Captured: Live ($5 Blowout Price!)

SKU: 82876858962
Label:
Columbia Legacy
Category:
AOR
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"This is a classic live album by my all-time favorite rock band. It includes many of the band's classics from their three successive classic rock albums "Infinity" (1978), "Evolution" (1979), and "Departure" (1980). Needless to say for any true Journey fan, these songs sound great live.

Many of these performances go far beyond the studio versions. Take the jam that comes out of "Walks Like A Lady"--a 3-minute song that turns into 7 minutes live. Songs like "Line Of Fire", "Feeling That Way", "Anytime", and "Wheel In The Sky" absolutely rock. The inclusion of the live track "Dixie Highway" and the new (at the time of release) studio track "The Party's Over (Hopelessly In Love) are also fantastic.

This is what a live album should be. The crowd is very prevalent throughout the album, and the interaction between the band and the crowd is left unedited in many spots. Clearly, this band was as special live as they were on their studio albums. (They still are, by the way, as I just saw the current lineup at "The Big E" in Massachusetts on September 29th--their last show of this year's tour.) This is a fantastic live album of some of the best classic rock of a generation. Highly recommended."

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  • Tenth album from this prolific German band fronted by English vocalist Philip Griffiths who also is a member of Alias Eye.  PGM's brand of prog is squarely in the melodic vein with elements of neo and symphonic rock.  Flute is a nice addition to the mix and often evokes the feel of early Genesis.  The band is joined by Phil's father - the great Martin Griffiths who you should all know from Beggar's Opera (Time Machine!!!!).  He actually sings on 5 tunes and still has a great voice.
    $14.00
  • "With its endless, droning minor-key riff and mumbled vocals, "In-A-Gadda-Da-Vida" is arguably the most notorious song of the acid rock era. According to legend, the group was so stoned when they recorded the track that they could neither pronounce the title "In the Garden of Eden" or end the track, so it rambles on for a full 17 minutes, which to some listeners sounds like eternity. But that's the essence of its appeal -- it's the epitome of heavy psychedelic excess, encapsulating the most indulgent tendencies of the era. Iron Butterfly never matched the warped excesses of "In-A-Gadda-Da-Vida," either on their debut album of the same name or the rest of their catalog, yet they occasionally made some enjoyable fuzz guitar-driven psychedelia that works as a period piece. The five tracks that share space with their magnum opus on In-A-Gadda-Da-Vida qualify as good artifacts, and the entire record still stands as the group's definitive album, especially since this is the only place the full-length title track is available." - Allmusic Guide
    $5.00
  • "Mat Sinner has had a long and extensive career, whether with the long running band that bears his name or others like Primal Fear or Voodoo Circle. With Touch of Sin 2, Sinner retreats to the past to re-record some of his best material from early albums Danger Zone (1984), Touch of Sin (1985), Comin' Out Fighting (1986), and Dangerous Charm (1987). While they still play many of these songs in their live sets, thanks to obscure contracts, rights being bought and sold, these albums are hard to find.This is a collection of 14 songs, 11 newly re-recorded and three new ones. There's some real classics here, some really good Sinner songs. (Somehow that sounds funny.) Born to Rock, Comin' Out Fighting, Bad Girl, Concrete Jungle, and Germany Rocks are some of the best ones, getting new life from Matt and the current Sinner crew. And that crew includes a wall of guitars from three guitarists, Alex Beyrodt (also Voodoo Circle), Christof Leim, and Alex Scholpp (also Tarja Turunen) with Sinner's bass and Andre Hilgers' drums powering the rhythm section.Three new songs include two originals, Blood On The Sand and Heat Of The City and a cover of the mighty Thin Lizzy's Don’t Believe A Word. The first two sound more like modern Sinner touching the melodic metal side of things especially with the heavier Heat Of The City. The Thin Lizzy cover is simply phenomenal and fun, a tad faster, but still capturing the liveliness and groove of the original. It's the best song here. Touch of Sin 2 is a fine introduction to Sinner's early material, with the new songs a bonus. However, I'm sure those older rockers who have the older material will want to dust of their vinyl versions as well. Recommended." - Danger Dog
    $15.00
  • Reissue of the 2006 album from this Italian progressive power metal band.  At the time the band was led by US vocalist Steve Braun.  Good singer but a bit of a high pitched wailer.  Comes with the band's original 2003 demo and is spiffed up with new artwork."Italian group Ashent released their debut back in 2006 now that same album Flaws Of Elation is being re-issued with new artwork and extra tracks taken off Ashent's four track demo from 2003. The rare demo tracks were included to highlight how the Italian progressive metal band have changed in style, increasing that technical musical input and with further inclusions giving Ashent's songs a wider scope. So here is your opportunity to get hold of these recordings especially as the original version of Flaws Of Elation has now been out of print for some time. Ashent's debut shows this group possess the capabilities to successfully implement their complex music.The demo tracks aren't as polished but still good enough to give examples of this metal band in its early stages, these same songs would also find their way onto Ashent's debut in their updated versions. Naturally the first obvious difference between the demos and how they would later sound on their debut album is the vast improvement in production. "Awakend's Transitions" now bursts out of your speakers with a cleaner more potent sound creating much more impact. The songs flows better and with more additions like that from their drummer they haven't greatly altered the running time just made some appropriate adjustments. "Fallen Angels" is the next and it's a similar case with the updated production aiding to bring the song to life more though I do quite enjoy both versions. I prefer the later version of "Anaemic Ardency" between the two releases the band did have some line-up changes on drums and guitar plus a new vocalist, and I do find his vocal delivery to be more appealing as is the case with the song "Eden".The remaining six tracks offer further strong and impressively structured progressive metal songs that are quite heavy and melodic with some power metal influences, and also included is an instrumental "A Puzzled Sentiment". Ashent have released another album since Deconstructive which I am not familiar with but after hearing how good this one is I would be very keen to also give it a go." - Sea Of Tranquility
    $11.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00
  • "This time around shows Prymary transcending their past achievements and creating a collage of stories that are independent and yet united in the themes of self-destruction and dreams unfulfilled. Musically the band shows a further refinement of songwriting and musicianship with songs that are more concise in musical statement, while still having the grand arrangements that Prymary is known for. As is becoming a Prymary trademark, the band has once again given special attention to combining music and lyrics together to convey the mood or feel of the song."
    $3.00
  • The Diablo Swing Orchestra dates back to 1501 in Sweden, where history tells the tale of an orchestra that played like no other, with music so seductive and divine that the ensemble overwhelmed audiences all over the country. Their performances rapidly earned a reputation of being feral and vigorous and gained the orchestra a devoted crowd of followers. Their concerts attracted more people than High Mass in church and as a result the orchestra was accused of being treacherous and in league with the devil. The members were accused of being everything from heretics to the spawn of Satan. “The Devil’s Orchestra” was the epithet used by the church in it's attempt to halt the orchestra’s success. However, this eventually became a catchphrase that spread throughout the crowd, and before long it was the popular name of the orchestra. With the accusation of heresy a bounty was put on the orchestra, and as the hostilities from the church grew stronger the orchestra finally felt the need to flee. But they decided that if they were to disappear they should go out in style, by giving one last concert. Before doing so they all signed a pact saying that their descendants were given the task of reuniting the orchestra in 500 years, and that they should continue the orchestra’s work of spreading thought-provoking music. Six envelopes were sealed and given to trustees of the orchestra to pass on to family members. The final concert was a great success. Thousands of people came to see it, and the massive sing-along of the crowd made the performance the most talked about in history. Eventually, the armed guards arrested the orchestra. They were subsequently sentenced to death by hanging. Stockholm 2003. By mere accident two of the original orchestra descendants met in a music shop and began to discuss music. It later turned out that they both had received a strange letter from some ancient relative containing instructions on how to reunite The Devil’s Orchestra. By searching through archives and records they managed to track down the other ancestors. Daniel's sensibility for words and melodies made him the main composer. Annlouice's angelic yet powerful operatic voice gave a bombastic feeling to the music. Andreas swinging and energetic drumming provided the orchestra with a deep and solid foundation. And together with Andy's powerful finger style playing and funk-oriented slapping they made sure the songs had a steady groove. Pontus electronic and experimental influences proved useful as the orchestra wanted a contemporary sound. Johannes's emotive cello-playing, theoretical knowledge and stunning technique completed the orchestra. With reference to the old catchphrase they took the name Diablo Swing Orchestra and are determined to honor the legacy of their ancestors. Since the release of their debut “The Butcher’s Ballroom” in 2006/2007 the orchestra has gained a loyal fan base of their own. People have embraced their sound with open arms and they have been perceived as a fresh breath of air in a genre getting more and more stale and formulaic. The album was also well received among critics earning many rave reviews recognizing the new ideas the band brought to the scene. DSO’s sophomore effort titled “Sing-Along Songs for the damned & Delirious” proves that they are no one hit wonder but are here to stay. The new record set to be released in September 2009 is a smörgåsbord of different levels of musical insanity building on the foundation laid down on “The Butcher’s Ballroom”. Touring will begin in September starting with Progpower USA and will continue in Europe later in the fall.
    $13.00
  • "They re back at it! Flying Colors launched in 2012 following a formation that began with a simple idea: virtuoso musicians and a pop singer joining together to make new-fashioned music the old fashioned way. Refreshing, classic, old and new, the recordings are saturated with the many styles, tones and hues of the players who in becoming a band delivered a unique fusion of vintage craftsmanship and contemporary music. Flying Colors is Mike Portnoy (Dream Theater), Dave LaRue (Joe Satriani) Neal Morse (Spock s Beard), Casey McPherson (Alpha Rev), and Steve Morse (Deep Purple).Live In Europe captures the quintet in Tilberg, Holland performing at 013 on September 20, 2012.  The show presents the entire studio album along with popular favorites by individual members."
    $15.00
  • Remastered edition with new liner notes and photos. "Going For The One" marked Rick Wakeman's return to the band. "Awaken" is one of the all-time great Yes epics. Comes with seven (!) bonus tracks.
    $10.00
  • The Laser’s Edge is proud to announce the signing of the British progressive rock band Magenta for the exclusive North American release of their fourth studio album, titled Metamorphosis. Without abandoning the sense of melody and dynamics that remain the Magenta trademark, Metamorphosis sees the band taking a darker, more intense path with powerful, sometimes disturbing subject matter. "I think this album is going to surprise a lot of people," says keyboardist Rob Reed "It will challenge many people's preconceptions of what Magenta are, and what we are capable of musically. Most of it was written on guitar, so some of the material is heavier than before, whilst retaining most of the elements of the Magenta sound." The album also marks the band's return to long-form pieces of music, with two 20 minute-plus songs, and a new, richer sound with the addition of strings. "Watch out for some brilliant performances on the record." Reed says. "Christina Booth's vocals are just astonishing, Tim Robinson delivers a virtuoso performance on drums and Chris Fry has pushed the bar even higher than usual with some amazing lead guitar. I have no doubt that this is, by far, our finest album to date." Magenta was formed in 2001, quickly capturing the attention of progressive rock fans around the world with a sound influenced by the icons of the past. Over the years the band has performed at virtually every major progressive rock festival in the world including gigs at Rosfest, BajaProg, and Nearfest. Year after year, the band has received awards from various progressive rock publications. In 2007, the band won two awards from the esteemed British Classic Rock Society including Best Band and Best Female Singer. The album was mastered by Grammy winning engineer Bob Katz. To further enhance the package, Metamorphosis features startling artwork from the noted graphic design house Killustrations.
    $14.00
  • Mind's Eye is a Swedish quartet who combine metal, rock, jazz/fusion, and even latin styles into one. Their guitar driven sound fuses melody with power and technical complexity. They experiment with different odd-meters, keys and arrangements to create open minded music. Perhaps similar to two other Swedish bands - Treasure Land and Lion's Share, their complex arrangements share traits of technical bands like Sieges Even and Psychotic Waltz. Guitarist Fredrik Grnberger's guitar sound is quite original blending elements of shredders like Steve Vai and Joe Satriani with fusion pioneer Allan Holdsworth. Although his solos are the focal point of the band they never lose sight of the song - this is not an exercise in guitar solo excess.
    $13.00
  • "Despite what the name might lead you to think, progressive metal is among the most static and boring of all heavy music genres. Half the bands that fall under the moniker exist merely as a vehicle to show off the skills of the players involved, which is fine in small doses, but rarely sustains a creative career. The other half of the bands stick rigidly to the blueprint of one of the fore-bearers of the genre, giving us music that sounds exactly like something we've already heard. Very little of progressive metal is actually interesting, because it is a genre that lacks people dedicated to the art of songwriting. Songs are what makes any band successful, no matter how much sheer musical skill they possess. Dream Theater didn't get to where they are just because they are amazing musicians, they also wrote a slew of great songs and albums. The number of progressive metal bands who have impressed me with their songwriting in recent years is miniscule, but I mention all of this because Ascendia is one of them.As “At The End Of It All” swells into focus with a tribal drum beat and chanted vocals, it's already obvious that this is not going to be prog-by-numbers. The song kicks into gear with a syncopated guitar riff, before the vocals soar over the top of everything, slapping a thick coat of melody atop the sound. There's a quiet section in the middle of the song that feels like a cousin of Killswitch Engage, which is a fresh sound to hear in this kind of music. When it opens back up into the chorus, the song is massive, and it's hard to believe all of that music was contained in five and a half minutes.The songs on the album are more bite-sized than typical progressive metal, but that plays into the band's strengths as songwriters. By keeping the songs lean and tight, they hit harder than if the instrumental sections had been extended by a minute here and there. There is interesting playing going on, but it's all done within the framework of the songs, and never put out front to dominate the spotlight. It's an approach that is smart not just because of how easy it is to get bogged down in instrumental pyrotechnics, but because an album of that sort would never be able to survive the Herculean vocal presence of singer Nick Sakal.With more than a little bit of similarity to the former singer of the aforementioned Killswitch Engage, Howard Jones, Sakal's vocals dominate the album, making you wonder where a voice like that could have come from. His baritone is warm, rich, and not at all what you would expect to hear in a band that isn't playing down-tuned hardcore.But what is most important are the songs, and that's where Ascendia proves themselves as standouts. Whether tackling more modern fare like “Remember Me”, or more traditionally melodic songs like “Moonchild”, there's a phenomenal blend of heavy riffing and soaring melody. I can't tell you how rare it is to hear a progressive metal band that is so in tune with melody, and can write songs that could stand up if they were stripped down to the chord structure and the vocals. We get an example of that with the duet ballad, “The Song That You Deserved”, a largely piano and voice song that is as beautiful as it is heart-breaking. Ascendia's ear for songs is excellent, and that is what makes “The Lion And The Jester” such an engaging listen. Song after song, there's a warm and inviting chorus waiting to wrap its arms around you after you've heard the heavy and intricate moments.This year has been off to a ridiculously great start, with at least half a dozen legitimately great records having already come my way. Add “The Lion And The Jester” to that list, because Ascendia is making progressive metal the way it was always supposed to be. Both challenging and gratifying, intense and cathartic, “The Lion And The Jester” is a phenomenal piece of work that reminds me of the very best progressive metal I've ever heard. This is an album you need to hear.Oh, and how awesome is that cover art? That is one album that will look as good as it sounds in a collection." - Bloody Good Horror
    $10.00
  • The latest from Roine Stolt and Co. is a 2 CD affair featuring plenty of trademark epic tracks. The Flower Kings have been able to perfect the balance between neo and old school prog.
    $12.00
  • Founding keyboardist Ferdy Doernberg has reformed Rough Silk after spending the past few years touring with Axel Rudi Pell and doing countless sessions. Back in the day Jan Barnett was the vocalist and Rough Silk had a heavy Queen influence. Barnett left after the fifth album and Doernberg eventually took over on vocals as well. He's got a gruff bluesy voice that fits well when he tosses in the old school analog keyboard sounds. So toss the Queen thing out the window - instead the keyboard heavy/guitar crunch offers a sound much closer to Savatage.
    $9.00