Discovering Kaipa (3CD Box Set)

"As part of its ongoing series of Original Album Collections, InsideOutMusic invite you to discover three albums by classic prog rock band KAIPA at a superb price. Active since the 70's, the Swedes' albums "Notes From The Past" (2002), "Keyholder" (2003) and "In The Wake Of Evolution" (2010) are stellar representatives of their vast catalogue."

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  • Second album from this Italian progressive metal band finds them with a new lineup. Now fronting the band is vocalist Fabio Manda and there is also a new bassist in Claudio Casaburi. No major changes in direction. This is Dream Theater inspired progressive metal chock full of solos and interaction between guitar and keys. Manda shares a similar fate to just about every metal vocalist from Italy - he has a bit of an accent. But the dude can sing and can really hit the high notes so it doesn't really get in the way. There are two notable guests on the album. Marco Sfogli contributes a solo and Sieges Even/Subsignal vocalist Arno Menses is featured on the near 17 minute "Aftermath". The production is much better than their debut. Mixed by Markus Teske, the drums no longer sound like pencils smacked on a desk. Where as there used to be a million of these Dream Theater influenced bands kicking around in Italy (remember Zen?) they have all gone off to work at the Fiat factory. Soul Secret are the torch carriers of the moment and acquit themselves quite nicely thank you. Highly recommended to fans of intricate prog metal.
    $9.00
  • New album from this Austrian symphonic metal band.  The band has been a bit of a revolving door with vocalists but Maxi Nil has settled in nicely.  The music is based in the traditional female fronted gothic style with clean male vocals trading leads back and forth.  This time around I hear more of a poppier, catchy sound - somewhat like the direction Delain is moving towards.  Highly recommended to fans of the genre (I wave my hand proudly).  Digipak edition with one bonus track.
    $12.00
  • Second album from this incredible fusion trio from North Carolina will blow your skull off.  Trioscapes consists of Between The Buried And Me bassist Dan Briggs and Walter Fancourt (tenor sax/flute), and Matt Lynch (drums).  Don't let the absence of keys or guitar throw you.  This is mild altering, high energy fusion. You get the chops from hell, tripped out soundscapes, and head throttling melodies.  And that's just the first tune!!!  Utterly lethal.  BUY OR DIE!!"Much of what can conceivable be written of Trioscapes‘ most recent album Digital Dream Sequence is exactly what could be written about their previous offering Separate Realities.Musicians, jazz musicians particularly, may spit their coffee all over their keyboards on reading that, apopleptic and petulant – pointing out that where the previous album was underpinned by Ionic mode progressions, that this one is rooted in the Chromatic (or somesuch muso guff). Suffice to say that, as with Separate Realities, Digital Dream Sequence does not cling to homely pentatonic melodies or major chord, 4/4 song structures.It is a surprising and joyful departure from the predictable, which would be easy to describe as mind-expanding if it did not so closely follow its predecessor in structure and feel.As it is, there are a few physical embellishments to the formula worth noting, but not many. Keyboard fills (or what sounds like keyboards – what Dan Briggs can do with a bass guitar and effects pedals can be confusing at times) bring an extra accent to the pieces, as well as atmospheric depth on, say, the opening sequence of ‘From the Earth to the Moon’. On that track, the use of keyboard wash with a glockenspiel voice is foregrounded in something that tips a hat to Pink Floyd’s exploration of moon themes, before it takes off into something more definitely Trioscapes in its saxophone/bass/percussion attack. The track goes on to finish with an outro that co-opts much of the main theme from Tubular Bells.Keys, elsewhere on Digital Dream Sequence, play a role more to do with sound dynamics than with song structure – they fill a gap in the lower mids that is left between Walter Fancourt’s flute and alto saxophone moments.To state outright that this album sounds like Separate Realities is misleading though – there is much in the way of progression to note, and a gelling of roles between band members who have, onstage and in the studio, found a way to fit their individual talents into a group dynamic. Although there were moments of more-than-the-sum-of-its-parts alchemy on the earlier album, they were rarer than they are on Digital Dream Sequence. The latter has more raw groove, embeds moments of individual technical dexterity into the compositions less abruptly, and overall displays a more comfortable fusion (arg – that word!) between the funk and metal aesthetics that comprise the Trioscapes recipe.Of that curious mix, the mention of both Pink Floyd and Mike Oldfield above may offer some clue – there is a smattering of prog rock reference on Digital Dream Sequence (the intro to final track ‘The Jungle’ particularly) which opens a world of musical territory to the trio. Particularly the rhythms of Mali, which fascinated prog musicians for much of the 80s. Or perhaps that is too fanciful (jazz and funk have, historically, a more direct conduit to African rhythms than anything channeled through prog, after all).Nevertheless, that final track, once one has re-accustomed the ear to the Trioscapes tag-team approach to rhythm, tension and controlled saxophone madness, throbs with a primal, sweaty and utterly invigorating energy that transcends jazz, funk, metal or rock and is its own glorious creation.Which is something that never quite happened on Separate Realities (and bear in mind that Separate Realities was chosen by this reviewer as the album of 2012). This time Trioscapes have thrown off the anxiety of influence, have coalesced their individual contributions into a smoother whole, and have dug deeply to find an immense gravitronic groove.It’s a throbbing monster of an album." - Trebuchet Magazine
    $14.00
  • Finnish folk metal band featuring the former singer of Tacere. Her voice is as hot as her looks!
    $12.00
  • Magenta's latest finds them returning to an overtly progressive rock sound and the music is all the better for it.  The Twenty Seven Club is a concept album based around famous rock stars that died at the age of 27 (Janis Joplin, Jim Morrison, Jimi Hedrix, Kurt Cobain, ao).  The core lineup is Rob Reed, Christina Booth, and Chris Fry.  For this album the band is rounded out by guest drummer Andy Edwards of IQ.  Reed's keyboard work is back in the fore and Fry's Howe-isms on guitar always bring a polish to the music (and grin on the face).  Christina Booth's voice is a real gift and she shines as always.  Overall the music makes some overt references to Yes and Genesis so you get that old school flavor that the band hasn't offered in many years.  The album arrives in a special edition with a bonus DVD.  You get the complete album in a 5.1 mix, documentary footage and a promo video for one of the tunes.  Highly recommended.
    $18.00
  • Mini gatefold lp sleeve recreating the orignal release from these brilliant prog one hit wonders.
    $19.00
  • "A very special semi-acoustic live set from this seminal gothic metal band. The album captures their favourite songs specially rearranged for this event, while also including reworked cover versions of songs by Slayer and Nick Cave, the latter featuring guest vocals from Tiamat's Johan Edlund."
    $2.00
  • Killer psychedelic folk album from this Danish - Swedish band.  It was recorded at the legendary Silence Studios with the equally legendary Anders Lind at the helm.  The band channels the sounds of Kebnekajse and Alrune Rod.  The music has a mystical feel with wisps of flute augmenting echoplex and fuzz driven guitar leads, violin, and swirling organ.  Vocals are in Swedish and given the sound the band was shooting for it fits perfectly.  This one is really quite stunning.  Highest recommendation.The Kama Loka project brought together people from Denmark and Sweden to record an album in the legendary Silence studio. The vocal songs are haunting tales of fantasy and mystery, while the instrumental tracks are intricately hypnotic, all performed by musicians who are able to subjugate the power of their playing with the kind of reverence that can create great music.Skovsoen is the first of five tracks on the album, and it was written by Morten Aron.The musicians who participated on the record are:Morten Aron, vocals, guitarAnders Grön, drums, vocalsAnders Lind, vocalsSnild Orre, fiddle, violin, vocalsTobias Petterson, bass, flute, vocalsSören Pilegård, organ, hurdy gurdy, vocalsAnders Stub, tanpura machinePeter Wallgren, vocals, paintingsMikael Ödesjö, guitar, vocals
    $17.00
  • First time on CD! Early MPS session for this great keyboardist who is still going strong. Recorded in 1967, it reads like a who's who of krautrock and fusion. Members of the septet include Jean-Luc Ponty (violin), Gerd Dudek (tenor sax, clarinet), Eberhard Weber (cello), Jurgen Karg (bass), Mani Neumeier (drums), and Fred Braceful (drums). Frankly I was expected a wild free set and actually it's not too crazy at all. The music actually swings in spots. Gorgeous reissue arrives in a mini-LP sleeve with detailed liner notes and photos as well as 24 bit mastering.
    $21.00
  • "This album was recorded soon after the band's legendary concert on the steps of the Reichstag in Berlin in 1980 and includes the emotive 'In Memory Of The Martyrs' and the hit 'Life Is For Living'.This reissue has been newly remastered from the original master tapes, includes two bonus tracks and features a booklet that fully restores all original album artwork with a new essay by BJH experts Keith and Monika Domone."
    $17.00
  • I'm going to get straight to the point.  If you are a fan of female fronted metal you must own this album.  The Human Contradiction is a complete triumph.  It finds the band returning a bit to their roots.  There are still poppy elements - that's part of their core sound - but there is a heaviness that will remind you of Lucidity.  Nightwish's Marco Hietala returns contributing on clean vocals. Also back is Orphanage vocalist George Oosthoek who is one of the best growlers in the metal scene.  Arch Enemy vocalist Alissa White-Gluz makes a guest appearance.Timo Somers' guitar riffs are chunkier, Charlotte's voice is impeccable as always, and Martijn's keyboards are simply epic.  The album was recorded at Studio Fredman and sounds massive.  Weaving the whole album together is a sci-fi theme borrowed from the writings of Octavia Butler.This is an album filled with a enough earworm hooks to drive you crazy but at the same time its heavy!  For my taste its a top 10 album for 2014.  BUY OR DIE!
    $12.00
  • "In a society which continues to develop at breathtaking speed, racing through world history in seven-league boots, mercilessly trampling down anything unable to keep pace with this ruthless goose step, Riverside have composed an album which is a perfect reflection of our times. An offering full of symbolism – starting with the fact that the title of their fourth release consists of four words and that the album is precisely 44:44 minutes long – and an intelligent stocktaking of reality. Anno Domini High Definition is no concept album in the classic sense, although it features a central theme and a haunting message. “It’s a story about people who angrily state that such-and-such a device is no longer fashionable, before they`ve even learnt how to use it properly themselves. Even worse – it’s no longer usable, because there’s something better on the market now”, Mariusz Duda, vocalist, bassist, guitarist and lyricist of the four-piece explains. “For me, those are the thoughts of people who wake up every morning worrying that perhaps today their ‘sell-by date’ may expire.”Riverside was founded by guitarist Piotr Grudzinski, drummer Piotr Kozieradzki and Mariusz Duda in 2001. Immediately after the recording of their debut album, Out Of Myself, keyboardist Michal Lapaj joined the band, completing the current line-up which has impressed fans and media alike with the musicians’ great technical skills. Musically and in terms of its subject matter, Anno Domini High Definition marks a temporary climax in the quartet’s artistic work: “It’s an album about people who know they need to speed up or they’ll get left behind“, Duda summarises the tracks, adding: “About people who sometimes, despite themselves, will stop at nothing to achieve their aims. It’s an album about chaos, constant race, uncertainty, stress, and the struggle to survive.”This permanent inner restlessness, a constant search for the latest thing, is reflected in the band’s complex music. The five songs consciously keep up a high energy level, be it through a pounding groove, a turbulent bass line, cutting keyboard passages or haunting vocals. Anno Domini High Definition is a pulsating hybrid of a range of different stylistic means. Duda: “There’s more rock stuff on the record now. The new album has more balls, you could say, than anything we’ve done so far. But I think we kept all the nice melodies and traits that are characteristic to our music. It’s very energetic. There are longer, more complex compositions, but with more energy, power and ease. It’s been a long time since we had so much fun composing and recording, and I hope the listeners will also be infected by this atmosphere.”Anno Domini High Definition sees Riverside take another step in the evolution of their extremely significant sound, documenting a total focus on the here and now. “We don’t want to be one of these living-in-the-past prog bands,” Duda points out. “We feel that we have something new to say, and lots of moments on this album feature a fresh approach to some things. First of all, our main influence – our lives, or to be more precise, the speed of our lives. That’s why we had to cut an extremely dynamic and pretty short record, which suits the times we live in.”Experts have called Riverside a stylistic mix of Tool, Porcupine Tree and Dream Theater, but Duda reckons that other influences are more dominant on Anno Domini High Definition: “We wanted to reflect the energy of the early 70s and combine it with modern sounds. Now I think there is more of a Rush , Led Zeppelin and Deep Purple sound. But at the end of the day, this record ultimately sounds like Riverside.” 
    $14.00
  • Next to last album finds the band with a new lineup and a more commercial direction. Still some good stuff here.
    $18.00
  • Once again Andy Franck unleashes his heavy side. Funny how different this sounds from Symphorce.
    $11.00