A Change Of Seasons

SKU: 7559-61842-2
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Metal/Hard Rock
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This was a long tune that was a staple of DT's early stage show but never recorded. They finally tracked it (when Derek Sherinian was in the band) and it may well be the most overtly prog thing they ever did. Comes with live bonus material recorded at the Marquee Club in which the band does a load of cover versions. Highly recommended.

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  • In 1994, The Laser's Edge had a short lived sister label called The Labyrinth.  Sailor Free was part of the roster and released a beautiful psychedelic hard rock album called The Fifth Door.  After that the band went silent.  19 years later, vocalist David Petrosino and guitarist Stefano "The Hook" Barelli have reactivated the band and it sounds as though nothing has changed.  Spiritual Revolution is a concept album influenced by J.R.R. Tolkein's "The Silmarillion".  Sailor Free's music has a hard rock feel but due to Barelli's wicked soloing there is a psychedelic energy imbued in the music.  Petrosino is simply a great singer.  In an obtuse way he reminds me of Jim Morrison.  He doesn't really sound like him but he channels a dark spiritual energy into every word he sings.  There are some nice keyboard embellisments along the way but really this is a guitar driven album.  Welcome back old friends.  You were missed!
    $11.00
  • The band's second album. At this point the progressive elements were just starting to be displayed.  Remastered edition.
    $5.00
  • The Yes Album is the second in a series of remixed and expanded Yes albums.Presented in a mini vinyl replica gatefold card sleeve (with protective inner sleeves) with booklet featuring new sleeve notes by Sid Smith, along with rare photos and archive material, the album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Yes.The CD features a new stereo album mix by Steven Wilson, the studio version of Clap and an extended version of A Venture.The blu-ray features:- 5.1 PCM Surround Sound and High Resolution Stereo mixes (24bit 96khz).- the original album mix in a hi-res flat transfer from the original stereo master tape source (24bit/192khz).- a complete alternate album running order drawn from live tracks, singles edits & an extended mix.- exclusive instrumental versions of all new mixes in DTS-HD Master Audio stereo (24bit/96khz).- exclusive needle-drop of an original UK vinyl A1/B1 pressing transferred in 24bit/96khz audio.The ultimate way to enjoy the album that helped establish Yes's reputation as a creative force to be reckoned with.CD - New Stereo Mixes:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Tracks:7. Clap (Studio Version)8. A Venture (Extended)Blu-Ray (Region 0, NTSC):Presented in DTS-HD Master Audio- Album mixed in 5.1 Surround- New Album mix- Original Album mix (flat transfer)- New Album mix (instrumental version)- Alternate version of The Yes Album drawn from live tracks, singles edits & an extended mixPlus further audio extras some exclusive to the Blu-Ray edition.NTSC, all regions, LPCM playable in all Blu-Ray players & Blu-Ray drivesBlu-Ray - Full Track Listing:New Stereo Mixes 24/96 MLP Lossless:1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeSurround Mixes (24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeOriginal Stereo Mixes (Flat Transfer from original master 24/96 MLP Lossless):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeAdditional Material:The Alternate Album :1. Yours Is No Disgrace (Live, London 1971)2. Clap (Studio Version)3. Starship Trooper (single edit)Life seeker4. I've Seen All Good People (Live, London 1971)5. A Venture (extended mix)6. Perpetual Change (Live, New Haven 1971)Blu-Ray Exclusive:Single versions, edits & live:1. Your Move - single version, stereo2. Clap - single version, mono3. America - Live, London 19714. It's Love - Live, London 19715. Your Move - single version, monoNew Stereo Instrumental Mixes (24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual ChangeNeedle-drop (A1/B1 UK vinyl transfer 24/96 LPCM):Original stereo, archived master transfer (Flat Transfer 24/96 LPCM):1. Yours Is No Disgrace2. Clap3. Starship Trooper: Life Seeker / Disillusion / Wurm4. I've Seen All Good People: Your Move / All Good People5. A Venture6. Perpetual Change 
    $25.00
  • Woodpecker is the debut release from singularly named Swedish vocalist AnnaMy (her spelling not mine).  Its a gorgeous album.  This is beautifully recorded gentle, melodic psychedelic folk.  Plenty of electricity here - most notably on electric guitar courtesy of Reine Fiske.  Undercurrents of flute and organ spice up the mix but the focus is on AnnaMy's stunning voice.  The overall sound pays homage to the greats of the 70s.  Think in terms of Trees, Mellow Candle, Caedmon, and Vashti Bunyan.  This one is a real grower.  Highly recommended.
    $16.00
  • Andy Tillison's band has juggled the lineup a bit and frankly this fifth album is a huge step up from the last one. Camel drummer Paul Burgess is now in the fold as is PO90 bassist Jonathan Barrett. Returning are Guy Manning and Theo Travis. Honestly I didn't care a hell of a lot for the last disc. This one reminds me much more of the first album - its extremely musical and that warm hearted Canterbury feel is constantly present. If you are a Caravan fan you might want to check this one out - there's a good chance it will induce an ear to ear grin. This is the limited first edition that arrives in a digipak and has one bonus track.
    $16.00
  • "I once heard Robert Fripp interviewed on a late-night radio show in 1972/73 just prior to the release of Starless and Bible Black. He said, 'I'm thinking of forming a duo with David (Cross), our violin player, and touring England in this much-abbreviated form.' Keeping King Crimson on the road, he said, was an expensive enterprise.Over forty years later Cross and Fripp release their first duo album, Starless Starlight (Noisy Records, 2015). Starless Starlight is a triumph reminding a listener of the regal power of the third version of King Crimson. On the cover-notes Cross states that he began the theme and Fripp completed it. Some years later Fripp recorded two Soundscape improvisations, Starlight I and Starlight II. Each track on the current album is built with direct reference to the Starless theme either featuring Cross soloing over the soundscapes, or solo soundscapes alone.The spacious Starless Starlight Loops begins on a single D which eventually resolves to the G Aeolian pitch centre. The drooping, semitonal cell of the theme is always present even though the actual theme doesn't appear till 3.00. Then a chordal ground subsumes the texture: Gm - Gm/F - Eb maj.7 - Gm/D with the Starless theme virtuosically explored in the solo violin. Eventually a stripped version of the theme appears in the guitar: Bb-A-F-D.In the Shadow is essentially a monody over held G octaves. The Gm - Eb harmony reasserts itself.Shine and Fall has an oscillating D - F motif at its core with a pulsing A/Bb/C cluster giving the music momentum. Here the Starless theme is played by Fripp using the 'orange' tone apparently suggested to him by Brian Eno. Eb - C - D in the bass part eventually resolves to G and A - Bb bend of the theme is softly explored in the guitar part.The original Starless theme - the original mellotron part  beginning - is placed at the centre of the structure. The open texture allows us to hear the music afresh.One By One, the Stars Were Going Out follows with its slow oscillating fifths (G/C - A/D). The violin adds the third of the chord to make full, displaced triads eventually resolving to F major at two places in the structure.Fear of Starlight again has the oscillating D - F which corresponds to No. 3. The 'orange' guitar timbre is heard again over a John Foxx-like texture.Starless Trio is largely soundscapes alone referencing the Bb - A - F - D motif of No. 1 and the whole is more virtuosic and dramatic.Sure of the Dark ends the album and is the most harmonically-varied piece on the album.I like the dark lightness of Starless Starlight very much. It sounds English to me which is a rare commodity in today's world, referring to both Vaughan Williams and John Tavener but in a more contemporary mould. The album is a valuable contribution to the soundscape and improvisation genre. Special mention should also be made of David Cross's and Tony Lowe's fine production work." - Andrew Keeling
    $16.00
  • Swedish power metal band that is to my surprise still kicking. The band is fronted by Johnny Lindqvist who has a hell of a set of pipes. The music has moved away from the Iron Maiden cookie cutter variety and incorporated more melodic and AOR elements.
    $11.00
  • "The Elements Of King Crimson is a special limited edition 'tour box' created exclusively for sale at King Crimson's concerts and via the band's official online outlets.The set contains a 24 page tour booklet and two CDs containing extracts, elements from studio recordings, alternate takes, live tracks, rehearsals and finished recordings from 1969 - 2014 (much of it previously unreleased on CD)."CD I:1) Wind Extract (1969, London) (From ITCOCK recording sessions).2) I Talk To The Wind (23/07/1969, London) From ITCOCK recording sessions.3) Cadence and Cascade (03/02/1970, London, Greg Lake Vocals) From Poseidon recording sessions.4) Cirkus (guitar extract) (11/09/1970, London) From Lizard recording sessions. Previously unreleased on CD.5) Cirkus (10/08/1971, Live at the Marquee) From forthcoming release, Collectable KC Vol. 7.6) Hoodoo (extract) (May, 2014, Elstree band rehearsals) - Previously unreleased.7) Sailor's Tale (08/09/1971, London) From Islands recording sessions. Previously unreleased on CD.8) The Talking Drum (October, 1973, London) From LTIA recording sessions. SW alt mix.9) LTIA (extract) (May, 2014, Elstree band rehearsals) - Previously unreleased.10) LTIA (extract) [David/Jamie] (16/01/1973, London). From LTIA recording sessions.11) Fracture (23/11/1973, Amsterdam). SW 2014 mix.12) Fallen Angel (extract) [RF harmonics] (08/07/1974, London). From Red studio sessions - Previously unreleased on CD.13) Fallen Angel (July, 1974, London). From Red studio sessions.14) 21 Century Schizoid Man (30/06/1974, Providence). From USA live recordings.15) Starless (extract) [Mark] (08/07/1974, London). From Red studio sessions. Previously unreleased on CDCD 2:1) Discipline (1981, London). From Discipline recording sessions. Alt take.2) Three Headed Doom (part 1) (May, 2014, Elstree band rehearsals) - Previously unreleased.3) Manhattan (Neurotica) (23/11/1981, Live at The Roxy, LA). From forthcoming release, Beat 40th anniversary CD/DVD-A.4) Neal and Jack and Me (extract) (17/03/1982, London). From Beat recording sessions. Previously unreleased on CD.5) Sleepless (Bearsville) From TOAPP recording sessions (Steven Wilson mix). From forthcoming release, Three Of A Perfect Pair 40th anniversary CD/DVD-A.6) Sex, Sleep, Eat, Drink, Dream (rec session) (27/01/1994, Bath) - From THRAK recording sessions and on forthcoming release, THRAKBOXX.7) THRAK (30/06/1996, Live at Shepherd's Bush) - Previously unreleased on CD.8) Venturing Into Joy (edit) (May, 2014, Elstree band rehearsals) - Previously unreleased.9) The Deception Of The Thrush (1998, USA) From West Coast Live, The ProjeKcts box.10) Heaven & Earth (early edit) (14/05/2000, Nashville). ProjeKct X, TCOL recording sessions - Previously unreleased on CD.11) Level Five (07/08/2008, Chicago, Live at Park West) - Previously unreleased on CD.12) The Hell-Hounds of Krim (May, 2014, Elstree band rehearsals) - Previously unreleased.13) Separation (edit) (2010, Berkhamsted) Jakszyk, Fripp, Collins sessions - Previously unreleased.14) A Scarcity Of Miracles (2010, Berkhamsted) Jakszyk, Fripp, Collins sessions. Alt take.
    $27.00
  • This is the last of the Porcupine Tree back catalog to be remixed/remastered by Steven Wilson. I'm not sure why he has a affection for DVD-A discs as opposed to hybrid SACD but he does so we live with it. Here is what is hidden inside the sexy super jewelbox: first off you get a CD with the entire album remixed into glorious 2.0 stereo. The second disc is a DVD-A (make sure it is compatible with your DVD player as not all of them can play these discs - most can). The album is remixed into 5.1 surround sound plus you get the stereo mix in 24 bit hi-rez. The DVD-A also features three bonus tracks (also mixed into 5.1).
    $16.00
  • New progressive rock supergroup consisting of Roine Stolt (Flower Kings), Neal Morse (Spock's Beard), Mike Portnoy (Dream Theater), and Pete Trewavas (Marillion). Sounding somewhat like the missing link between the first and second Spock's Beard albums, SMPT:E locks in on epic track theme opening with the 31 minute(!) "All Of The Above". The standout is a cover version of Procul Harum's "In Held (Twas) In I. A blind purchase for any fan of the above bands.
    $10.00
  • Limited edition live recording of Spock's Beard's complete set at the second High Voltage Festival at Victoria Park, London on July 24, 2011. Some odd stuff about this gig...Nick D'Virgilio was unable to appear so Enchant's Ted Leonard filled in (he has now done so permanently) and Jimmy Keegan played drums. Neal Morse joined the band during the set as a special guest.
    $10.00
  • Superb return to form from these German masters of melodic progressive metal. Beyond Daylight exhibits many similarities to The God Thing and may well prove out to be their best effort yet.
    $15.00
  • "When the studio of ever-groundbreaking Krautrock pioneers Can was sold to Germany's Rock n' Pop Museum, the entire space was disassembled and moved, and in the process, reels and reels of poorly marked and seemingly forgotten tapes were found buried amid other detritus in the studio. These tapes held over 30 hours of unreleased music from Can spanning a nine-year period and including work from both vocalists Malcolm Mooney and Damo Suzuki. Edited down to just over three hours, The Lost Tapes still includes an extensive amount of unheard studio, live, and soundtrack work from the band, and at its heights is as revelatory and brilliant as the best material on their well-loved albums. Early vocalist Malcolm Mooney left the band under doctor's orders after suffering a nervous breakdown connected with heavy paranoia, and his unhinged vocals characterize collections of early Can recordings like Delay. On The Lost Tapes, Mooney rants his way through the ten-plus-minute "Waiting for the Streetcar," a charged jam that crackles with all the same kind of energy that would embody the post-punk movement years later. Of the Mooney era, "Deadly Doris" also has the same fuzzy punk vibes meeting the kind of Krautrock groove Can excelled at, while the spoken eeriness of "When Darkness Comes" finds a brittle soundscape of formless tones and menacing muttering. Highlights are bountiful throughout the set's three discs, with soundtrack work like the hypnotic "Dead Pigeon Suite" and brilliant live renditions of classic tracks from the Damo Suzuki era like "Spoon" and "Mushroom." Some of the material cuts in and out between studio and live recordings, while other studio tracks are extended pieces with well-known album tracks housed in the middle of before-unheard jams. With over 30 hours of material to cull from, it goes without saying that Can loved to jam. If The Lost Tapes has any shortcomings, it would be that Can's exploratory nature led them to follow any idea at great length, and several of the songs approach or exceed the nine-minute mark, making the set difficult to digest at once. Some of the live tracks lack the fire of the rest of the set, as do some of the seemingly innocuous interludes. While The Lost Tapes isn't for every casual listener, the collection keeps from becoming a "fans only" compilation through the sheer amount of ideas and material put forth. Can's inarguable importance in so many fields of music from experimental to production-minded electronic music and so on has spanned generations, and these lost recordings represent an amazing mother lode to any Can enthusiast and certainly should hold more than enough interesting moments for even a curious new listener." - allmusic.com
    $24.00
  • Its been a couple of years but from the back of the warehouse, 8000 miles from here, we were able to exhume additional copies of the XRCD24 edition of this world music/new age classic.  While compatible with Redbook CD standards (this means it will work in your CD player) it is manufactured using JVC's proprietary mastering process.  There are lots of versions of this audiophile reference disc but this may well be the definitive one.Last time we had these they sold out immediately.  I would expect the same again. 
    $12.00