Conspiracy Theory

Conspiracy Theory

BY Miller, Phil & In Cahoots

(Customer Reviews)
$14.00
$ 8.40
SKU: MJR013
Label:
Moon June Records
Category:
Jazz Rock
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New Canterbury jazz rock session from Phil Miller's In Cahoots sextet. Lots of interesting guests including Didier Mahlherbe, Dave Stewart (for real!), Richard Sinclair and others.

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  • This special edition version comes with 3 extra tracks as well as two videos. Oh yeah - deluxe packaging as well.
    $15.00
  • Awesome live album from the 1976 tour.  A stone cold killer.
    $5.00
  • This studio effort is packed with 75 minutes of Roine Stolt's trademark symphonic rock sound. Few surprises - just straight ahead prog.
    $12.00
  • "Ray Shulman produced this CD of one of the earliest Gentle Giant live gigs at King Alfred's College Winchester. Notably, this album contains the lost track "Peel Off the Paint," which has the same lyrics as Peel The Paint but completely different music. This is the only live recording available to the best of my knowledge with Phil Shulman and Martin Smith. As Phil Shulman comments in the liner notes: ".....For us, this CD provides a real memory jolt - reminding us of songs that we haven't thought about for a long time and brings nostalgia for the early hopes and dreams of a new band, Gentle Giant."
    $10.00
  • Christina Booth is the charismatic vocalist for British symphonic rock band Magenta.  Her voice has always brought about comparisons to Annie Haslam (and in fact they recorded together).  Christina had a well documented successful battle with breast cancer.  It was during this time that she wrote the material for her second solo album.  The music doesn't have the complexity or full on "prog" nature but she is helped out by members of the prog community including Rob Reed, Chris Fry, JOhn Mitchell, Andy Tillison, and Theo Travis.  It would be difficult to call this commercial music.  I guess they call this adult alternative these days.  Its a great showcase for her wonderful vocal talents and is filled with tons of atmosphere.  Good late night listening.
    $14.00
  • Kaipa's second album didn't present anything radically different from the first album and that's a good thing.  Its simply beautiful symphonic rock in the tradition of Yes and Genesis.  The only negative is that keyboardist Hans Lundin sings in Swedish but his voice is strong so its not unpleasant.  I'm not quite sure why Decca didn't force them to sing in English. This 2015 remastered edition arrives with four bonus tracks.""Inget Nytt Under Solen" was KAIPA's 2nd release and is another wonderful release which must be heard. "Inget Nytt Under Solen" has all the elements you would want in a progressive rock band... beautiful captivating songs with superb musicianship. Ronie Stolt's (FLOWER KINGS) impregnates this album with his accurate and lively guitar work, Tomas Eriksson handles most of the vocals and adds some real solid punchy bass lines, Hans Lundin brings his analog keyboard wizardry while Ingemar Bergman delivers some solid percussion throughout. All the songs as very well constructed and are given lots of space the breathe and create some lovely atmospheres. This album opens with an epic 21 minute suite "Skenet Bedrar" which is simply brilliant (must be heard!!!). Vocals are in Swedish except for the bonus numbers which introduce the world to English lyrics in an attempt to attract the world to KAIPA's talents. Overall I love KAIPA's music and "Inget Nytt Under Solen" is a solid offering which fans of FLOWER KINGS, ANYONE'S DAUGHTER etc. will love and treasure..." - ProgArchives
    $12.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented as a double digi-pack format in a slipcase with a booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The DVD-A features:- a 5.1 DTS Mix and High Resolution Stereo mixes.- DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).- the new album mix in high resolution stereo- the original album mix in a hi-res flat transfer from the original stereo master tape source.- alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixCD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)DVD-A (Region 0, NTSC):- Album mixed in 5.1 Surround from original multi-track sources.- New Album mix in High Resolution Stereo- Original Album mix (flat transfer) in High Resolution Stereo- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixNTSC Region 0 hybrid DVD-A, compatible with all DVD players & DVD-rom drives.DVD-A - Full Track Listing :New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971) 
    $21.00
  • "Progressive rock and boy-band pop seem like natural enemies at first. The former's fascination with ornate, elongated passages of finger-exhausting musicianship is in almost every way the opposite of the latter's emphasis on catchiness first; it's hard to imagine turn-of-the-millennium hits like "Bye Bye Bye" with extended guitar and keyboard solos. Yet ever since A Doorway to Summer, their 2005 debut, Moon Safari has put to rest the notion that progressive-minded songwriters can't make pop that's as hook-driven as it is ostentatious. Grandiloquent epics like "Other Half of the Sky," from the 2008 double album Blomljud, weave together widescreen arrangements with the band's signature five-part vocal harmony, a feature unmatched by few groups in any genre, anywhere. It's easy to isolate the audience with solipsistic soloing and obtuse orchestrations, but from day one Moon Safari has made prog that—assuming the layperson were more amenable to songs that run upwards of thirty minutes—could lead them to something like a pop crossover hit.But while the union of hook-heavy vocal interplay and '70's prog stylistics gives Moon Safari an unmistakable, unique sound, it also handicapped them in a significant way for their first two LPs. The group's accessibility on A Doorway to Summer and Blomljud, along with its technical prowess, is unassailable, but the high-fructose sweetness of its style leads to a diabetic rush when stretched out onto songs that span ten to thirty minutes. For example, "Other Half of the Sky," the titanic thirty minute showstopper off of Blomljud, has so many memorable hooks that by the time it's run its time out, it's hard to remember all of them. The classic problem of "too many voices leads to a noisy room" was the defining problem of Moon Safari's otherwise enjoyable sound for some time. All that changed, however, in 2010 with the release of Lover's End.It is no exaggeration—even as the decade remains young—to say that Lover's End is one of the finest progressive rock records of the '00's. Hell, it's not even crazy to say that it's one of the finest pop albums of the '00s; anyone, even those turned off by prog's eccentricities, can find something to love on this mellifluous collection of songs. From the a cappella charm of "Southern Belle" to the hook-loaded "New York City Summergirl," Lover's End is chock full of goodness from beginning to end. What explains its genius is that in contrast to A Doorway to Summer and Blomljud, the songs are given exactly the amount of space they need, and not a second more. Some songwriters may feel hamstrung by the verse/chorus structure, but it's a perfect fit for Moon Safari's joyous approach to music.With their newest studio outing, Himlabacken, Vol. 1, Moon Safari continue the refining of their sound, and while this isn't the breakthrough that Lover's End was, it nonetheless attests to the brilliance of this group. Whereas the latter was bound by a loose concept (love and heartbreak), Himlabacken Vol. 1 is less a lyrics album than its predecessor. The cost of this is that the music is less distinct in its cohesiveness, but there are no shortage of catchy passages and amped-up solos. "Mega Moon" comes off as a tribute to musical theatre, with "The Very Model of A Modern Major General" vocal delivery interweaving with Queen-esque bombast to an impressive effect. "Too Young to Say Goodbye" sees and matches the polyharmonic beauty of "Lover's End (Part One)." By sticking to concise song formats—the longest cut here runs nine and a half minutes—Moon Safari ensures that things never run out of steam, an essential quality to any good progressive rock band.If nothing else, Himlabacken, Vol. 1 proves that there's one thing Moon Safari can't be accused of: being unaware of themselves. Grand finale "Sugar Band" is as much a statement of identity as it is a slice of epic pop: "Sweet and saccharine are we," they declare, followed by "syrup's the blood in our veins." (Less successful is the clumsy Katy Perry innuendo of, "suck our big candy canes," which is thematically consistent but tonally off.) Both "Sugar Band" and "Little Man," one of the few Moon Safari songs to feature a solo vocal, are emblematic of the mushiness that might turn some prog fans away from their music. The latter, while obviously a touching document of a father's love for his son, does feel a bit out of place in how deeply personal it is; part of the strength of this group's sonic is the universality of its pop appeal, and the intimacy behind "My Little Man" makes listening to it an almost voyeuristic experience. "Mega Moon" and "Sugar Band" are better at capturing the convivial spirit of the band that's accessible to all.As with past outings, even those drawn to vocal harmonies might find it hard to stomach all of the sweetness of Himlabacken, Vol. 1. But what ultimately makes this LP successful is its unpretentious commitment to fun. Moon Safari are a rare collective that prove daunting musical chops aren't anathema to accessibility, and with Himlabacken, Vol. 1 they've made a recording that, while not the magnum opus that Lover's End was, is as true a capturing of their ethos as there could ever be. Sating a sweet tooth brings to mind the phrase "guilty pleasure," but there's no guilt involved with music as first-class as this. Who knew being in a boy band could sound so classy? " - Sea Of Tranquility
    $16.00
  • OK I don't know who thought this was a good idea but someone let Billy Sherwood run wild again.  Your move."From the producer of The Prog Collective comes a new supergroup of unparalleled musical virtuosos who cut loose on this jazz-rock fusion album!Features performances by members of the biggest names in fusion including Mahavishnu Orchestra, Yellowjackets, Brand X, Soft Machine, and Spyro Gyra PLUS Yes, Dream Theater, King Crimson, Tool, Porcupine Tree, Hawkwind and more!"Track Listing:1. Random Acts Of Science - Rick Wakeman (Yes) Jerry Goodman (Mahavishnu Orchestra) Nik Turner (Hawkwind) Jimmy Haslip (Yellowjackets / Alan Holdsworth)2. Stone Cold Infusion - Steve Stevens Jordan Rudess (Dream Theater / Liquid Tension Experiment) Mel Collins (King Crimson) Colin Edwin (Porcupine Tree) Billy Cobham (Mahavishnu Orchestra)3. Molecular Breakdown - Jay Beckenstein (Spyro Gyra) Billy Sheehan (Steve Vai) Gavin Harrison (Porcupine Tree) David Sancious (The E Street Band)4. Particle Accelerations - Larry Coryell Derek Sherinian (Dream Theater / Black Country Communion) Eric Marienthal (Chick Corea Elektric Band) Chester Thompson (Genesis / Brand X)5. At The Edge Of The Middle - Steve Morse (Dixie Dregs) Jim Beard (Mahavishnu Orchestra) Randy Brecker (Blood, Sweat & Tears) Percy Jones (Soft Machine / Brand X)6. Atom Smashing - John Etheridge (Soft Machine) Tony Kaye (Yes) Chad Wackerman (Frank Zappa)7. In The Spirit Of... - Steve Hillage (Gong) Scott Kinsey (Tribal Tech) Theo Travis (Steven Wilson Band) Justin Chancellor (Tool) Asaf Sirkis (The Orient House Ensemble)
    $14.00
  • Adam Wakeman is a very busy man. While not playing keyboards and guitar for Ozzy Osbourne, he has kept his foot in the progressive rock waters with the formation of Headspace. The band features Damian Wilson on vocals (need we say more??) as well as Pete Rinaldi (guitars), Lee Pomeroy (bass), and Richard Brook (drums). Some of you may be familiar with Pomeroy's work with Steve Hackett, It Bites, and Adam's dad Rick Wakeman.This is one of those albums that treads the line between progressive rock and metal. Wakeman's keyboards are quite prominent, trading lick for lick with Rinaldi but there is a heaviness to the album that would probably sit very well with any Dream Theater fan. In all its a really good balance that should find an audience with the broader prog community. Chops aside - I can listen to Wilson sing the phone book. Great production courtesy of Jens Bogren who mixed this monster. 73 minutes packed with epic length tracks. This one is easily going to be on everyone's top 10 list at the end of 2012. Highly recommended.
    $9.00
  • Deluxe mediabook edition.  CD plus a DVD with 5.1 surround mix, 24 bit stereo, and a "making of" video."Always fond of conceptual storytelling, Ian Anderson goes himself one better with his latest prog-folk-metal concept album. The 15 songs of Homo Erraticus inhabit not one but two metafictional layers. The Gerald Bostock character, hero/anti-hero of the seminal Jethro Tull album Thick as a Brick and its recent sequel Thick as a Brick 2, is back again, having now discovered a manuscript left behind in the 1920s by a malaria-ridden old British soldier delightfully named Ernest T. Parritt.Parritt's supposed writings range over northern European history from the Mesolithic era to his own - and on into his future, through the whole 20th century and into our own time and beyond. Winnowed into lyrics written by "Bostock" and set to music by the real protagonist of the story, Ian Anderson, these materials give Anderson - whose creative scope and energy remain robust even as his singing voice has thinned with age - a walk-in-closetful of pegs on which to hang a sequence of songs evoking nothing less than the history of mankind in his part of the world.The first track, "Doggerland," commemorates the area of the southern North Sea that used to be dry land connecting today's British Isles with the rest of Europe. Doggerland vanished under the waves as the last Ice Age ended but, as fisherman discovered not long ago, the sea floor retains much archeological evidence of human occupation. The succeeding songs address migrations, metalworking, invasions (from the Romans to Burger King), the arrival of Christianity, the Industrial Revolution, and so on. To appreciate the songs, you'll want to (at least once) follow along with the notes and lyrics in the accompanying 32-page booklet.The Foreword, in which Anderson discusses the history of Jethro Tull and why he hasn't used the band name for his last few recordings, will especially interest longtime Tull fans. The real question is, will the songs themselves? Some yes, some no. The gruff metal of "Doggerland" gives way to the sweet, plinking folk of "Heavy Metals." (I imagine Anderson chuckling to himself at the irony - no pun intended - of creating such a gentle-sounding song with that title, and on that literal topic.) Both satisfy my Tull craving. "Meliora Sequamur" (Let Us Follow Better Things), which paints a picture of 12th century schoolboys amid religious chant (and cant), does too, and "The Turnpike Inn" is a solid rocker, and the hard-Celtic style of "The Engineer" moves briskly.I like the instrumental track "Tripudium ad Bellum" (Dancing to War). It starts off with an echo of a theme from the original Thick as a Brick (there are others elsewhere on the album), then resolves into a 5/4 march, like a more insistent "Living in the Past." War's aftermath appears in the next track, the sad, deliberate "After These Wars," in which I really feel the lack of Anderson's full-strength vocals. While he was never among rock's greatest singers, that didn't matter - when he sang his songs, you always felt he was all there, and that's what mattered. But now, and not only in the harder songs that shade into old-school heavy metal, his voice just isn't always a match for his music's energy any more.On the other hand, his gift for crafting pleasing, original melodies, writing smart, clever lyrics in complete sentences and true rhyme, and setting much of it in non-traditional time signatures remains strong. The first verse of "After These Wars" reads:After battle, with wounds to lick andbeaus and belles all reuniting.Rationing, austerity: it did us good after the fighting.Now, time to bid some fond farewells andwalk away from empires crumbling.Post-war baby-boom to fuel with post-Victorian half-dressed fumbling.No one in pop music writes like that anymore.Listening to the album as a complete conceptual work, my overall feeling is that there isn't very much new here. Since the 1960s Anderson and Tull have explored countless different musical paths and styles. Some of these produced some of my all-time favorite songs and recordings. Others I hated. But he never seemed to be resting on his laurels. Here I feel like I'm reading a chapter that's not much different from the last chapter.But listening to the songs individually, I like a lot of them. As I write this I'm trying to count the beats of the off-time closer, "Cold Dead Reckoning," with its grim imagery of a future of lost souls navigating their way over a metaphysical Doggerland "amongst the ranks and files of walking dead." I hear crunching minor-key guitar-bass-piano unison figures, a sprightly flute solo. A hopeful verse about "angels watching over" at the end doesn't convince me, as the music continues to growl on as before. Yet there follow a sweet, gentle instrumental coda, reminded us that while things may not turn out well for humanity as we teem over and ruin our only planet, our capacity to create and to appreciate beauty will be with us as long as we live. So let's raise the cup of crimson wonder to Ian Anderson as he charges not-so-gently through his seventh decade." - Seattle Pi
    $17.00
  • Beautiful new 2011 digipak edition featuring a fresh remaster courtesy of the band. Essential seminal prog.
    $17.00
  • Musician/producer Billy Sherwood has been milking his association with Yes for years. Now he's collaborating with exploitation label Cleopatra Records on a new project. Cashing in all his prog rock street cred in one shot, Sherwood has created a "supergroup" of sorts, although I doubt any of these people were ever in the same room together during the recording of this album. I'll give him credit - its an impressive list of contributors..."The idea of assembling a collection of amazing artists from the progressive rock genre all on one record was an especially exciting concept to me. Inspired, I began writing and recording the 7 songs that would become this album. I then sent those recordings out to some of my friends and musical heroes from bands like King Crimson, XTC, Asia, Gentle Giant, and of course my former band Yes. Soon, I started receiving vocal tracks and guitar and keyboard overdubs from studios all over the world, which I then mixed at my recording studio in Los Angeles. Despite the distances in geography, however, the feeling of the entire production is one of musical and spiritual unity - The Prog Collective! - Billy SherwoodThe biggest super group of Progressive Rock players ever assembled!Features performances by John Wetton (Asia), Tony Levin (King Crimson), Jerry Goodman (Mahavishnu Orchestra), Richard Page (Mr. Mister), Geoff Downes (Yes/Asia), Alan Parsons (Alan Parsons Project), Chris Squire (Yes), Rick Wakeman (Yes), Gary Green (Gentle Giant), Annie Haslam (Renaissance), Steve Hillage (Gong), John Wesley (Porcupine Tree), Tony Kaye (Yes), Colin Moulding (XTC) and more!"
    $15.00
  • Ltd. Deluxe edition including 2 DVDs containing a full live footage (filmed in Cologne), “Behind The Scenes” of the Kaldeidoscope World Tour 2014, band interviews and 3 further live tracks (filmed in Tilburg), 3 CDs containing the recording of the full Tilburg show and a BluRay disc containing the full cologne show and also the “Behind The Scenes”, band interviews and 3 songs of the Tilburg show.Track listing BluRay and DVD: Live in CologneInto The Blue (26:12)My New World (17:29)Shine (07:22)The Whirlwind Medley (29:34)Beyond The Sun (04:24)Kaleidoscope (31:30)Neal & Roine Duet (03:41)We All Need Some Light (05:56)Black As The Sky (08:43)Encore:)Medley: All Of The Above / Stranger In Your Soul (26:06)Track listing DVD: Bonus DVD1. Into the Kaleidoscope (A behind the scenes look at: Kaleidoscope World Tour 2014) (01:21:52)2. Band Interviews (22:31)3. Bonus Live Performances:3.1. Nights In White Satin (Live in Tilburg) (07:46)3.2. Sylvia (with Thijs van Leer - Live in Tilburg) (03:46)3.3. Hocus Pocus (with Thijs van Leer - Live in Tilburg) (07:53)Additional extras: Mike Portnoy vs Neal Morse in "Name That Beatles Tune"Track listing CD 1: Live in TilburgInto The Blue (27:49)My New World (18:28)Shine (07:23)Track listing CD 2: Live in TilburgThe Whirlwind Medley (30:12)Beyond The Sun (04:50)Kaleidoscope (31:30)Track listing CD 3: Live in TilburgNeal & Roine Duet (04:34)We All Need Some Light (06:05)Black As The Sky (07:22)Nights In White Satin (08:09)Sylvia (04:46)Hocus Pocus (07:09)Medley: All Of The Above / Stranger In Your Soul (24:34)
    $45.00