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  • It looks like Big Big Train has ventured outside the English countryside and now have a bit more of a world view.  Housed in a hardbound mediabook with a 52 page booklet."Sometimes you get to review an album where the words, and the praise, come easily – and this is one such album. I’ve been a BBT fan since “The Difference Machine” (TDM) drew me in around 2007/2008. To be honest, I bought the CD because musicians I liked from other bands guested on it, and I wasn’t disappointed. The members who made that album are mostly gone from the band, but such is the progression and evolution of a line up. Founder Greg Spawton remains and is also one of the main writers. TDM guest / now full band member Nick D’Virgilio gets his first writing credit and contributes again on vocals on the new album. The other main writer is, of course, David Longdon, who also commands the microphone, with support from the now multiple gifted vocalists in the band. It also must be mentioned that BBT are a band where the artwork and the music are very closely integrated – and Sarah Louise Ewing plays her part in the creative process.The last run of Big Big Train albums has seen the band exploring its Anglo-centric core but this one takes a different path, based on the 17th/18th century custom where wealthy young Englishmen undertook a trip through Europe to gain exposure to the cultural legacy of those countries, as part of their aristocratic education. Therefore the songs deal with exploration into science and art, both essential parts of our humanity, often enhanced by broadening of horizons that comes with travel. So we move from Plato in circa 400BC to the Voyager spaceships of the late 20th century, before returning to the English countryside, much like the travelers.For those of you who enjoy reading the context and background to the lyrics and inspiration, the accompanying booklet gives you a lot of info on each track and this makes the experience even more rewarding. Much like my first listen to “Brave Captain”, I’ve found that listening and reading along is the ideal combination. You’ll also get to appreciate the amount of research and creativity behind each track.With a seven piece line up (the first since the band’s inception without founder Andy Poole), five brass players and 18 string players, you may fear this could be an everything-plus-the-kitchen-sink style production. As with previous albums, the soundscape is immaculately crafted with the spotlight shifting between instruments as needed.The album opens with “Novum Organum”, a mission statement track, taking its name and inspiration from the book of that title which many believe was a significant signpost to scientific discovery. Notable for the first (of several) compositional credits for Nick D’Virgilio on this album, in collaboration with Spawton, the musical box tones lead us on the album’s journey of discovery, whether that is by ships of the sea, air or space.Gears shift for “Alive”, the first single from the album which many of you will be familiar with by now. It is rare in the world of prog to have a band who can create great, melodic “pop songs” such as this (and “Folklore”, “Wassail”, “Make Some Noise” etc) as well as the fully developed epics we encounter later in the album. Longdon sings this “carpe diem” song, which he also composed, and you can see the parallel inspirations of the rite of passage journeys young people undertook, and the journey of BBT itself as the band undertook their first mainland Europe shows last year. The song also provides Danny Manners and Dave Gregory with opportunities for some tasteful solos, and the track is powered by both the shifting mellotron riff and the exemplary Spawton/ D’Virgilio rhythm section. (As I type this I am on a week’s holiday having an amazing time and enjoying some great weather… and so this has become something of a theme song – “it’s great to be alive”).Leonardo Da Vinci is the subject of David Longdon’s next contribution “The Florentine”. “Alive”s pop prog gives way to 12-string strums and what sounds like Dave/ Nick lead harmonizing. One of the most attractive aspects of BBT’s music, for me, is the orchestration, and how instruments combine and build, like the artist adding colors from his palette to the canvas. This track is a great example of that, with the acoustic strum-and-thump being joined by tasteful almost country-style electric guitar, some mandolin, violin and Moog. There are lovely shifts in dynamics as the vocals move to male/female harmony, altering the texture as the various sections of the song shift. This isn’t a busy over-crowded sound though – it is rich and spacious, with kudos to Longdon/Spawton production team, along with Rob Aubrey and Mark Hornsby, involved in the transatlantic aspects of the recording.The Spawton epic, “Roman Stone” is next up and is an epic based around the rise and fall of the Roman Empire. If that sounds like a prog rock cliche, it isn’t – in fact I’d go so far as to say that I can’t think of another band in rock music who could pull off this type of historical track without it descending into cliche. More than just another European capital city, the Roman Empire rose and grew across Europe and into Asia and beyond, and the sleeve notes give us an overview of how the different sections of the songs reflect that. The uniqueness of BBT is once more highlighted in a brass band and orchestral section mid song. This isn’t an awkward Atom-Heart-Mother mismatch but a glorious mashup, leading into a jazz drum and flute section before all of the elements link together – a quality fusion, painting the narrative for the listener.Remaining in Rome, “Pantheon” is a first – namely, the first Nick D’Virgilio solo composition on a BBT album. It’s an instrumental that conveys the majesty and mystery of the 2,000 year old building that inspired it. As a long term fan of NDV’s, I don’t think I’ve heard anything quite like this from him, displaying yet another facet of his talents in the multi-layered instrumental. A solid drum groove, with a delightful, slightly atonal, guitar riff, are joined by brass, Moog and flute. The time signatures shift, and a crunching guitar enters, before a Crimson-esque guitar/ flute section is joined by violin. It’s a glorious track and, for me, one of the album’s highlights.The Roman trilogy is completed by “Theodora in Green and Gold”, inspired by the mosaic in Ravenna of the Empress who was one of the most influential women of the ancient world. To an extent, a more traditional song, with a great chorus depicting the mosaic referred to in the title. Instrumentation is more sparse in service of the song, and a middle eight features the first Nick D’Virgilio solo vocal for BBT – a great contrast that adds to the rich vocal mix throughout this album.BBT’s back catalogue contains lots of epic tracks, many of which acquire fan-favorite status, particularly during live performance. “Ariel” is such an epic and I imagine will join that list. It’s an eight part song cycle that blends fact and fiction, and a huge variety of musical styles in its narrative. From the sombre cremation song that kicks the track off, the glorious choral sections throughout, this once again illustrates the vocal capabilities of the band. Part Four of this track is perhaps my favorite part of the album – I have visions of the BBT fans punching the air at gigs while singing the names of cloud types, with the “Come Cirrus, Come Stratus” section being a brilliant hook. The song ends with a return to the cremation theme, in an amazing finale. This is epic BBT and what other band would follow that with… another 14 minute epic?“Voyager” makes a shift from Europe and indeed Earth, to the voyages in the great sea of space made by the Voyager space craft. A very different sound, this Spawton epic, celebrates this exploration and, like “Ariel”, blends vocal and instrumental passages to illustrate the quest. The epic grandeur leads into a delightfully proggy middle section in Part Four (what is it about the Part Fours on this album!), dare I say, very Genesis sounding with Nick, Greg, Danny and Dave pulling out an amazing instrumental section that will leave you open mouthed! And yes, another swaying hands, air punching finale, that I expect will move adults to tears in live performance!The simplicity of the opening of final track “Homecoming” momentarily gives us chance to recover breath, before the jazzy rhythms kick off. Taking the themes introduced in “Novum Organum”, we have this track about the ending of the journey, that shifts and moves even within its five minute length, allowing all of the band to shine and leading to another epic conclusion! “We are home now, we have found a way back home!”It’s hard to sum this one up, but I’ll address my conclusion to the three potential camps of readers of this review:– If you’ve never listened to the band and are thinking of exploring: Take this Grand Tour, you won’t be disappointed.– If you’ve listened before but not been convinced: I assure you this is an album for you to reassess that.– If you’re a long term fan who is wondering how the band can climb any higher: Relax – the Big Big Train you know and love are still able to surprise and delight you!" - The Prog Report
    $16.00
  • Hyperdrive marks a new era for Knight Area.  The long running Dutch progressive rock band had previously released four studio albums and toured Europe and USA extensively, performing at all major prog rock festivals.  1n 2012 the band welcomed guitarist Mark Bogert as well as legendary bassist Peter Vink (Q65, Finch, Ayreon) into the fold. With these newcomers onboard, Knight Area introduced a heavier element and fuller sound to their repertoire.  All the classic symphonic rock traits of their previous albums are still clearly evident but the songs on Hyperdrive are more immediate and concise.The band invited noted prog guitarist Arjen Lucassen (Ayreon, Star One) to participate as a special guest on one track.  Joost van den Broek, who is known for his production work with Epica, Mayan, and After Forever, mixed the album.   Rounding out the package is startling artwork by Gustavo Sazes.
    $6.00
  • 2020 came to a close with LIQUID TENSION EXPERIMENT announcing their return and new album to be released on InsideOutMusic. Today, the legendary supergroup comprised of Mike Portnoy (Transatlantic, Sons of Apollo), John Petrucci (Dream Theater), Jordan Rudess (Dream Theater), and Tony Levin (King Crimson, Peter Gabriel) are pleased to officially announce that the new album ‘LTE3’ will be released on March 26th, 2021 via InsideOutMusic, twenty-two years after the bands’ last studio album. “After over 20 years since the last time we recorded together, the four of us stepped into the studio and it was as if no time had passed at all! All of the magic that made the first two LTE albums so special was still there and we had such a great time making this record. I’m extremely proud of what we created together and can’t wait for everyone to hear it!”-John Petrucci“The best thing to come out of 2020 was this long-awaited reunion! And it was surely worth the wait as after all these years, the magic chemistry was still there and stronger than ever!”-Mike Portnoy
    $16.50
  • 2CD+BluRay. Co-headlining the legendary ProgPower Festival, Redemption's "Alive In Color" captions the perfect musicianship of all members in the band, making this concert a real treat for fans of Progressive Metal! Combining unapologetic melodies and hooks with technicality, complexity and thundering riffs, the band occupies a unique place with it's powerful, heavy, intelligent and deeply emotional music. "Alive In Color" captions the perfect musicianship of all members in the band, making this concert a real treat for fans of Progressive Metal!- Disc 1 -1 Blu-ray: Intro / Noonday Devil 2 The Suffocating Silence 3 The Echo Chamber 4 Damaged 5 Someone Else's Problem 6 Little Men 7 Long Night's Journey Into Day 8 Threads (Featuring Ray Alder) 9 Black & White World 10 Indulge in Color (Featuring Chris Poland) 11 Walls - Disc 2 -1 Intro / Noonday Devil 2 The Suffocating Silence 3 The Echo Chamber 4 Damaged 5 Someone Else's Problem 6 Little Men 7 Long Night's Journey Into Day - Disc 3 -1 Threads (Featuring Ray Alder) 2 Black & White World 3 Indulge in Color (Featuring Chris Poland) 4 Peace Sells (But Who's Buying) (Featuring Chris Poland) 5 Walls 6 Threads (Featuring Tom Englund) 7 Indulge in Color (Simone Mularoni Solo)
    $18.00
  • All Traps On Earth is the solo project created by Anglagard bassist Johan Brand.  He's enlisted former Anglagard keyboardist Thomas Johnson and current drummer Erik Hammarström.  In addition Johan's daughter contributes vocals.  There are a number of guests on board including guitarist Phil Mercy.Musically speaking the apple doesn't fall far from the tree.  You can hear a direct musical connection to Anglagard.  There is so much going on in the compositions and arrangements that your head will be spinning for days.  Its a very intense listening experience and essential for any fan of Anglagard or 70s progressive rock in general.  BUY OR DIE!"Take a modern progressive rock fan and let him listen to the first notes of "A Drop of Light", debut album from a new project called All Traps on Earth: we have no doubt that it will take him a few seconds only to recall a name that has become a legend of Scandinavian symphonic prog: Änglagård!As a matter of fact, All Traps on Earth is the name chosen by Änglagård's founding member and bassist Johan Brand for this project of his, involving keyboard player Thomas Johnson and drummer / percussionist Erik Hammarström from the same 'source band'. They are joined by Johan's talented daughter, Miranda Brand on vocals, as well as a plethora of guests from the Swedish scene.Almost five years of painstaking work and an obsessive care and attention even for the smallest details have led to the creation of an exceptional work that starts Änglagård's music, amplifies its complexity and epicness, and enriches its sonic spectrum thanks to the presence of five other musicians on guitar and wind instruments. As for instrumentation, improvisation, dynamics, rhythmic shifts and atmosphere, All Traps on Earth have put no limits, releasing a monumental record, destined to leave a mark not only for the current year 2018, but also in the future to come.Fans of King Crimson, Goblin, Magma, the Canterbury scene and even of Ennio Morricone, whose sounds are frequently recalled during the record, will enjoy this album for sure, but we have no doubt that any prog-lover will appreciate this unexpected, fantastic album."
    $17.00
  • "The release of official live material is a project that is long overdue and we know our existing fans have been crying out for this for some time now. Whilst we have filmed and recorded many shows in the past we have always felt there were elements of our shows that could be improved 'visually' before we documented and immortalised this for the world to see and that the timing for a live release never felt right for us. This is just our nature as creative people to be so extremely self-critical and constantly strive for perfection. It is largely due to the will of the people that the idea of this project became a reality. Both the band and the label were inundated with emails requesting a live release in some shape or form, and it was actually rather flattering, so giving the people what they wanted just felt like the right thing to do" - Haken"Following the release of the bands much-acclaimed fourth studio album 'Affinity', they embarked upon their 10th anniversary tour across Europe & North America. Recorded and filmed on the 13th April 2017, at the legendary Melkweg venue on the Amsterdam stop of that tour, this represents the band's first ever live document with tracks from across the band's discography.'L-1VE' will be released as a 2CD/2DVD Digipak package & as digital download. The DVD will include 4 bonus tracks filmed at ProgPower USA 2016 that also includes Mike Portnoy's cameo appearance on gong, as well as all of the official videos from the 'Affinity' album."
    $20.00
  • Four years after their latest studio album, now finally "I Am The Storm" arrives - an intense slice of heavy music, evoking the presence of one's inner strength. Like a force of nature, every lover of sophisticated metal music with depth will fall in love with Englund's inspired vocals, the sheer power and exquisite arrangements.The masters of song-oriented progressive metal are back! Los Angeles- based band REDEMPTION, fronted by charismatic vocalist Tom S. Englund (also Evergrey) are one of the most respected and critically acclaimed bands, highly praised in prog- as well as melodic/power metal circles. Four years after their latest studio album, now finally "I Am The Storm" arrives - an intense slice of heavy music, evoking the presence of one's inner strength. Like a force of nature, every lover of sophisticated metal music with depth will fall in love with Englund's inspired vocals, the sheer power and exquisite arrangements. 
    $16.00
  • "Gathered during the group’s most recent European headlining run for FATES WARNING’s much acclaimed latest studio album “Theories Of Flight” in January 2018, “Live Over Europe” includes recordings from 8 different cities (Aschaffenburg / Germany, Belgrade / Serbia, Thessaloniki and Athens / Greece, Rome and Milan / Italy, Budapest / Hungary as well as Ljubljana / Slovenia) and a total of 23 songs in over 138 minutes of playing time, spanning 30 years of the group’s seminal career.“Live Over Europe” was mixed by Jens Bogren (Opeth, Kreator, Symphony X) and mastered by Tony Lindgren at Fascination Street Studios in Sweden "CD 1:1. From the Rooftops2. Life in Still Water3. One4. Pale Fire5. Seven Stars6. SOS7. Pieces of Me8. Firefly9. The Light and Shade of Things10. Wish11. Another Perfect Day12. Silent Cries13. And Yet it MovesCD 2:1. Still Remains2. Nothing Left to Say3. Acquiescence4. The Eleventh Hour5. Point of View6. Falling7. A Pleasant Shade of Gray, Pt. IX8. Through Different Eyes9. Monument10. Eye to Eye
    $20.00
  • APOLLO: The ancient Greek and Roman God of music and poetry.SONS OF APOLLO: The new supergroup featuring members of Dream Theater, Mr. Big, Guns ‘N Roses, and Journey.In early 2017, rumors began circulating about a new secret project including former Dream Theater members Mike Portnoy and Derek Sherinian. Finally, on August 1st, the duo revealed the details to the rest of the world, introducing their new band, SONS OF APOLLO.Reuniting to form SONS OF APOLLO, Portnoy and Sherinian join forces with guitarist Ron "Bumblefoot" Thal (ex-Guns N’ Roses), bassist Billy Sheehan (The Winery Dogs, Mr. Big, David Lee Roth) and vocalist Jeff Scott Soto (ex-Journey, ex-Yngwie Malmsteen's Rising Force). Their debut album, Psychotic Symphony, will be released October 20 on InsideOutMusic/Sony Music. Psychotic Symphony was produced by the dynamic production duo of Portnoy and Sherinian, also affectionately known as “The Del Fuvio Brothers,” the nickname given to them over 20 years ago during their time together in Dream Theater.SONS OF APOLLO formed very organically, its seeds planted with a predecessor group, as Portnoy explains: “Derek and I reunited shortly after I left Dream Theater in 2010 and we put together an all-instrumental touring band with Billy Sheehan and Tony MacAlpine. That was my first time working with Derek since the ‘90s when he was in Dream Theater, and it was just great to be working with him again. Ever since that tour, which was really just a one-off live thing, he has been nudging me to start a real, original, full-time band. The timing just had never been right, because I had too many other things on my plate. Long story short, the time was finally right to take the bait and put together a band.”“Mike and I work at a relentless pace in the studio,” continues Sherinian. “The music is modern, but we have an old-school soul. What is unique about SONS OF APOLLO is that we have true rock n’ roll swagger along with the virtuosity-- a lethal combination!”But what to call the next great supergroup? “Derek was mainly the one behind the name,” says Portnoy. “I have a list that I keep on my phone of about a hundred different band names, which I constantly have to refer to every time I have a new band every year (laughs). So I pulled up the list and Apollo was one of the names on the list. It was a word that both of us really liked. We started fiddling with different variations of the word. One of the original band names we were working with was Apollo Creed, the character from the Rocky movies, but after lots of different discussions on different variations, Derek suggested SONS OF APOLLO and it seemed to stick. Apollo is the god of music, so with that in mind it seemed like a fitting name.”With Portnoy, Sherinian and Sheehan having previously toured together in the aforementioned lineup that came to be known as PSMS, playing instrumental versions of various songs drawn from each member’s history, SONS OF APOLLO was the next logical step. They kept that fire burning and stoked it higher by bringing in a different guitarist, adding a vocalist, and creating all original material. The nine songs comprising Psychotic Symphony incorporate the progressive style and individual technical prowess Portnoy and Sherinian shared together in Dream Theater, combined with the swagger and groove of Van Halen, Deep Purple and Led Zeppelin.“I have known Mike and Derek for a long time, so when they came to me with SONS OF APOLLO, I jumped on this straight away,” says Thomas Waber, Label Manager/A&R International of InsideOutMusic. “However, the album they ended up recording exceeded my already high expectations by a long mile! We couldn’t be happier about it!”SONS OF APOLLO will hit the road in 2018 for their first worldwide tour.“This is a real band,” Portnoy declares. “This is going to pick up for me and Billy where The Winery Dogs left off, in terms of this being the next logical full-time thing for us. I’m not saying The Winery Dogs have broken up, because we haven’t, we’re just on a break. SONS OF APOLLO is absolutely going to be a full-time band and we plan on touring all over the world throughout 2018 and, honestly, it is the priority for all five of us.”Sherinian agrees, “We will go on a worldwide crusade in 2018 to bring SONS OF APOLLO to as many people as possible. Apollo was the God of Music, and we are his mighty offspring!”SONS OF APOLLO ARE:Mike Portnoy – drums and vocalsDerek Sherinian – keyboardsBilly Sheehan – bassRon “Bumblefoot” Thal – guitar and vocalsJeff Scott Soto - vocals 
    $18.00
  • After an exceptionally long year full of personal change and near manic levels of creative activity, Canadian musician Devin Townsend releases his follow up to 2019’s acclaimed ‘Empath’ album. Assembled from a barrage of material written during the pandemic ‘Lightwork’ represents a new level, and has ended up being one of the most accessible, yet ambitious releases of his storied career. A project that has been on Devin’s mind since he was a teen, (and flirted with throughout his career) is a more melodic and direct album with a great producer to help guide the work. Enter Garth Richardson: A Vancouver based producer with a long resume and a friend of Devin’s for many years. And the goal? To provide something beautiful, cathartic, powerful and clear. A sense of optimism and power through what can be commonly known as a ‘depressing period’. It’s about strength, love, acceptance, fear, and overcoming together. Guests on the record include friends and stalwarts from his past (Anneke Van Giersbergen, Ché Aimee Dorval, Morgan Agren, Mike Keneally, Steve Vai, Elektra Women’s Choir) as well as some newer friends and faces (Darby Todd, Diego Tejeida, Nathan Navarro, Federico Paulovich, Jonas Hellborg), and also, in a rather hard to believe turn of events, legend producer and guitar player Nile Rodger plays on the track ‘HoneyBunch’.[[{"type":"media","view_mode":"media_large","fid":"22173","attributes":{"alt":"","class":"media-image"}}]]
    $33.00
  • Riverside's fifth studio album finds them in a continuing state of refinement of their sound.  While they continue to touch on the bands that were the original foundation of their sound (Porcupine Tree, Pink Floyd, Opeth) the music seems to take on a more atmospheric feel.  At the same time 70s style keyboards creep in more and more.  Michal Lapaj's use of Hammond organ lends a Lord-ian flair when the band ramps up the heaviness.  The spacey flavors of Eloy that appears on Out Of Myself reappear just at the right time.  It seems that Marius Duda's Lunatic Soul side project has cross polinated a bit with the mothership.  His emotion driven vocals once again prove why he is one of the best frontmen in the entire progressive music scene.  This is one of those albums that will take many spins to really allow it to divulge all its secrets.  
    $14.00
  • "If there is one band who has captured the sound of the golden age of Progressive Rock (1969 – 1975) without sounding regressive or copycat, it is the Norwegian band Wobbler. The band has always had an energetic and youthful approach to the classic prog era, and has managed to blow new life into the genre. Wobbler´s fifth offering is an exciting blend of carefully planned and jammed material that encompasses everything the band has done up to now. Dwellers of the Deep consists of four distinctive pieces and is a broad looking glass into Wobbler´s creative whims and playful exuberance. The album showcases the band´s mastery of dynamics and flow, with passages and themes veering from the scenic and serene to the downright rocking. On the final track, Wobbler is in full blast, with a 19 minutes suite taking the listener through aspects of the darker sides of Wobbler´s sound. The lyrical themes on the album deals with human emotion, and the ongoing struggle between juxtaposed forces within the psyche. An introspective voyage among the realms of memories, feelings and instincts, where the light is brighter, and the dark is darker. The concepts of wonder, longing and desperation permeates the histories told, and the currents from the deep are ever present. The production is open, detailed, warm and punchy, making the soundscape put together by the now seasoned sound alchemist Lars Fredrik Frøislie to an aural feast. New musical directions further the quintet’s burgeoning aural idiosyncrasies and solidify the band stature as one of the most exciting and interesting bands on the global music scene, independent of genre."TRACK LISTING:1. By the Banks2. Five Rooms3. Naiad Dreams4. Merry Macabre
    $15.00
  • Leprous are an exciting young band from Norway. They made a great album for our label in Tall Poppy Syndrome and have now found a new home at Inside Out. Bilateral is the band's third album. It continues their tradition of mixing progressive rock and metal in equal doses. They serve it up in a way that continually leaves the listener off kilter. This time Einar Solberg sings almost (but not totally) with clean vocals. There is still quite a bit of heaviness. The music constantly challenges you and at times isn't all that pleasant to listen to...but you can't stop. If Van Der Graaf Generator recorded a metal album it might sound something like this. Album of the year candidate...you must own this!
    $15.00
  • Kingfisher Sky is a new Dutch ensemble put together by former Within Temptation drummer Ivar De Graaf along with classically trained vocalist Judith Rijnveld. Ivar left Within Temptation to pursue other musical interests. His collaboration with Judith produced a brilliant debut that encompasses progressive rock, gothic metal and mystical Celtic themes. At times the music bears some similarities to the more mainstream direction that Within Temptation went with their latest release, but the music has more of a prog rock feel. There is a heaviness that permeates the album due to the background of the rhythm section (bassist Eric Hoogendoorn was in Orphanage) but despite the crunch of the guitars it never quite crosses over into metal. Judith's vocals are simply amazing - she sings with incredible control and range - somewhere between Sharon Den Adel and Christina Booth. This is not hyper-complex prog. It relies on moods created by the vocals and writing. The moodiness of the ballads evokes Kate Bush, Tori Amos, Peter Gabriel which the more agressive tunes suggest Porcupine Tree, Within Temptation and even Pink Floyd. For my particular taste this is a different kind of album that pushes the right buttons. If it was a bit heavier we'd probably be referring to it as a metal album but it's not (I do love that crunch though). The band's label is trying hard to not ride the Within Temptation connection too heavily, hoping that the band's music will stand on its own - it does and then some. Having said that it's impossible to deny the musical connection. Highest recommendation!Kingfisher Sky on Myspace
    $6.00