Bringer Of Light

SKU: MASCD0803
Label:
Massacre Records
Category:
Power Metal
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I can't remember a buzz on a band's debut since Circus Maximus.  Perhaps due to the album being released in Japan a year ago and its unavailability elsewhere, maybe because they are lined up to play ProgPowerUSA.  Whatever the reason the album finally gets a wide debut and it was worth the wait.  Damnation Angels is a British symphonic metal band fronted by a Norwegian singer.  He goes by the name PelleK and was a contestant on Norway's version of X Factor.  The band's stock in trade is epic sounding metal that pays a huge debt to Kamelot.  The instrumental passages take on the grandeur and scope of Nightwish.  PelleK does a sold job out front - he's obviously listened to a Khan quite a bit.  Highly recommended.

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  • "Danish legends PRETTY MAIDS never achieved the success they rightfully deserve. They have been releasing amazing material since their inception in 1981. Their catalog is incredibly consistent and jaw dropping. Their records “Red Hot and Heavy”, “Future World” and 2010s “Pandemonium” ranks up there with some of the best material of the last 30 years in Rock and Metal. Their latest record “Motherland”, released through Italy’s Frontiers Records is another heavy melodic masterpiece.2010s release “Pandemonium” was such an amazing record that the thought of following it up was a concern not only for the band but fans and critics alike. Everyone can breathe a sigh of relief as they have done it again as “Motherland” captures PRETTY MAIDS at their best. Like all PRETTY MAIDS releases the songwriting is outstanding and every song is remarkably strong.Ronnie Atkins is an amazing soulful singer who seems to get better with age. His unique blend of melody and raspiness is unmatched and his voice is one of a kind. Founding guitarist Ken Hammer blends acrobatic guitar playing with a sense of melody that fits his songs brilliantly and is another unsung hero that can play with precision and emotion.Jacob Hansen’s production is crisp and jumps off the speakers. Returning to work with the band after the success of 2010s “Pandemonium” shows the partnership still is the perfect pairing. The mix is layered, separated and Hansen is quickly becoming the go to producer in Rock and Metal.First single “Mother of All Lies”, “Why So Serious?” and the title track show the band perfecting their heavier side. The title track is an up-tempo pounder that grooves, crushes and the chorus is pure perfection. The keyboards incorporate a subtle arpeggio sequence that backs Atkins as he sings a melody that is infectious. “Why So Serious?” is a haunting captivating chugger that blends melody with syncopated riffing, the biggest headbanger on the record.While “Sad to See You Suffer”, “Bullet For You” and the excellent “Wasted” is the perfect counterbalance and shows off their melodic essence. “Bullet For You” showcases a tender Atkins at his best. The harmonies are luscious and fill out the vocals beautifully. “Wasted” closes the record and does an excellent job of blending Morten Sandager’s keyboard playing into the songwriting. Again, the melodies dominate and paint the perfect landscape. All of these songs have amazing choruses that will stick in your head long after the record is over. Ever since their cover of John Sykes “Please Don’t Leave Me”; Pretty Maids are destined to play the rock ballad. They nail it.30 years into their career, “Motherland” finds PRETTY MAIDS unbelievably at their creative peak. Not too many bands are writing some of their strongest material thirteen albums into their career. Surprisingly on par with the fantastic “Pandemonium”, it is time for PRETTY MAIDS to be catapulted into the spotlight and be rewarded for their remarkable career. Let's hope that they have another thirteen albums left in them to compose because they have found their creative groove. “Motherland” contains all of the attributes that make PRETTY MAIDS outstanding. I can only hope that now is the time for them to launch a proper North American tour." - Metal Temple
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  • Great jazz rock CD from this Italian percussionist (at least he was back then). Comes housed in a mini-lp sleeve and it's actually the first time it's on CD.
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    $13.00
  • 30th anniversary reissue of the first album of the Mk III lineup with David Coverdale and Glenn Hughes.  One of the classic hard rock albums of the 70s.  This version comes with 5 bonus tracks featuring 2004 remixes.
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  • The technical metal genre has pretty much been dormant for many years. It has somewhat morphed into djent metal these days which bears a lot of similarities but it isn't quite the same thing now is it? After an 8 year pause the UK tech metal band Linear Sphere has returned with their second album. Back in 2004 the band released Reality Dysfunction, an album somewhat molded in the Spiral Architect vein. Their new album, Manvantara, carries on in that direction. Its a conceptual work of an existential and metaphysical nature. What you can expect is mind bending metal cut with extreme precision melded with jazz/fusion breaks. With the departure of Charlie Griffiths who went on to join Haken, the band carried on with founding member Martin Goulding handling all the guitar parts. Vocalist Jos Geron still takes a bit of getting used to - he has a bit of raspiness - but his singing has improved substantially from the debut. Plenty of shred to be heard but all done tastefully. This is one of my favorite styles of metal so it was real nice to hear something along these lines after so many years. Highly recommended.
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  • "This album collects the trilogy of Concerto Grosso: the first known "Concert Grosso for New Trolls", first released in 1971, "Concerto Grosso No. 2", first released in 1976, and the recent "Concerto Grosso # 3", from 2013 - all composed by maestro Luis Enriquez Bacalov.The band is formed by the four historical elements of New Trolls (editor's note: who, apparently, are not allowed to actually CALL themselves New Trolls....): Gianni Belleno, Giorgio D'Adamo, Vittorio De Scalzi and Nico Di Palo.A more than 40 years since the first Concerto Grosso, this CD becomes a collector's item for all lovers of New Trolls music and a perfect gift for all lovers of Baroque music."
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  • Falling Deeper finds Anathema reworking older material, backed by a 26 piece orchestra. The band is complemented by former Gathering vocalist Anneke van Giersbergen. Anathema - Danny talks us through Falling Deeper from Kscope on Vimeo.
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  • New digipak edition of the rarest Italian prog album its certainly also one of the strangest... "This is one weird album indeed. Even more weird when you consider some of the musicians involved. For example you got keyboardist Charles Tiring. He was not your typical twenty-something like you usually expect in prog rock bands. At the time this album came out, he was said to be 68 years old (not likely alive these days) and married to an 18 year old, which meant that didn't exactly endear himself to the rest of the band (he left after this album and they became Antonius REX). The rest of the musicians included Anthony Bartoccetti on guitar, bass and vocals, Doris Norton (known as Fiamma Dello Spirito on this album) on vocals, violin, and flute, and someone named Franz Parthenzy conducting the medium. What's also weirder was they were exploring the occult, performing under séances. While other prog rock bands simply used keyboards like the Hammond organ, Charles Tiring went totally hog wild on the pipe organ, although he used the occasional Moog for sound effects, and harpsichord and piano on occasions. There are times that it's really difficult to call this prog rock, because it's not rock, and pipe organ is sometimes the only instrument used. The album opens up with "U.F.D.E.M." which is often regarded as the album's high point. Here you get pipe organ and harpsichord, with Doris Norton singing in Italian, sounding a bit like an Italian Anna Meek (of CATAPILLA fame). "Praesentia Domini" is largely pipe organ, but near the end comes some chanting in Latin, obviously a séance. "Jacula Valzer" is a nice, pleasant jazzy piece with that atmosphere of a bad early '70s horror film. This one features some nice flute and piano. "Long Black Magic Night" is another worth mentioning. Violin and flute dominates, and Doris Norton chants in English, and comes to demonstrate just how lousy her English is. This song even more just screams "bad horror film". Listening to this, you can just imagine the cobwebs, vampires, and a pipe organ. The last piece, "In Old Castle" is the most pointless piece, as it's all pipe organ and nothing else. "Tardo Pede In Magiam Versus" is a truly like or hate it album. Some just call this a bunch of Satanic nonsense, others call it spooky and Gothic. I can be certain GOBLIN had heard their share of JACULA and Antonius REX in their lifetime, especially since GOBLIN was best known for scoring gory Dario Argento horror flicks (luckily GOBLIN went for a more conventional prog/fusion direction, with normal instrumentations, even though they sometimes used pipe organ). The original LP of "Tardo..." isn't easy to come buy, but Mellow Records reissued it on CD, if you can find a copy for cheap, get it, for a curiosity, but I bet you that you'll probably be waiting for Halloween to play this. Weird album indeed that might scare a few people away." - Progarchives.com
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  • "Riot has always been ahead of the curve, be it their powerful riff machine, or their unapologetic status as pioneers in the speed metal genre. I would like to take an opportunity to differ once again with the common viewpoint here, this is not “almost” Painkiller 2 years before; it is its doppelganger, at least in terms of kick ass aggressiveness and image. It is a more musical and complex answer to the thrash genre that it fathered; its spirit is that of a triumphant warrior cutting down its foes. While the heroic Painkiller soared through the sky putting fear into the hearts of his enemies, Thundersteel’s half-cyborg/half-tank body stood tall to face them on the ground.In 1988 metal was mostly known by its image, and if you judge these guys by that alone, they look like the bastard sons of Motley Crue and Judas Priest. But when Tony Moore blasts his high banshee voice into the microphone, he sounds like a crazed Viking Berserker ready to behead an army of frightened Romans. Mark Reale, the only remaining originator of this outfit, wields his guitar like a battle axe and challenges the likes of K.K. Downing, Dave Murray and Ross the Boss. Bobby Jarzombek, who is well known for his work with Rob Halford’s solo project, as well as several other bands, gives the performance of his life on here. Don Van Stavern keeps the bottom end solid and has a wicked bass intro in “Johnny’s Back”.There is never a dull moment on this album, from start to finish it grabs you by the throat and commands you to praise the Gods of Metal. Be it the fast as hell title track, which rivals anything Judas Priest has ever put out, or the more moderated Deep Purple riff monster “Sign of the Crimson Storm”, it screams metal. You’ve got an anthem of rebellion and non-conformity at warp speed like “Johnny’s Back” in the running, or the Manowar inspired heavy ballad “Bloodstreets”, which gives Heart of Steel a run for its money. “Fight or Fall” and “Flight of the Warrior” have memorable choruses and plenty of amazing lead work, all done by the original speed metal riff man Mark Reale, while “On Wings of Eagles” is a better produced version of something you might find on Kill Em’ All.We’ve got two highlights on this album, both of which are a good bit different than the lion’s share of speed driven songs on here. “Run for your life” is an upper mid-tempo crusher with tons of great lead guitar work, but it’s true charm is the chorus, which reminds me a bit of the high/low vocal interchanges that you hear on Dio’s early material. “Buried Alive (The Tell Tale Heart)” is actually a bit reminiscent of Crimson Glory’s work on Transcendence, which came out the same year that this did. You’ve got a rather odd spoken intro with a clean and somber guitar line, followed by some brilliant twin guitar soloing (all done by one guy, just the same way Tony Iommi did it). After 3 minutes of mind-blowing, we get a slow and evil sounding groove that grows into a brilliant homage to the NWOBHM, names like Iron Maiden and Angel Witch come to mind.In conclusion, this is a piece of metal history that demands to be listened to. If you are a power metal fan who lives for speed and melody, get your tight jeans wearing ass to the store right now. If you’re a holdover from the glory days of traditional metal and you don’t have it, get it now or risk having your credentials as a metal head questioned. If you love thrash with attitude, this gives the bands that carry that label a run for their money. Fans of Judas Priest, Manowar, Helloween, Running Wild, and Iron Maiden in particular will love this. There is a new power alive in the distance, carrying a fully charged plasma cannon, followed by an army of true metal warriors, and his name is “Thundersteel”." - Metal Archives
    $7.00
  • "On ZAO's second album they have lost the stunning vocals of Mauricia Platon who has left,leaving the vocal duties to Dugrenot (bass player) who sang the low notes, and Seffer who would sing the high notes. There would be two guest percussionists in their lineup as well, and Seffer would not be playing clarinet on this one, only sax. As their liner notes state, they did not wish to have "Osiris" released on a major label and so turned to a new label called "Disjuncta" which had been created by Richard Pinhas of HELDON fame. He was a friend of Cahen and a cousin of MAGMA's singer Stella Vander. Thanks to Pinhas' hard work "Osiris" outsold their debut "Z=7L". One year later the label went bankrupt unfortunately and "Osiris" was deleted. Thankyou "Musea" for reissueing this amazing recording."Shardaz" opens with drums and sax as vocal melodies come in. Violin after a minute as the tempo picks up. The vocal melodies are prominant much like what you would hear on some MAGMA records. Piano before 3 minutes, and the bass is nice and heavy that follows. "Isis" is pastoral for 1 1/2 minutes until we get some guitar melodies that come and go as warm sax melodies play on. The drums and sound are building, and the tempo picks up 6 minutes in. Great sound ! Violin arrives a minute later. A calm takes over (that reminds me of the intro) for the final minute of the song. What a ride that was. "Reinna" features drums, bass, piano and sax while Zeuhl-like vocals arrive a minute in causing the instrumental work to take a back seat temporarily. Some great drumming and sax work follows. Piano and violin join in and we are cooking now ! Percussion too as this is quite jazzy."Yog" features deep vocals and piano that are contrasted with instrumental outbreaks. I love this stuff ! This is such a beautiful passage.The song takes off after 2 minutes with sax and vocal melodies taking center stage. It calms down 5 minutes in and check out the drumming after 6 minutes ! Vocal melodies end the song. "La Rhune" is a very good song with bass, percussion, drums and piano leading off before sax comes in followed by violin after 3 minutes. The bonus track is a live song that Seffer and Cahen recorded with members from Quebec artist Robert Charlebois' band who showed a great deal of interest in ZAO, and actually recorded three tracks with Seffer and Cahen in 1973. This one is called "Montreal" and it's truly an amazing live Zeuhl song at almost 12 minutes. Guest female vocals along with relentless bass and drums. Seffer especially stands out with his sax work. Cahen is incredible on the keys as well.This is not as challenging as their debut was, but it's not inferior either. These guys (Cahen & Seffer) were a big part of MAGMA's early sound and also composed a lot of their music then as well. "Osiris" is a feast that is as satisfying for me as their debut. 5 stars." - ProgArchives
    $15.00
  • "ALLEN/LANDE (or ALLEN-LANDE) is a Melodic Hard Rock/Heavy Metal super group / band project formed in 2005 by guitarist Magnus Karlsson (PRIMAL FEAR, STARBREAKER) with two highly acclaimed metal vocalists - vocalist Russell Allen (SYMPHONY X) and former MASTERPLAN vocalist Jørn Lande. The band released such albums: "The Battle" (2005), "The Revenge" (2007), "The Showdown" (2010) and "The Great Divide" on 17th October 2014.Opening track “Come Dream With Me” takes listeners on the journey through the Melodic Rock & Metal world where you can find stronger melodic guitars with wonderful vocals, clear rhythmic section, catchy chorus with an impressive guitar solo which makes goose-flesh, and little PRIMAL FEAR echoes. Powerful drums and mega energetic guitar riffs in “Down from the Mountain” are truly kick-ass with amazing vocals in climate of BLACK SABBATH, AXEL RUDI PELL and memorable refrain in high style. All tracks have similar sounds to GAMMA RAY and TIMO TOLKKI songs. The energetic atmosphere of “Dream About Tomorrow” is caused by heavier riffs, SCORPIONS echoes, great solo, and keys in Power Metal style.My favourite song on the album is “Lady of Winter”, which has everything that is the best in Hard Rock and Metal music – so gentle piano opening, then heavy riffs, clear drums, fabulous memorable high chorus, and perfect worked guitars full of melody. Stunning track with rockin sounds, mid-tempo, perfect bass, slower climate, and totally in the style of JORN. Stronger riffs with gentle keys and massive JORN vocals in pathetic melodic refrain in track “Solid Ground” is perfect, also with a massive and brilliant guitar solo!The band proves that they are on high-class level in powerful “In the Hands of Time” where keys and melodic guitars have STRATOVARIUS echoes. The energetic “Reaching for the Stars” with gentle keys in the background with memorable refrain and massive sounding “Hymn to the Fallen” with mixing Heavy Metal sounds together with rockin style.Also I like very much the ballad titled track “The Great Divide” with beautiful strong voices of singers, calmer guitars, keyboards, and passionate guitar work and chorus in high style with choir in amazing slower tempo – what a wonderful sound! Another ballad “Bittersweet” has a slower rate, clear drums, piano, and brilliant singing together with climatic stronger high riffs. Sounds total perfect!ALLEN/LANDE, again, proved that they are Kings of Rock and Metal. They connect different kinds of sounds – Hard Rock, Heavy Metal with doses of melody. The band creates music with passion. Every track is a masterpiece and in each sound the experience of musicians is hear able. ALLEN/LANDE is simply a fantastic band, and their fresh CD “The Great Divide” is more than highly recommended to every lover of Melodic strong sound!" - Metal Temple
    $16.00
  • So I have to admit I'm not the world's biggest Rage fan but this is pretty damn good! The album is basically split into two halves. The first section is extremely orchestral. The orchestra has been integrated with the band as opposed to three guys backed by the ocassional strings. Strangely enough it has a very ELP-inspired sound, particularly the way piano is put to use. If ELP had added a neoclassical shredder it might sound like this. The rest of the album is a bit more straight forward featuring the typical Rage thrash metal with progressive overtones. This one gets my surprising recommendation. Digipak edition features 2 bonus tracks and a video clip.
    $7.00