughout Europe, the cameras accompanied Mike, Neal, Roine and Pete on their journey. Uncensored experiences and candid moments reveal the good, the bad, and the unexpected of life on the road. Also included is the band’s encore from the final night of their tour, a headlining spot at the UK’s High Voltage Festival. For the last song at UK’s High Voltage Festival, they performed the Genesis classic, “Return of the Giant Hogweed,” joined onstage by original Genesis guitarist Steve Hackett. "
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