Brief Nocturnes And Dreamless Sleep (2CD)

Brief Nocturnes is the band's 11th album.  It marks their return to Inside Out and quite frankly its the best album they have released in a very long time.  Chalk it up to Ted Leonard handling vocals or Neal Morse contributing writing to a couple of tunes?  Not sure.  I am definitely hearing more vitality and overt progginess in the compositions.  Ryo is going off his nut here - keys are whizzing all around - organ/'tron/the whole schmear - and Alan's guitar runs are matching him step for step.  Maybe I haven't been paying attention as closely as I should have for the past few years.  I do know that I'm enjoying the hell out of this.  Highly recommended.

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  • "One of the best Cast albums. IMO Cast career are a little bit irregular but this album is one of the high points of that band. Even when its a Mexican band, this album lyrics (as many others of Cast) are in english. The music also is very-very Neo Prog, with notorious influences of early Pendragon and Marillion, so maybe Neo Prog fans couldn't find surprises in the 13 tracks of Legacy. But there's something in the music that feels totally different and powerful. Maybe is the superb keyboards of L.A. Vidales or the awsome drumming of Antonio Bringas. Legacy's Executor is the best example of this talents gathered into an explosive formula of prog rock. Another highlights of this album are Key of Life, Magic of Love, We Are te Ones, Take aLook Back (so similar to I.Q. and so different at the same time!), The Will and Conclusion. Good album, interesting but not a masterpiece. I'm totally sure that is best Mexican band around here but Cast make a great effort with this album." - Progarchives
    $15.00
  • White Willow's third album receives new treatment from Jacob Holm Lupo's Termo Records.  This remastered edition comes with new artwork and liner notes as well as 3 previously unreleased bonus tracks.White Willow is one of the most significant progressive groups of the current eraThe Billboard Guide To Progressive MusicWhite Willows third album "Sacrament" is a mystical blend of gothic atmospheres and intricate, classically influenced progressive music. Having firmly established themselves around the world as one of the premier progressive ensembles, "Sacrament" is one of 2000s most anticipated progressive rock releases.The Norwegian bands 1995 debut "Ignis Fatuus" is enshrined in the Top 100 releases of Billboards Guide To Progressive Music. This album launched the band into the world spotlight culminating in a highly acclaimed performance at Progfest 95 in Los Angeles. The 1998 follow up "Ex Tenebris" brought further attention to the group with its mystical blend of gothic, folk, and classical music within a progressive rock framework."Sacrament" shows the maturity of the band. Perhaps a bit heavier than before but with all their trademark ingredients in place, White Willow will easily once again capture the attention of progressive rock fans around the world. Imagine a blend of The Gathering, King Crimson, and vintage Jethro Tull and you have just scratched the surface of the intense sounds this band creates. Soaring female vocals, mondo-Crimsonoid guitar leads, and blistering flute work set against a backdrop of symphonic rock keyboards will effortless ignite the imagination of the dedicated progressive music listener.Also of note is the stunningly transparent and three dimensional audiophile sound.
    $16.00
  • Expanded reissue of the classic 1994 release arrives as a 2cd set with a bonus DVD. The original album is remastered. The bonus CD features a gig from Dusseldorf, Germany on 2/11/95 plus you get a load of demos and unreleased material. The bonus DVD is the Inside Out material performed at various gigs from 1993 all the way up to 2010 with the bulk of it from around the 1994 period.
    $16.00
  • AlieNatura is the second album from this superb band playing in the classic "rock progressivo italiano" style.  The band is led by keyboardist Elisa Montaldo, who is as impressive on the ears as she is on the eyes (pardon the sexist comment).  One of the strong points of the band's debut was the inclusion in the lineup of former Museo Rosenbach vocalist Lupi Galifi.  With MR reforming he's left Il Tempio Delle Clessidre.  The obvious concern is who could fill his shoes?  Apparently the unknown Francesco Ciapica.  Truth is he does a fine job.  The guy can sing.  He has that expressive style that fits this music so perfectly.  Beautiful symphonic keyboards, liquid guitar runs, phat Moog solos - this band has the sound down pat.  The Italian scene seems to be burgeoning with new RPI bands and I would classify Il Tempio Delle Clessidre right up there with La Maschera Di Cera.  That's saying something.  BUY OR DIE!
    $16.00
  • "A 5-track mini-album ‘little brother’ to the splendid Not The Weapon But The Hand, Arc Light features 4 new tracks and a new version of Intergalactic featuring Aziz Ibrahim (Stone Roses, Ian Brown) on guitar.Not The Weapon But The Hand was the 2012 debut album from the cult hero collaborative. It featured appearances from Danny Thompson on double bass, Chris Maitland (ex Porcupine Tree) on drums and Dave Gregory (XTC) on guitar, bass and string arrangementSteve Hogarth is best known as the frontman of Marillion, the progressive rock legends that he joined in 1989, following spells in The Europeans and How We Live. In addition to the 12 albums Marillion have released in this time he has also recorded and toured as a solo artist, under the name ‘h’.In recent years Richard Barbieri has been a core member of Porcupine Tree playing keyboards on all the band’s albums since 1993 as well as releasing two solo albums, Things Buried and Stranger Inside. Prior to this, it was in the new-wave pioneers Japan that he originally came to prominence, helping to create the ground-breaking synthesiser sound that defined the band and influenced the likes of The Human League, Duran Duran, Gary Numan, Talk Talk and a whole raft of artists to follow."
    $14.00
  • The band's third album (second for Decca) is full blown electric.  The sound is not all that dissimilar to Fairport Convention, Mellow Candle, and Trees.  Robert Kirby's orchestration adds a bit of sophistication.  Mandy Morton has a stunning voice....
    $17.00
  • Upstart Finnish label Svart Records has undergone a licensing program with the legendary Love Records label for an ongoing series of vinyl releases.  Many prog reissues are on the horizon.Tabula Rasa cut two albums for Love and this is their second.  Strong Camel influence - guitarist Heikki Silvernnoinen sounds quite a bit like Andy Latimer in tone. The use of electric piano, string synthesizer reminds me of Mirage.  While it doesn't quite hit the heights of their debut its a very nice slice of mainstream prog.This is a limited edition of 300 copies on black vinyl.
    $28.00
  • We've had a hell of a time getting our hands on this album but its finally here and more than worthy of your attention.  In fact this is an album that is going to ride high on many 2014 top 10 album lists.This is the first full length release from this six piece band based out of Bergen, Norway.  The core sound of the band is rooted in classic progressive rock.  Think in terms of the aggressive side of Van Der Graaf Generator and King Crimson.  But there is more at play here.  A strong jazz element is at play as well.  I'm reminded of Jaga Jazzist and perhaps a bit of Frank Zappa and Mr. Bungle.  There is no doubt we are going to hear quite a bit from this band in the future.  BUY OR DIE!"An impressive album of refreshingly unique music that crosses many sub genres, including space-psychedelia, symphonic, heavy prog, avant-jazz and experimental/post metal. Wonderful vocals, very tight interplay among all band members with no one member or instrument really standing above any other--though the presence and performance of the saxophone is highly notable. This is complex music played so tightly. And the astonishing 14- minute epic, "God Left Us for A Black Dressed Woman," must be heard to be believed.1. "Oh My Gravity" (9:49) starts as a jazzy stop-and-start piece that picks up in intensity in the second minute before shifting to a melodic ballad in the vein of the heavier side of FROGG CAFÉ. The male vocalist sounds to me like something between RADIOHEAD's THOM YORKE and TODD RUNDGREN. Around the six minute mark the spiraling, swooning music sounds a lot like some of the louder stuff from MOTORPSYCHO's The Death Defying Unicorn. This feel continues into the seventh minute when organ and horns take turns embellishing the staccato music. The bare-bones, bluesy final 45 seconds is bizarre but so cool! A powerful and surprising opener to this unusual album. Very high marks for compositional prowess and instrumental performance. (9/10)2. "Wind Shears" (6:32) opens in a very psychedelia/spacey 1960s way. Then at the one minute mark it settles into a jazz groove with first sax and then jazzy guitar and Hammond organ filling the lanes over the rhythm section. Clavinet is added for a GentleGiant-like bridge before a polyrhythmic KING CRIMSON "Discipline"-like weave appears to support a brief ghost-like vocal. At 3:20 the sound gets much heavier over the same arpeggiated weave, nearly drowning out the still-soloing sax and organ. This is just like TOBY DRIVER (Kayo Dot/Maudlin of the Well)! At 4:05 things get quiet and sparse again, with the music vacillating from soft and delicate to heavy and abrasive. A very melodic kind of psychedelic big band section plays out for the final minute. Again, bizarre but so cool! (9/10)3. "Eschaton Hero" (8:29) opens with some guitar, keys & sax riffs repeated over latin percussion. At 1:00 everything settles down into another quiet section with a delicate vocal in Stian Økland's upper register. Beautiful chorus/bridge at 1:47 gives way to an unpretentious bass solo before settling back into the delicate vocal music. Same awesome bridge at 2:49 leads into a heavy section into jazzy chaos--all performed over the most simple, calm drum play. At 4:52 it gets even heavier as it plods along for a minute in support of a fuzz guitar solo. Finally the drums start to play--to match the frenzy of the rest of the band--then everything stops so the band can yell "Yay!" Then a variation on the previous frenzy picks back up until 7:05 when everything settles back down into the soft groove of the initial vocal section for a dirty sax solo before letting Stian finish the song out in his high voice. Well conceived and performed, just not my favorite. (7/10)4. "Extraction" (6:34) begins with another odd intro of two or three parts before settling into the vocal support section--which begins heavily before falling into another RADIOHEAD-like bluesy section. At 2:20 a neat Hammond section leads back into the heavy full band section that opened the vocals, then, again, drops off for the beautiful support of a multi-voice- supported section. At 3:45 a very smooth, stripped down electric guitar solos, until there is a full return to explosiveness at 4:20. A bouncy "O Yo Como Va"-like Hammond section at 4:40 gives way to a kind of Latin weave before falling back into the heavier rock weave from the first vocal section to end. (8/10)5. "God Left Us for A Black Dressed Woman" (14:12) opens with another KC "Discipline"-like weave that morphs and flows, polymorphs and grooves for two and a half minutes before decaying into a simplified form for a bluesy ROBERT PLANT-like vocal section. This song's amazing vocal performance could also be compared to some of the finest MATTHEW PARMENTER/DISCIPLINE works. Some incredibly powerful sections in this song--especially the multi-voice vocals in the eleventh minute and the following heavy full-band part. A very DISCIPLINE-like soft section then ensues with a slow build to an awesome crescendo and frizzed finish. The song evolves, shifts, twists and turns and surprises throughout. Again there are several parts that remind me of MOTORPSYCHO's Unicorn. Without question this is one of the best prog "epics" of the year! (10/10)Aside from the above references to Motorpsycho, King Crimson, Radiohead, Toby Driver, Matthew Parmenter/Discipline, the overall impression this album leaves me with is similar to that of DIAGONAL's eponymously titled debut album from 2008. SEVEN IMPALE's City of the Sun is a wonderful collection of masterfully composed, executed and recorded songs.A 4.5 star album that I can't see giving anything less than five in that it is a treasure for the ages!" - Prog Archives
    $14.00
  • Please note this is a vinyl only release!"London based Zoltan capture the eerie spine-chiiling terror of the decomposed ghoulish Knights Templar with this four track EP, by paying homage to the Tombs of the Blind Dead series of movies created by Spanish director Amando D’Ossorio.Each track relates to one of the four movies from this cult underground series, which are regarded by many as absolute highlights of the Euro Horror underground horror scene of the early 70’s. Slow motion doomed imagery comes to life in full analogue glory, making this a must for any dark minded music lovers and soundtrack collectors out there."
    $16.00
  • Third album from a band that is essentially a mash up of members from Sieges Even, Sun Caged and Dreamscape.  Their music carries on very much in the style of the later Sieges Even albums.  In other words progressive rock that leans towards the heavier side of the spectrum.  Rush, Rabin-era Yes, Saga, and Dream Theater come to mind as influences.  Quite melodic and if you are so inclined you'll hear some incredible chops from guitarist Markus Steffen.  The band corraled Stream Of Passion's Marcela Bovio for a guest vocal appearance, dueting with Arno Menses.This is the deluxe 2CD edition.  It sports a really cool looking 3D cover.  The bonus CD is a live concert recorded in Mannheim in 2012.
    $19.00
  • "Storia o Leggenda is often referred to as a "lesser" Le Orme album, but the truth is, Le Orme never put out a bad or less than committed record before the 1990s, with the one exception of Smogmagica (1975), a failed experiment. Of course, a faction of the progressive rock intelligentsia disses Verità Nascoste, Storia o Leggenda, Florian, and Piccola Rapsodia dell'Ape in order to better highlight magnum opuses like Uomo di Pezza and Felona e Sorona. Still, where other major Italian progressive rock bands like Premieta Forneria Marconi and Banco del Mutuo Soccorso were starting to show signs of exhaustion (or compromise), all of these albums are worthwhile listening, and Storia o Leggenda more so than the others. Something magical happened on this 1977 LP, as several factors came together to produce a splendid opus. First of all, the band turns back to acoustic guitars, to an extent not heard since 1973's Uomo di Pezza. And, here, the band that made a name for itself as a keyboard-led trio finally manages to show why adding a guitarist was so important. They had failed to do so with Tolo Marton on Smogmagica. This time around, Germano Serafin, introduced on Verità Nascoste only a few months earlier, perfectly fits into Le Orme's new sound. For Storia o Leggenda does represent a new sound, one that is now totally removed from the group's beginnings as Nice wannabes, and much more in line with the Italian progressive rock ethos (Banco, PFM, Il Volo's eponymous debut). In fact, Storia o Leggenda represents the best of both worlds between the more pronounced rock leanings of the previous record (Verità Nascoste) and the next, all-acoustic, almost instrumental LP Florian. It has the complex metrics and driving rhythm section of the first ("Al Mercato delle Pulci" and "Il Musicista" are very strong prog rock mini-epics) and the lush arrangements and pastoral feel of the latter ("Tenerci per Mano," "Un Angelo," the title track). One final point: Aldo Tagliapietra never sang better than on this album, his voice pure Italian honey. This album has been worthy of high esteem for a long time and will continue to deserve such esteem in the future." - Allmusic Guide
    $10.00
  • Rare UK progressive folk songstress with a bewitching voice. Features 5 unreleased tracks.
    $15.00
  • "Insurgentes is the new documentary film about Steven Wilson (Porcupine Tree) directed by Lasse Hoile. Porcupine Tree are currently enjoying massive success across the world with their latest album, The Incident. Insurgentes is a musical road movie that follows the making of his solo record of the same name, and is a portrait of an increasingly rare artist who works with music and media out of love and not for fame and fortune, persisting in making art on his own terms in a world where 'throw away' mentality is increasingly becoming the norm. The film features footage of Wilson with other artists and friends including Mikael Akerfeldt from Opeth, Jonas Renkse from Katatonia, the Israeli superstar Aviv Geffen, and the legendary producer Trevor Horn."
    $9.00
  • "Skewered blasts of noisome, Red metal shatters through rough and tumble landscapes of shuddering percussion, ominous, gravelly basslines and wheezing synths. An all-instrumental bulldozer of an album..." – i/eHappy Family first appeared in the early 1990s as part of the explosion of exciting, underground bands that came roaring out of Japan at that time, such as Ruins, Bondage Fruit, Tipographica and Boredoms.An instrumental quartet of keyboards, guitar, bass and drums, they released two albums of over-the-top, metal, King Crimson & Magma influenced avant-progressive rock for Cuneiform Records in 1995 (Happy Family) & 1997 (Toscco) and then fell silent...until now!Reforming with 3 of the 4 members of the group who appeared on Tossco:Kenichi Morimoto - keyboardsTakahiro Izutani - guitarKeiichi Nagasse - drumsand with new bassist Hidemi Ichikawa, 15 years later, they are back with a fantastic new release, Minimal Gods, and just as heavy and intense as they ever were and they still sound like no one else except Happy Family!
    $15.00