Eternity

SKU: CDVILEM64
Label:
Peaceville
Category:
Metal/Hard Rock
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Gorgeous doomy Floydian metal. Super jewelbox reissue.

Product Review

Tue, 2010-06-08 09:55
Rate: 
0
Still my favorite Anathema album, right down to the shaky vocals and constant barrage of guitar feedback. Rough around the edges, but in a very good way.
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Product Review

Tue, 2010-06-08 09:55
Rate: 
0
Still my favorite Anathema album, right down to the shaky vocals and constant barrage of guitar feedback. Rough around the edges, but in a very good way.
You must login or register to post reviews.
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  • I lost track of this band's work after their first release some years ago. This is actually their sixth album! Magnesis are a French symphonic rock band dedicated to creating progressive music in the classic dramatic style of bands like Ange and Atoll. L'Immortel Opera is a conceptual work that features dynamic compositions emphasizing the vocal talents of Eric Tillerot. At times the music is a bit precious reminding me of Japanese bands like Pagaent and Outer Limits but overall it is true to the spirit of 70s French prog.
    $15.00
  • This new EP is a stop gap until the new full length release from the German symphonic metal band but its an interesting one.  Xandria present 3 new studio tracks, re-recordings of two vintage Xandria tunes, and covers of tracks by Sonata Arctica and Meatloaf (!)."Three brand new songs will be featured on the EP: "Voyage Of The Fallen", "Unembraced" and "In Remembrance". In addition, XANDRIA has re-recorded two all-time favorites of the band's fans, "Ravenheart" (originally recorded for the album "Ravenheart" in 2004) and "Now & Forever" ("India", 2005). Cover versions of SONATA ARCTICA's "Don't Say A Word" and Meat Loaf's "I Would Do Anything For Love (But I Won't Do That)" will also be included on the effort.Regarding the decision to cover "I Would Do Anything For Love (But I Won't Do That)", XANDRIA said: "During the photo shoot for the 'Sacrificium' record, we were digging through our music libraries to find something appropriate for getting us in the right mood. At some point we got stuck with an artist every one of us had a crush on someone with and a story to tell about back then from our teenager days in the earlier '90s. We straight away started joking about doing a XANDRIA version of this particular song, but really forgot about it until the discussion of doing some remake for an EP came up again. With the biggest respect we started this operation of transforming one of our all-time faves, a real classic, into a XANDRIA hymn. Well, we think we quite did an 'okay' job and on July the 31st, it's your turn to decide whether you've got a favorite song or not.""
    $9.00
  • Remastered with 3 bonus tracks."Electric Light Orchestra continued on their winning Top 40 ways with the release of Discovery. Now pared down to the basic four-piece unit, Jeff Lynne continued to dominate the band and they still got their hits (this time around it was the smash "Don't Bring Me Down"). Elsewhere on the disc there was, of note, "Last Train to London" and "Confusion." Though Discovery charted well, it was becoming obvious that ELO were starting to run themselves out of useful Beatles hooks with which to fuel their hit-making machine." - Allmusic
    $5.00
  • "In what seemed like an eternity since the details on the second Darkology album surfaced in December 2013, the running joke was that the second album should be renamed “Fated to Never Be Released.” “Official leaks” of demo tracks surfaced ahead of a European tour “in support of the album” (and without Carptenter who had other commitments). The demos only served to deepen fan desire for the release, as they revealed vocalist Kelly Sundown Carpenter (ex-Firewind live, Adagio) absolutely KILLING IT with a sharpened buzz saw edge that makes Ripper Owens look like an absolute chump. Flash forward to 2015 and finally a release date through Prime Eon and/or Nightmare (depending on where you live) would happen in late Spring. Was it all worth the wait, agony and hype? You betcha it was.The album is a steamroller from start to finish – with some parts here and there that tend to drift slightly (the title track for one) – but it never disappoints. As evidenced in the demos, Carpenter proves why he should be a vocalist in demand as he drives home the heaviness with his ultra-sharp brilliant delivery. Unlike most singers who like to live in the rafters, Kelly pulls it off with zero annoyance. His shredding high end is absolutely essential given the musical assault of riffs (from the great Michael Harris of Thought Chamber) and pounding rhythms (from bassist Michael Neal and drummer Brian Harris) that back it up. Though not similar in style per se as total impact, “Fated to Burn” gives me the same feel as the first time I heard Winter’s Bane’s “Heart of a Killer” and Sanctuary’s “Refuge Denied,” where the first blush with both the young Ripper Owens and Warrell Dane were absolutely life changing. If you add a little dose of “Breaker” era Accept and a tiny drop of Symphony X you have just the tip of just how brilliant “Fated to Burn” truly is.The Harris brothers have struck upon an exciting formula of U.S. power and traditional with just a touch of progressive. In terms of comparison with 2009’s “Altered Reflections,” this album packs five times the punch and power, sure to please fans that prefer metal heavy, guitar driven, and with shredding vocals. The album is a flurry of amazing grinding riffs with Kelly’s lethal vox that make tracks like “Shadows of Oth,” “Quantum Genocide,” “Kill Me If You Can,” “21st Century Frankenstein (Nobot 2)” and personal favorite “Festival of Fear” sound, and in many ways exceed, “Painkiller.” In fact, Darkology is a Metal Church for a new generation – and “Fated to Burn” leaves such an indelible vibe of “The Dark” that I swear the spirit of circa-1986 David Wayne seems to have implanted itself inside of Kelly.In one of the most exciting and pure metal releases in well over a decade, “Fated to Burn” is well worth the wait. Darkology stakes its claim in a busy circuit and with one flap of burning wings created an album that can easily be labeled an instant classic, thus raising its stock as one of the best U.S. bands out there today. This isn’t a mere claim only to be dashed away by a short time – this is the real deal! If you call yourself a fan of metal than heed these words….”Fated to Burn” lives up to and exceeds any hype you may have for it. If you haven’t familiarized yourself with the band, then you picked the right time, because the album isn’t “fated to burnout” anytime soon. Darkology has arrived.Highs: One of the best pure metal albums in a decade, Kelly Sundown Carpenter shines.Lows: Some songs drift a little, but not by much.Bottom line: Darkology strikes back with an album that is "Fated to Burn" into the memory for a long long time." - Metal Underground
    $16.00
  • Budget priced slip case set featuring Judgement, A Fine Day To Exit, and A Natural Disaster.
    $18.00
  • Guitarist/vocalist Clay Withrow is the heart and soul behind Vangough.  He's made some fine albums in the past but this is clearly his best as you can tell that he's exerting more of his own vision.  The previous albums were fine slices of progressive metal, bu they were clearly influenced heavily by Pain Of Salvation.  While there is some of that early PoS feel, Between The Madness has more of Clay than Daniel.  Its very angst driven music - from the vocals to the grinding guitar solos.  This is one pissed off band.  Its a non-stop prog metal roller coaster ride.  BUY OR DIE!"Over the last two full-length albums leading up to this, the band’s most important release, one thing is strikingly clear: Vangough has been eating their Wheaties. Whereas the last album couldn't find its center of gravity despite merits and high replay value, "Between The Madness" bridges the gap between Vangough's left brain and right brain. Moreover, the band feels much more balanced with the addition of drummer Kyle Haws. Further, it sounds like mastermind Clay Withrow had pushed himself beyond his limits to expand the Vangough tone palate.On the “Acoustic Scars” EP, Withrow developed a vocal technique that finds full maturation on "Between The Madness:” the rage-sing. Almost a yell, but neither a scream nor a simple vocal fry and free of any pitch interference, Withrow's rage-sing makes the lyrical intent as clear as it can be. The album offers bile to many parties, lyrically, and puts the listener behind a sometimes uncomfortable but necessary first-person perspective: any other perspective simply would not do justice to the intent. Vangough has always been more effective at conveying feelings than telling stories, but never before had the songs had such a natural novel-like flow to them. All the while, Withrow peppers his versatile clean singing with elaborate layers of harmony and polyphony, making for subtly different listening experiences each time.The overall sound hasn't drastically changed, and even shows some musical nods to prior songs. In "Vaudeville Nation," a scathing condemnation of a track, a clever link is established with "Mannikin Parade" around 4:28. The main melody of the latter is re-introduced on guitars in a straight-played manner. Later in the song, a similar "Mannikin Parade" vocal melody emerges in the line "...and burn the circus to the ground," and up through the yell following it. Further, continuing the storyline started with "Road To Blighttown" on the “Acoustic Scars” EP, "Depths of Blighttown" adds a fitting dark and ominous chapter to the story.The added input from Haws and bassist Jeren Martin have made the songs seem more logical, acting as balancing forces. The drumming style of Haws is noticeably organized, nuanced, and thought-out and could be accurately categorized as a blend of the styles of Lamb of God's Chris Adler, Opeth-era Martin Lopez, and Pain of Salvation-era Johan Langell. The mixing job by Sterling Winfield is a stunning step forward for the band as well, and the drum sound is particularly remarkable for its bright, punchy, but balanced character. Lead guitarist Jay Gleason makes several shred-tastic appearances to accentuate the technicality of Vangough's instrumentation, while Justus Johnston and Jose Palacios make appearances on strings to further amplify the feeling of the songs and add a superb creep factor touching on Resident Evil levels at times.No song feels out of place or unessential, with "Infestation," "Schizophrenia," "Vaudeville Nation," "Useless," and "Corporatocracy" as highlights. The dynamic growth between “Kingdom of Ruin” and “Between The Madness” makes this album out to be Vangough's “Blackwater Park,” what many will no doubt cite as the band’s seminal record. Put simply, there has never been a better time to jump off of whatever progressive metal train you've been on and ride with Vangough. "Into the dark I take you," Withrow jabs at us. Make sure your seatbelts are securely fastened." - Metal Underground
    $11.00
  • "Riot has always been ahead of the curve, be it their powerful riff machine, or their unapologetic status as pioneers in the speed metal genre. I would like to take an opportunity to differ once again with the common viewpoint here, this is not “almost” Painkiller 2 years before; it is its doppelganger, at least in terms of kick ass aggressiveness and image. It is a more musical and complex answer to the thrash genre that it fathered; its spirit is that of a triumphant warrior cutting down its foes. While the heroic Painkiller soared through the sky putting fear into the hearts of his enemies, Thundersteel’s half-cyborg/half-tank body stood tall to face them on the ground.In 1988 metal was mostly known by its image, and if you judge these guys by that alone, they look like the bastard sons of Motley Crue and Judas Priest. But when Tony Moore blasts his high banshee voice into the microphone, he sounds like a crazed Viking Berserker ready to behead an army of frightened Romans. Mark Reale, the only remaining originator of this outfit, wields his guitar like a battle axe and challenges the likes of K.K. Downing, Dave Murray and Ross the Boss. Bobby Jarzombek, who is well known for his work with Rob Halford’s solo project, as well as several other bands, gives the performance of his life on here. Don Van Stavern keeps the bottom end solid and has a wicked bass intro in “Johnny’s Back”.There is never a dull moment on this album, from start to finish it grabs you by the throat and commands you to praise the Gods of Metal. Be it the fast as hell title track, which rivals anything Judas Priest has ever put out, or the more moderated Deep Purple riff monster “Sign of the Crimson Storm”, it screams metal. You’ve got an anthem of rebellion and non-conformity at warp speed like “Johnny’s Back” in the running, or the Manowar inspired heavy ballad “Bloodstreets”, which gives Heart of Steel a run for its money. “Fight or Fall” and “Flight of the Warrior” have memorable choruses and plenty of amazing lead work, all done by the original speed metal riff man Mark Reale, while “On Wings of Eagles” is a better produced version of something you might find on Kill Em’ All.We’ve got two highlights on this album, both of which are a good bit different than the lion’s share of speed driven songs on here. “Run for your life” is an upper mid-tempo crusher with tons of great lead guitar work, but it’s true charm is the chorus, which reminds me a bit of the high/low vocal interchanges that you hear on Dio’s early material. “Buried Alive (The Tell Tale Heart)” is actually a bit reminiscent of Crimson Glory’s work on Transcendence, which came out the same year that this did. You’ve got a rather odd spoken intro with a clean and somber guitar line, followed by some brilliant twin guitar soloing (all done by one guy, just the same way Tony Iommi did it). After 3 minutes of mind-blowing, we get a slow and evil sounding groove that grows into a brilliant homage to the NWOBHM, names like Iron Maiden and Angel Witch come to mind.In conclusion, this is a piece of metal history that demands to be listened to. If you are a power metal fan who lives for speed and melody, get your tight jeans wearing ass to the store right now. If you’re a holdover from the glory days of traditional metal and you don’t have it, get it now or risk having your credentials as a metal head questioned. If you love thrash with attitude, this gives the bands that carry that label a run for their money. Fans of Judas Priest, Manowar, Helloween, Running Wild, and Iron Maiden in particular will love this. There is a new power alive in the distance, carrying a fully charged plasma cannon, followed by an army of true metal warriors, and his name is “Thundersteel”." - Metal Archives
    $7.00
  • "Danish rockers Volbeat have always been extremely popular in their home country, and with each album they’ve gained more momentum and fans. However, 2010‘s ‘Beyond Hell/Above Heaven’ was their true breakthrough in North America, spawning hit singles such as ‘Heaven nor Hell’ and ‘A Warrior’s Call,’ which both topped the Billboard Active Rock chart.For Volbeat’s follow-up disc, Rob Caggiano was brought aboard to produce ‘Outlaw Gentlemen & Shady Ladies.’ The collaboration went so well that Caggiano ended up joining Volbeat as their permanent lead guitarist shortly after exiting Anthrax.Anticipation has been high for ‘Outlaw Gentlemen & Shady Ladies,’ and Volbeat deliver. Their sound has always drawn on many different influences, from classic rock to punk to metal to rockabilly. Those influences and more are evident on this album, perhaps their most diverse to-date.After the acoustic western-tinged intro “Let’s Shake Some Dust,” the album kicks off with the ultra-catchy ‘Pearl Hart.’ The rock charts are packed with sound-alike bands that are good, but lack a unique identity. That’s not a problem with Volbeat. In addition to their diverse influences, singer Michael Poulsen’s voice is very distinctive.Volbeat have the ability to morph from accessible rock to heavy but melodic metal like ‘Dead But Rising’ without missing a beat. They may not be ‘metal enough’ for some fans that like their music more extreme, but they bring aboard a guest singer who is undeniably metal. The legendary King Diamond lends his world-class pipes to ‘Room 24.’The song has heavy riffs, creepy female backing vocals and plenty of vocal acrobatics from King Diamond. Poulsen’s melodic singing contrasts nicely with Diamond’s falsetto. King isn’t the only guest on the album. Sarah Blackwood from the Canadian band Walk off the Earth duets with Poulsen on ‘Lonesome Rider,’ which has some steel guitar and a rockabilly vibe.There’s a cover song on the album as well. Volbeat does ‘My Body,’ originally recorded by Young the Giant on their 2010 self-titled album. The track did well on both the Alternative and Rock charts, and many will recognize it.‘Outlaw Gentlemen & Shady Ladies’ has something for fans of numerous genres. It includes a Western theme with a little twang, lots of radio-friendly cuts, harder edged tracks, the aforementioned guest vocalists and a lot of variety. It’s an impressive effort that’s both credible and commercial." - Loudwire
    $12.00
  • "A brand new 2CD release by one of the most interesting German art/prog rock bands - Features a special show recorded earlier this year at Wyspianski Theater in Katowice, Poland, which was also the last complete performance of their most recent album Beyond Man and Time" in Europe - Thoughtful, abstract, and with a tint of the grotesque, the show testifies to RPWL's immense artistic prowess - Feat. A guest appearance by ex-Genesis singer Ray Wilson - Also includes: interview, the band’s commentary track and more!"
    $18.00
  • ""SKIN” is the latest album from CLASSIC ROCK PROG Poll winners PANIC ROOM and is one of the most eagerly anticipated albums by a band on the new wave of British Progressive Rock groups. The album, the band’s third, is arguably the finest yet by ANNE MARIE HELDER (Vocals, Guitar, Keyboards, Flute), JONATHAN EDWARDS (Keyboards), PAUL DAVIES (Lead Guitar, Backing Vocals), YATIM HALIMI (Bass) and GAVIN GRIFFITHS (Drums). "SKIN” is a dark and shimmering jewel, featuring 11 new and original tracks which all bear the hallmark sound of Panic Room - both powerful and intimate, passionate and playful, epic and yet truthful and heartfelt.

The album has a vast and expansive feel : gracefully weaving its way through rock-solid riffs and potent grooves, there are moments of intense power, heart-stopping gravity, and delicate beauty.
 This is the sound and dynamic of Panic Room... brought to a new level. Featuring the unique style-play and musical freedom that Panic Room are famous for, and which has seen them transcend any genre or limitation, the album also unveils a distinct and deliciously dark sound all of its own... the sound of 'SKIN'. A stunning collection of songs, all telling a story of their own, the album has a definite feel and continuity at the same time; a distinct mood of its own.'SKIN' is... beguiling, hypnotic, dark...sensual, emotional, and raw...beautiful, reflective, and true… The album title reflects all of the key elements in the music PANIC ROOM has created - the intimacy, the rawness and the power that is "SKIN”."
    $17.00
  • "This is an interesting crossover in that this album is reflective of a storyline that runs in the lyricist's recently published allegorical fantasy novel, The Edge of the World. Based on two opposing religions that consider the same city as a holy element, they agree to sign a peace treaty. But, as strife will have it, this ends in the literal burnt ashes of the city as an all consuming fire destroys the city setting both religious sides against each other yet again. The author was drawn into a music rendition of his story and supplied all lyrics while a coterie of prominent Prog Rock and Symphonic Rock form to create a band to present this story. Most prominent is the music-writing for the Anderson/Moesta lyrics supplied by Erik Norlander of Rocket Scientists. Vocally, the chores are shared between heavyweights like James LaBrie (Dream Theater), Lana Lane (a remarkable Ann Wilson sound-alike with a powerful voice, who has sang for many bands, and who is married to Norlander), Michael Sadler (Saga), and John Payne (later period Asia). The vocalists take on characters and throughout the album sing the appropriate parts. Musically, this band known as Roswell Six, have created a fine Prog/Symphonic effort named Terra Incognita: Beyond the Horizon. The clear influences are here. You'll hear Yes in the mix as well as the sounds of ELP, Kansas, Freedom Calls, and other usual suspects. The lean is toward symphonic rock with plenty of violin performed by David Ragsdale (Kansas), cello by Mike Alvarez, and flute by Martin Orford. The results are often grand. The works heard on Terra Incognita do the genre justice and are recommended for fans of such music. But when you bring such talents together, you're going to get great music. There are thirteen high-grade songs, two of them instumentals. The booklet is filled with enticing art, all lyrics, and a connecting storyline that brings the book and album together for those that want the full experience." - Matt Rowe/MusicTap.net
    $3.00
  • BLOW OUT PRE-PROGPOWER USA SPECIAL DEAL! Surprisingly great project from one of the founders of Savatage and forefathers of the entire progressive metal movement. To cut to the chase - this sounds more like Savatage than Savatage does these days. A must own for any Savatage fan - you will not be disappointed. LIMITED TIME SPECIAL PRICING
    $8.00
  • Prog guitarist Lanvall goes metal! Austrian multi-instrumentalist Lanvall has come up with a mindblowing entrance into the world of progressive metal. Sunrise In Eden features all of Lanvall trademark sounds - epic symphonic keys and Hackettesque fluid guitar leads - but this time he adds a hard edge distortion laden sound to his arsenal. Combined with kick ass double bass drum and absolutely awesome vocals from the drop dead gorgeous Sabine Edelsbacher and you've got one of 2000's best efforts. There is plenty here for prog rock fans to like but this is squarely aimed towards the prog metal audience. Hey - even Galdalf kicks in some sitar bits on the 11 minute "My Last Beyond".We were the former licensee for North America.  Our version of Sunrise In Eden is now out of print.  Grab 'em while you can.
    $9.00