Elegant Gypsy ($5 Special)

SKU: CK34461
Label:
Columbia
Category:
Fusion
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Blazing second solo album, from 1977. This has some of the fastest guitarwork you will ever hear in your lifetime. DiMeola shows many facets to his playing touching upon pure electric fusion as well as gorgeous acoustic work. The acoustic duet with Paco De Lucia on "Mediterranean Sundance" is breathtaking. Jan Hammer and all the other stars play their nuts off here. Great.

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  • New art rock project from Tim Bowness (No Man) and Giancarlo Erra (Nosound). This is simmering atmospheric progressive music that will definitely appeal to the fanbase of both No Man and Nosound - as well as Porcupine Tree and David Sylvian. Very low key atmospheric music created by an amazing array of talent including: Peter Hammill (Van Der Graaf Generator), Colin Edwin (Porcupine Tree), Robert Fripp(King Crimson), Steven Wilson (Porcupine Tree, No-Man etc), Julianne Regan (All About Eve), Jim Matheos (OSI/Fates Warning) and Ricard Huxflux Nettermalm (Paatos). 21st Century Chillout Man!
    $6.00
  • A new release from Causa Sui is like money in the bank.  The new Live At Freak Valley is no exception.  The live milieu is where the band really shines.  If you are unfamilar with the band you should know that the band's origins date back to the stoner scene but they evolved into something different - something more psychedelic - more organic.  The quartet features Jakob Skott (drums), Jonas Munk (guitar), Jess Kahr (bass), and Rasmus Rasmussen (keyboards).  The band goes off on looooong instrumental jams.  Munk's guitarwork has a beautiful fluidity that plays off of Rasmussen's keyboards which tend to surge to the forefront like waves on the ocean - or sit back and become a nice supporting backdrop for Munk's lead work.  I love when Munk burst out with a chunk of heavy riffage that recalls their stoner days.  Reminds me of vintage Zeppelin!  Highly recommended.
    $35.00
  • ""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps to Heaven," "Joshua," and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home." The 20-bit remastered version issued by Sony's Legacy imprint in 2005 includes two rather startling bonus tracks from the original sessions that were not included on the LP or previous CD releases; they are the beautiful "So Near, So Far," and "Summer Night."" - All Music Guide" - All Music Guide
    $5.00
  • There is no denying that Nemo's JP Louveton is one hell of a guitarist. His staunch commitment to having French lyrics with Nemo's music has stiffled the band's exposure within much of the progressive rock community. Wolfspring is a new project he has put together - but with English vocals. The music isn't particularly symphonic like Nemo. Instead he goes for a contemporary guitar driven sound that rocks hard. Nemo keyboardist Guillaume Fontaine is also a member of the band but he definitely takes a supporting role. Louveton's guitar takes center spotlight through out.
    $3.00
  • Remastered edition finally taken from the original master tapes and transferred utilizing 24 bit / 96 khz technology.
    $10.00
  • "(Mostly) UK-based symphonic/power metal band Damnation Angels is back with a new album, their second overall, titled The Valiant Fire. It’s the highly-anticipated follow-up to their breakthrough 2013 debut full-length Bringer of Light, and on it the Graney brothers and vocalist Per Fredrik “Pellek”Asly have taken just about everything to the next level.As you might expect after the grandeur of Bringer of Light, The Valiant Fire is, in a word, epic. The orchestrations in particular are massive, swirling around the guitars and drums to create a majestic atmosphere throughout the album. It’s a consistent atmosphere too, almost giving The Valiant Fire a concept album feel, even though the songs are independent of each other. The atmosphere connects them all, and makes this album that much more rewarding when taken as a whole listening experience. The melodies are a little more subtle this time around, but still play a large part in the album’s overall sound. And of course there’s the vocal performance. Pellek is one of the brightest young stars in the genre, and being in Damnation Angels seems to bring out his best performances. The power, range and emotion he conveys is what makes these songs resonate so much.Unlike Bringer of Light, which immediately drew you in with huge melodies, The Valiant Fire is going to take a few spins to really sink in. When it does though, it simply won’t let you go. That’s not to say there aren’t incredible melodies and hooks. They just seem dialed back in comparison to the debut. You’re still going to be headbanging and singing along with the catchy “This Is Who We Are” and “Everlasting.” Oddly enough, the most bombastic song on the album is the instrumental title track. It makes a statement, but you can’t help but wish Pellek was there doubling the impact of such strong melodies. The album boasts a pair of nine-minute epics – “The Frontiersman” and “Under An Ancient Sun” – that are very different from each other but equally memorable. Honestly, all nine of the songs on The Valiant Fire are sensational, and there isn’t a weak moment anywhere on the album.New releases from Nightwish and Kamelot will – deservedly – garner the lion’s share of attention from the Symphonic Metal community, but The Valiant Fire has to be considered one of the best – if not the best – entry in that genre in 2015. Even stepping away from genre tags, this is just one of the best albums you’ll hear all year if you like your metal grand, powerful and epic. If you haven’t yet experienced Damnation Angels, now is the perfect time to discover one of the most exciting bands in recent years." - Hard Rock Haven
    $15.00
  • "This is the second work from BLOODBOUND, a band that surprised me a lot with its debut album “Nosferatu”. I had put their first work between the best three releases of the year, so I was waiting their second one like crazy. Well I didn’t got disappointed at all. “Book of The Dead” continues from where “Nosferatu” stopped and it is a great sequel for their discography. They still play Pure, strong melodic Heavy Metal music with a few influences from Power Metal, and they are doing it damn good! The great difference between the two works is the presence of Michael Bormann on the vocals this time something that always is a big issue for a band, because the vocals is what gets the attention of the listener at once in a new album. Well Michael Bormann is a great singer for many years in the scene and he easily managed to fit excellent in the band. The only maybe negative point, could be the fact that “Book Of The Dead” is not better than the first work of the band, so we would talk about a step forward for the band or something but don’t forget that “Nosferatu” was one of the best releases in the Heavy Metal scene in the latest years, so it would be really very hard to have something better than that right with the next work of a band. Anyway the result is very clear: if you like pure, strong melodic Heavy Metal this album is sure for you, BLOODBOUND prove us that are here to stay!" - Metal Invader
    $16.00
  • "New Era is an apropos name for Cloudscape's fourth album as the band has gone through some significant changes. In the last several years, the band lost three of its founding members including bass player Hans Perrson, drummer Roger Landin, and guitarist Bjorn Eliasson. Cloudscape had to scramble to fill the gaps.New Era could also refer to the course of Cloudscape's musical direction. Although uneven maybe a better word for the album. While melodic metal, that of power and nuances of prog, still bolsters the arrangements, there seems a slant to a more raw modern sound. You can hear this in Your Desire and Share Your Energy, which includes some dirty vocals from Peter Wildoer (Darkane, James LaBrie). Conversely, there's some familiar Cloudscape material here as well. Pull the Brake finds them accessing more melodic hard rock. Voyager 9, the longest cut, offers the power prog side of the band. Heroes integrates a little of both. Ultimately, New Era is mixed bag of songs, and I can honestly say I can't point to one as being jaw-dropping compelling. Nevertheless, this is not a bad album either. It's merely different. Possibly with a few more spins it would grow on me. But considering two spins brought to a mostly ambivalent assessment, it's not likely to happen. Fans, and the curious, should be the first to check out New Era." - Dangerdog.com
    $12.00
  • Second album from this Danish band that blends European and US power metal influences all whipped together at a breakneck pace.
    $10.00
  • Gorgeous new repackaged digipak of this classic symphonic rock masterpiece from Sweden. It comes with a second disc with one bonus track. It is a re-recording (featuring all the original members) of an unreleased track from 1992. Why a second disc? Only the band can say.Here is what I wrote about it back in 1996:"Faced with the near impossible task of just matching their incredible debut, the band has done it! From the opening notes of the first track, "Prolog", the instrumental "Epilog" delivers the goods in every way. This is an amazing work that blends the complexity of Gentle Giant with the intensity of early Genesis. What I find makes or breaks any band is their sense of dynamics. On "Epilog" the band is constantly keeping the listener off balance - one moment captures a delicate flute and Mellotron-laden interlude of serenity and the next second it shifts into overdrive. Surprisingly Epilog is all instrumental. Anyone who saw this band perform at Progfest knows what this band was capable of.
    $22.00
  • Limited edition hardbound art book featuring the album on 2CDs, another 2 CDs with instrumental versions of the album, a DVD with "making of" and interview footage, plus a 48 page booklet.Arjen Lucassen's long awaited Ayreon project is a total blast.  Like some of the earlier Ayreon albums, it owes as much to prog rock as it does metal.  All the old school heroes like Emerson, Wakeman, Wetton get to strut their stuff showing a young stud like Rudess a thing or two.  As always Lucassen latches on to some of the best vocalists around and this one is no exception.  Highly recommended."You know what the metal world needs more of? Musicals. I'm not saying that ironically either. Sure, we have plenty of prog bands putting out concept albums, but cool as these records many be, the story themselves are not the focus of the album. Ayreon mastermind Arjen Anthony Lucassen has resurrected his grandest of all projects to continue showing these folks how to tell an epic story the right way.With 01011001 the Ayreon story came to an end, or so we thought. Arjen instead decided to focus on projects like Star One, Guilt Machine, and his solo album Lost in the New Real. When he revealed not too long ago that he was working on a new project, it wasn't a surprise to discover it was new Ayreon, but I was still plenty excited.Lucassen said of the newest record, "It's not science fiction, but a human story set in a science context." So no aliens or battling emotions or any of that. So, in an attempt to better understand the story, I contacting him for the lyrics and much to my surprise, he sent them to me saying, "Oh yes, you need the lyrics, definitely." Holy hell, was he right. The story is indeed more grounded than previous records, but there are still layers to this beast.Fans of Ayreon should know what to expect here. The Theory of Everything has seven guest singers and each singer plays a part in the story. They are JB (Grand Magus) as the Teacher, Christina Scabbia (Lacuna Coil) as the Mother, Michael Mills (Toehider) as the Father, Tommy Karevik (Kamelot) as the Prodigy, Marco Hietala (Nightwish) as the Rival, John Wetton (Asia/ex-King Crimson) as the Psychiatrist, and Sara Squadrani (Ancient Bards) as the Girl.Of these singers, the most impressive is the relatively unknown Sara Squadrani. She performs on a large portion of the story and shines every time, especially on "Love and Envy". I was also surprised to be so enamored with the performance of Christina Scabbia. She's always had  a wonderful voice, but her performance in this record might be her finest. Her harmonies with Squadrani stand out particularly on "Mirror of Dreams". This isn't to say only the performances by the female singers are worth mentioning. Tommy Karevik's introduction in "The Prodigy's World" is one of the strongest moments on the album.Every Ayreon album comes an eclectic group of guest musicians. This round primarily consisted of guest keyboardists. Rick Wakeman (ex-Yes) handles a good portion of the record, while Keith Emerson (Emerson, Lake & Palmer) and Jordan Rudess (Dream Theater) both make excellent solo appearances on "Progressive Waves".Having listened to all of Lucassen's albums at least once, I can say The Theory of Everything is the most musically diverse offering he's had a hand in, perhaps with the exception of his solo record. This isn't as heavy as previous Ayreon titles, but it has its driving moments like "Collision" and the Dream Theather-esque "Frequency Modulation." The aforementioned "Love and Envy" is a slower introspective song, while "Diagnosis" is massive and a little cheesy, but so awesome. "Transformation" has a Middle Eastern feel to it, and  "The Eleventh Dimension" sounds like intergalactic renaissance faire music.Often times there are jumps in mood, genre, etc in the middle of a song. This is fairly typical for an Ayreon release; what isn't typical is that technically this record consists of only four songs. These four songs are each at least twenty-one minutes, but they are cut up into forty-two pieces (yes, that's a Hitchhiker's Guide to the Galaxy reference) .This is a fun record. It's a record that does require a time commitment. I'd say listeners should treat it as a proper musical or film in a theater. Try to experience it all in one sitting for the full effect. It's absolutely worth it." - Metal InjectionSTRICT LIMIT OF ONE PER CUSTOMER
    $40.00
  • First album to feature Rob Halford upon his return. Its actually not bad! Found cheap import overstocks. Grab it!
    $8.00
  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • Well Opeth went and did it.  They gave prog rock fans the album they've been waiting for - the one that Heritage alluded to and came close to delivering.  Pale Communion is a full on prog album.  All clean vocals, tons of gorgeous keyboard sounds that will conjure up images of the 70s.  In fact if this album arrived with a Vertigo swirl on it I wouldn't have been surprised.  Some heavy riffing but no real metal elements within earshot.  The album was mixed by Steven Wilson and if anyone knows "the sound" its him.  By the way the album was recorded at Rockfield Studios which is holy ground for prog fans.  Prog rock album of the year?  You bet!  BUY OR DIE!!
    $29.00