Earn 1 Loyalty Point With Every $1 Spent!

Bremen 1973

SKU: CD074
Label:
Garden of Delights
Category:
Progressive Rock
Add to wishlist 

Garden of Delight has unearthed this superb live set from the archives of Radio Bremen. Roland Schaeffer rocks!

There are no review yet. Be the first!
You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Much like my addiction to Swiss roll, for some people more is never enough. You’d have thought two wildly successful “day jobs” would be enough to keep some folks busy. But not so for Katatonia lead vocalist Jonas Renkse and The Pineapple Thief front man Bruce Soord. Clearly they've got too much time on their hands as they have come together to create Wisdom Of Crowds. I can tell you now, I am eternally grateful that these two chaps did a bit of moonlighting. As will you.Originally written for Renkse’s voice, Soord sought out the acclaimed vocalist to complete the compositions and release the music to the masses. In doing so, Bruce Soord has found the perfect foil for the music he has written. Which is all at once jagged, sharp, melodic, aggressive, tender, sparse and loud. What anchors it all together, what makes it a cohesive mix, is Renkse’s vocals. His delivery is sublime. But we’ll come to that in a bit…Album opener ‘Pleasure’ sets up the album with Renkse’s weary and plaintive voice stretching across the track as it morphs from electronic intro to a upbeat mix of live instruments, effects and sounds. This album is different to their respective bands yet retains enough familiarity to comfort fans of both. Title track ‘Wisdom Of Crowds’ evokes a faint vibe of early Gotan Project with its horns and sparsely placed guitar lines whilst ‘Radio Star’ leaves you haunted…. leaves you looking for something as Renkse sings "give you the lights, give you the stars, give you a sign".Standout track of the album is ‘Frozen North’. It’s simply stunning. A melancholic guitar line awash with strings coupled with Renkse’s beautifully evocative vocal melodies and lyrics transporting you to a place of reflection. When, 4 minutes into the song, we descend musically into a fantastically out-there blend of electronica with jagged shards of glitchy noise rhythmically pounding towards the conclusion of the song. It just feels right and natural. It feels magnificent.Next up we have ‘The Light’, a more traditional (as in what the uninitiated imagine it to be) prog tune that is reminiscent of Saucerful-era Floyd with its backwards guitar and drumbeats. It’s 7 minutes of pure progressive music: bluesy guitar licks on a bed of synths with again startlingly intimate vocals.  ‘Pretend’ counters this with aggressive shards of guitar playing from Soord.With that we head into the final 3 tracks on the album. The triumvirate of the album in fact. I’ve genuinely never heard an album FINISH with such breathtakingly songs. Most artists would have put these tracks at the top of the album such is their magnificence. ‘Stacked Naked’ shimmers into view with a tenderly melodic  intro backed with some wonderfully harmonised vocals. Renkse’s lyrics painfully urging "if anyone should ask how the story goes just pretend we're almost there just pretend....pretend.....". ‘Centre of Gravity’ is a song that made me think of the bond of friendship, of the shared experiences, of the sharing of secrets and hopes and dreams. It ends with Jonas repeating "hold out your hand", a plea to never let go of what once was but also as an offer of support. And finally ‘Flows Though You’ arrives with a wail of siren and simmering aggression. Renkse defiantly proclaiming "I can lose but I will never break" as the song heads towards a cacophony of drums, guitars and electronica.So. After all that what is this album like?Jonas Renkse’s vocals and lyrics are the highlight of this album. They are the lynchpin of the entire record. No matter where the music goes, no matter what genre it delves into, the guiding light is his voice, his delivery and inflection. In Soord, he has found a collaborator that can create music that uses every aspect of his voice and talent.It is a stunning album in both depth and range of emotion and music. It captures so many genres and yet defies labels. Part rock, part electronic it's all blended together to create and album that lifts you up, makes you think and most importantly makes you FEEL. There is a hypnotic use of space and dynamics from the frailest most intimate ambience to bombastic guitar driven sections that lift your spirits. It is everything you can want from an album and more." - Echoes And Dust 
    $9.00
  • “You can expect a beefy rock album, freak style. I think that Cooking with Pagans finally has the sound and energy of Freak Kitchen live; the energy and rawness. It is anything but overproduced, stripped down, drums, bass and guitar. To the point.” – Mattias “IA” EklundhIt has been 5 years since Freak Kitchen graced us with a new album.  Since the release of 2009’s Land Of The Freaks, the band has toured the world – making stops in Europe, USA, and Asia along the way.  Finally the band was able to settle down in their home base of Sweden to record the long awaited follow up Cooking With Pagans.The album finds the band collaborating with Blacksad comic book creator and former Disney animator Juanjo Guarnido.  In addition to creating the amazing packaging for the album, Mr. Guarnido has created an incredible animated video to support the album release.Freak Kitchen consists of world renowned guitarist Mattias “IA” Eklundh, bassist Christer Ortefors and drummer Bjorn Fryklund, The trio offers an intense blend of progressive metal and rock, often served up with a wicked dose of humor.  RIYL Frank Zappa, Steve Vai, and Bumblefoot. 
    $6.00
  • New studio album from Roye Albrighton and Ron Howden carrying on with the Nektar name.  Since the band reformed last decade, their studio output hasn't lived up to the reputation of the classic 70s era.  This album appears to stop the skid.  Keyboardist Klaus Henatsch has been with the band for some time now.  His keyboard arsenal has that old school sound utilizing Hammond organ at every turn.  Fill-in bassist to the stars Billy Sherwood rounds out the quartet and he also handled production.  While no two Nektar albums sounded exactly alike there was an overriding sound - once you heard a song you immediately were able to identify it as Nektar.  A lot of that had to do with Albrighton's vocals and guitar work.  Time Machine is just that - a trip back in time to the sound of Nektar in the early 70s.  I'm not going to tell you that is will supplant Remember The Future as their magnum opus, but I have to say that this isn't half bad at all and pretty closely approximates the Nektar sound that we all know and loved.  Surprising and satisfying.
    $16.00
  • Aera was a 70s German underground fusion band that recorded some excellent albums for the Erlkonig label. Long Hair Music has unearthed a 2CD collection of unreleased material from an earlier incarnation of the band. At this point the band featured Steve Robinson who was the keyboardist for 2066 & Then. His inclusion adds a different dimension to the music as his contributions on Mellotron, Moog, and Hammond organ lends a symphonic element in parts. Guitarist Muck Groh tears it up like he would on the later albums and Klaus Kreuzeder was a very clear force in the band offering some serious blowing on sax. The first set was recorded in 1973 and features the 25 minute title suite. The second disc is a live recording from Stadhalle erlangen, Germany on 12/23/73. Yeah its expensive but worth it.
    $28.00
  • Fourth album from this outstanding jazz metal band from Hungary getting outside exposure with their signing to IQ's Giant Electric Pea label.  Special Providence started out their career as a pure fusion band - not unlike Tribal Tech and Return To Forever.  With their third album, Soul Alert, the band injected a heavier metal presence primarily in the guitarwork.  Essence Of Change carries on from Soul Alert in terms of heaviness and the use of distortion but at the same time there is clearly more of a jazz/fusion emphasis in the writing.  This gives us a nicely balanced sound that has a lot of cross over appeal.  Liquid Tension Experiment and Morglbl fans will love this and I expect open minded fans of RTF and Mahavishnu will enjoy hearing the young kats update the sound they developed in the 70s.  Expect a non-stop assault of laser beam synth solos and blistering distortion laced guitar solos.  Yeah this one hits the sweet spot and after many future spins I suspect this will sit at the top of their already impressive discography.  BUY OR DIE!!
    $15.00
  • Out of print for some time, Bruce Soord freshed up the band's second album.  Originally released back in 2001, this version of 137 features a new mix, new 2018 mastering, and even new artwork.
    $11.00
  • "Released at the height of ‘flower power’ in 1967, We Are Ever So Clean is widely considered to be the finest popsike album ever recorded. Produced by Giorgio Gomelsky (discoverer of the Rolling Stones and the Yardbirds), it’s a fascinating amalgam of whimsical pop, music hall humour and acid rock. Much-bootlegged over the years, this is its first official reissue, timed to coincide with its 40th anniversary. Produced with the band’s full involvement, it’s presented with no fewer than ten bonus tracks, encompassing non-LP singles, demos, out-takes and live performances, and comes complete with a full-colour 12-page booklet incorporating many rare photographs and a comprehensive band history, as well as an introduction from the band’s leader, Brian Godding."
    $18.00
  • Victor Peraino once again collaborates with Arthur Brown and the results are shockingly good.  The disc adheres to the old sound - Peraino is playing a variet of analogue keys - plenty of VCS 3, Hammond organd, Mellotron, Moog, etc. The music features a combination of original tunes, reworkings of some of their old stuff, plus a cover of "Please Don't Let Me Be Misunderstood'.  The bonus DVD was filmed in Detroit in recent times."In the 70's Victor Peraino recorded on Polydor Records in England with the father of theatrical rock Arthur Brown, know for his million sell hit "Fire" Arthur Brown's Kingdom Come “Journey” was critically acclaimed as a landmark, in the music industry the first recording to feature a drum machine. Victor played keyboards. mellotron. moog synthesizer. vcs3, theremin & vocals on this ground-breaking album. After Arthur Brown's Kingdom Come disintegrated following the release of the wonderful “Journey”, US keyboard player Victor Peraino somehow retained the name, releasing No Man's Land in '75 under the name Victor Peraino's Kingdom Come, reissued by Black Widow in 2010. After about 40 years, Victor and Arthur decide to collaborate again, resurrecting the project Kingdom Come: in this new musical adventure, reproduce in a new guise some of the best songs included in "No Man's Land" (Demon of Love, Sun Sets Sail, Empires of Steel), take up the theme of the wonderful "Time Captives" from "Journey" turning it into a cross-section sidereal enriched by the magnificence of space keyboards, revitalize ina progressive key two old classics like "Don’t Let Me Be Misunderstood" and "I Put a Spell On You "... but they also offer some brand new compositions (We Only Come to Help You, Future, the title track, Walk with Angels) deploying an odyssey of lovely sounds, underpinned by the omnipresent as ever presence of Mellotron, Moog, VCS3, in an uninterrupted flow of emotions."
    $15.00
  • My Soliloquy is a British band formed in 2002 by multi-instrumentalist Pete Morten.  Since then the band has released a number of demos, gaining traction in the metal underground. The band had a number of notable support shows with Pagans Mind, Power Quest, Oliver and Rick Wakeman, and Threshold, as well as a second-to-headline set at Bloodstock 05 and a showcase at 2007’s ProgPower UK II.Since 2007, Morten has been an active member of British prog metal legends Threshold.  His membership has raised awareness (and created anticipation) for My Soliloquy’s long awaited debut.The essence of My Soliloquy is pure forward thinking metal – symphonic keyboards, shredding guitar leads, soaring vocals – all finely woven together with a blend of intricacy and melody.  The Interpreter was mixed and mastered by Rob Aubrey who has been a mainstay of Marillion’s camp for many years.
    $5.00
  • By now everyone knows that Cherry Five was the precursor to Goblin before they signed with Cinevox.  Original drummer Carlo Bordini (of Rustichelli - Bordini fame) and vocalist Tony Tartarini have formed a new version of the band.  Bordini and Tartarini have enlisted Taproban keyboardist Gianluca De Rossi and rounded out the lineup with Ludovico Piccinini (guitar) and Pino Sallusti (bass).So the obvious question is - how is it?  Its a two part answer.  First off its 40 years since the first Cherry Red album was recorded.  This sounds nothing at all like Cherry Red or Goblin.  Tartarini sings in Italian and the music doesn't have the Yes vibe that the original lineup had.  But the second part is actually good news.  The music is a three part conceptual work with epic length tracks.  This fits right into the RPI ("Rock Progressivo Italiano" for those that don't know) vein.  Like his work with the terribly underrated Taproban, De Rossi is the focal point of the band's sound.  Piccinini's guitar tone is a bit modern sounding for the vibe they are trying for but its got a dark energy that fits in well with the keys.  This one's going to be a grower and an easy recommendation.
    $16.00
  • Bjorn Riis isn't exactly a household name but if you are a fan of the Norwegian band Airbag he's more familiar than you realize.  Riis is the band's lead guitarist.  For his debut solo album he's enlisted members of Airbag in all aspects of the production.  Riis himself says that the sound doesn't stray too far from Airbag but its a more personal affair.  This is pretty accurate.  Riis is an avowed disciple of David Gilmour.  In fact he set up a website dedicated to Gilmour and his iconic (and easily recognizable) guitar sound.Many aspects of Airbag's three albums owe a heavy debt to Pink Floyd and Riis' solo album fits neatly into the same box.  The album consists of six tracks - three of which run 10+ minutes.  The easiest and most concise way to describe "Lullabies" is that it sounds like a head on collision between Wish You Were Here and The Division Bell.  Nothing wrong with that!  BUY OR DIE! 
    $12.00
  • Previously unreleased live show from November 4, 1972. This is the post Uli Trepte lineup with his replacement Bruno Schaab on bass. The band jams out three mega-long versions of "Oxymoron", "Baby Cake Walk" and "Ooga Booga"."After Uli Trepte had left the band, Guru Guru had one of their first gigs with Bruno Schaab on bass in the assembly hall of the Germania-Heim in Wiesbaden on November 4th, 1972. They played in front of about 200 to 300 people. The whole concert was recorded expertly and in stereo, with the consent of the band and the promoter, Robert Huth, by Muck Krieger, sharing a flat with Xhol (Caravan), a band they were friends with and which had just broken up. The equipment used – an Uher tape recorder CR 124 and Revox microphones – were then state-of-the-art technology. Here you will hear three overlength versions of Guru Guru tracks in a perfect sound quality. They could thus freely display and develop their play without having to keep to the limited playing time of an LP side. The CD was drawn directly from the master tapes."
    $20.00
  • Withem is an up and coming Norwegian progressive metal band, inspired by the likes of Symphony X, Pagan’s Mind, Dream Theater and Circus Maximus.The band started to take shape in 2011 when Øyvind Voldmo Larsen (guitars) and Ketil Ronold (keyboards) met the gifted drummer Frank Nordeng Røe. Soon they were joined by the vocal talents of Ole Aleksander Wagenius and bass duties were taken care of by the special guest Andreas Blomqvist from Seventh Wonder.Withem’s debut offers varied sonic landscapes for the listener to explore, ranging from guilty-pleasure choruses permeated with memorable vocal hooks, to symphonic epic themes.  The unique vocal range of Ole Aleksander Wagenius gives the band a distinctive touch to tackle the overcrowded progressive metal scene.The passion and dedication put into the album is emphasized by the countless hours spent in studio perfecting each individual performance and making sure that the end result is a world class blend of progressive, symphonic and power metal.The Point Of You was mastered by Markus Teske (Vanden Plas, Saga, Spock's Beard)
    $6.00
  • Composer, guitarist and electronics innovator Richard Pinhas is recognized as one of Frances major experimental musicians. A pivotal figure in the development of electronic rock, Pinhas' stature in France is analogous to Tangerine Dream's in Germany: father figure of an entire musical movement. Pinhas first came to public attention as leader of Heldon, whose violent fusion of electronics and guitar is acknowledged to be a precursor of todays industrial music. Between 1974-78, Heldon released 7 highly praised albums that fused electronics and rock music. Starting in 1976, at first simultaneously to Heldon's career, and continuing until 1982, Pinhas released an additional 5 solo albums. When Cuneiform began reissuing the catalogue in 1991, CMJ noted that Fans of Kraftwerk and Neu! owe it to themselves to check out this similarly far-sighted stuff. For the last decade, Pinhas has been developing a system of electronic processing to perform live solo guitar concerts with. Event and Repetitions is over 75' of music performed live in his studio with just guitar and processing systems. The music is rich in depth, detail and texture, and will appeal to fans of musicians such as Aphex Twin, Brian Eno, Robert Fripp, Windy and Carl, Godspeed You Black Emperor, Labradford, Klaus Schulze, Tangerine Dream.
    $15.00