Brain Cycles

SKU: 0093-2
Label:
Alive Naturalsound
Category:
Metal/Hard Rock
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Iowa based power trio discovered by Dan Auerbach of The Black Keys. Radio Moscow guitarist Parker Griggs is more than a little influenced by Jimi Hendrix. Lots of wah wah brain tripping solos with a bit of the blues thrown in for good measure. Fans of old Trower and Cream tighten your seatbelt - this one is a bumpy ride! Highly recommended for those that like to kick out the jamz.

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    $22.00
  • "Amongst the most innovative of underground Krautrock bands who, like Organisation, built the foundation for a new type of music on the cosmic edge of jazz-fusion. Their roots stem back to 1967 as the band Ambition In Music, from Kamp-Lintfort near Düsseldorf, and by 1970 they'd expanded, took on all sorts of influences and ideas, and moved well away from their hippy-rock roots, becoming Annexus Quam.The earliest morsel of Annexus Quam (recorded during the sessions for their debut LP) is the uniquely ethnic "Kollodium", featured on the excellent OHRENSCHMAUS compilation. It's now a rarity worth seeking out, showing their roots, tripping-out like a cosmic Third Ear Band, with a weirdness nod to early Between or Limbus.Their debut album OSMOSE (issued with a lavish novelty multi-fold cover) is most fascinating, even more cosmic than "Kollodium", featuring much guitar and unusual use of jazz instruments (the trombone work is extraordinary, for instance) in what is really a rock based music. A really spacious fusion of avant-garde, rock, jazz, and unusual use of psychedelic studio effects (lots of twangy slap-back echo and ring modulation), somewhere between Ash Ra Tempel and Kollektiv maybe, it's pure head-space music, and is considered by many as one of the finest Ohr albums. For a pointer, take the jazzy instrumental sections of Pink Floyd's "Atom Heart Mother" and turn it Kosmische!After a change in personnel, and much playing at jazz festivals, BEZIEHUNGEN dived head-first into the realms of free-jazz. Admittedly one of the best examples of the genre, it still had its moments, though there are parts that jar and grate (to a non-jazzer that is), with much experimental improvisation akin to early Iskra or Music Improvisation Company." - The Crack In The Cosmic Egg
    $15.00
  • "Remastered by award-winning engineer Andy Jackson, this version comes with new artwork by I Monster’s Jarrod Gosling and a booklet featuring sleeve notes by founder members Tim Bowness and Stephen Bennett.A distinctive combination of 60′s/70′s Progressive influences (Gabriel-era Genesis/Pink Floyd/Soft Machine), Ambient experiments and hard-hitting group improvisations (King Crimson/Mogwai/Miles Davis), the album was released 12 years prior to its critically acclaimed successor Men Singing.Alongside Bennett and Bowness, other contributions come from Brian Eno collaborator Peter Chilvers, No-Man live guitarist Michael Bearpark, Myke Clifford (sax/flute) and Pendragon/Steve Hackett drummer Fudge Smith.Two of the album’s tracks were mixed by Steven Wilson, Tim Bowness’s partner in No-Man.‘A nice blend that takes inspiration from the rich symphonic source of the late 60s-early 70s with references to Genesis, Pink Floyd and Soft Machine and group improvisations a la King Crimson.’IO Pages"Henry Fool came in life out of the coffee shop chats between No-Man's singer Tim Bowness and ex-Lahost/Airbridge's keyboardist Stephen Bennett to come up with a project indicating their music influences as youngsters.Henry Fool officially formed in spring 2000 with the two men gathering also bassist Peter Chilvers, Pendragon's drummer Fudge Smith, guitarist Michael Bearpark (known also for his work with No-Man) and woodwind player Myke Clifford.The project recorded its debut at Chaos Studios in Norwich and at the Music Farm in the hamlet of Lenwade between March 2000 and April 2001 and the album was eventually released on the Cyclops label.The album contains 16 short tracks connected to each other and making a long composition, which passes through extremely different soundscapes and each drawing influences from a mass of music styles.These unrelated textures will definitely surprise the listener in a positive way, though this is the same reason the album lacks in coherence.With Bowness as the leading figure ''Henry Fool'' contains lots of ambiental/psychedelic textures akin to NO-MAN with hypnotic guitars, dreamy flutes, distorted electronics/sound effects and sensitive vocals creating calm, chill-out images.The psychedelic vibes do not stop here, there are also a couple of more upbeat moments with solid grooves and jams, very much in a Kraut Rock enviroment, led by impressive guitars and a powerful rhythm section.The more Classic Prog-oriented tracks feature always the presence of Bennett.Loads of Mellotron, refined electric piano and light organ themes recall the 70's Prog Rock era, mainly influenced by KING CRIMSON, offering dark but well-crafted soundscapes with an orchestral mood.The next leading figure of the album seems to be Myke Clifford and his sax.Many moments in ''Henry Fool'' are led by his strong sax experiments with evident VAN DER GRAAF GENERATOR and EMBRYO inspirations, somewhere between Psych/Prog and Kraut/Jazz Rock.Beautiful performances with an obvious jazzy approach, much in a loose mood.This album should be easily regarded as a nice trip into the world of NO-MAN's music and the Classic Prog ages.Alternating calm and nervous passages result a work of a documentary character as a whole.Not a masterful album, but definitely an original and pleasant listening.Recommended." - ProgArchives
    $16.00
  • "The Prog Rock supergroup whose debut became the surprise hit of 2012 returns with a brand new album featuring an even more impressive lineup of stellar musicians and artists lending their talents to this incredible project!Features performances by mindblowing musicians Steve Stevens, Rick Wakeman, Steve Morse, Peter Banks (in his final appearance) as well as Captain Kirk himself William Shatner, PLUS members of Yes, Dream Theater, Nektar Asia, Gong and more!Deluxe digipak packaging!Performed by:Rick Wakeman Steve Stevens Chris Squire Peter Banks Steve Morse Larry Fast Alan Parsons Sonja Kristina Jordan Rudess Steve Hillage John Wesley Nik Turner Geoff Downes Roye Albrighton Gary Green Tony Kaye William Shatner Colin Moulding Mel Collins John Wetton Derek Sherinian Billy Sherwood Fee Waybill Patrick Moraz Jim Cuomo "
    $15.00
  • "For the first time ever, Annie Haslam of Renaissance has gone back to her archives, and has located the much rumored pristine 1978 concert recording at Philly’s most famous venue The Tower Theatre. This incredible performance includes wonderful favorites like Carpet Of The Sun, and several lengthy tracks like the fifteen minute Can You Hear Me, as well as more tracks from all of their key albums like Ashes Are Burning, Turn Of The Cards and Novella. Include new liners from the band, as well as unique artwork graphics designed by Annie herself!"
    $14.00
  • Killer one off from Italy. Originally released in 1972, Scolopendra is one of the rarest Italian prog albums. The band was led by keyboardist Patrizio Alluminio. He slays the mighty Hammond in the tradition of Keith Emerson. This isn't to say that its all keyboards. There are some nice fuzzy guitar bits all over. One of my favorite Italian albums.
    $16.00
  • Legit reissue of the only album this Texas based fusion band recorded. Electromagnets are most notable for their guitarist, Eric Johnson, who became kind of famous. Quite brilliant and essential for any fans who digs a head on musical collision between The Dregs and Mahavishnu Orchestra. Highly recommended.
    $9.00
  • AlieNatura is the second album from this superb band playing in the classic "rock progressivo italiano" style.  The band is led by keyboardist Elisa Montaldo, who is as impressive on the ears as she is on the eyes (pardon the sexist comment).  One of the strong points of the band's debut was the inclusion in the lineup of former Museo Rosenbach vocalist Lupi Galifi.  With MR reforming he's left Il Tempio Delle Clessidre.  The obvious concern is who could fill his shoes?  Apparently the unknown Francesco Ciapica.  Truth is he does a fine job.  The guy can sing.  He has that expressive style that fits this music so perfectly.  Beautiful symphonic keyboards, liquid guitar runs, phat Moog solos - this band has the sound down pat.  The Italian scene seems to be burgeoning with new RPI bands and I would classify Il Tempio Delle Clessidre right up there with La Maschera Di Cera.  That's saying something.  BUY OR DIE!
    $16.00
  • "First Alcoholocaust and now Narcotica. Sense a theme? No wonder the two members of Invisigoth — Cage on all instruments and Viggo Domino on all vocals — call this their "headphone record." And while hearing it under the influence of something might enhance the listening experience, it's already pretty potent.More melodic and less gothic than its predecessor, Narcotica presents nine songs that echo Peter Gabriel, Pink Floyd, Porcupine Tree and the Flower Kings while still retaining their originality. This is tough music to slot into any neat category, making for adventurous and rewarding listening. Five shorter pieces — including the groovy rocker "Scars and Dust" and the seductive, thought-provoking "Pornocopia" — allow Domino to stretch his voice and Cage to work within more structured musical settings. Those songs are sandwiched between a four-part epic called "Dark Highway." Two parts each begin and end the album, and they each average about 10 minutes, pulsing with Middle-Eastern swirls, symphonic elements and dramatic sonic imagery, The entire piece easily is this duo's most ambitious work, brought down only slightly by some strange spoken-word passages.Taken as a whole, Narcotica emerges as a moody and textured album. It's at once complex and accessible, dense and sparse at the same time, and wholly intoxicating." - Sea Of Tranquility
    $3.00
  • ""In 1963, Miles Davis was at a transitional point in his career, without a regular group and wondering what his future musical direction would be. At the time he recorded the music heard on this CD, he was in the process of forming a new band, as can be seen from the personnel: tenor saxophonist George Coleman, Victor Feldman (who turned down the job) and Herbie Hancock on pianos, bassist Ron Carter, and Frank Butler and Tony Williams on drums. Recorded at two separate sessions, this set is highlighted by the classic "Seven Steps to Heaven," "Joshua," and slow passionate versions of "Basin Street Blues" and "Baby Won't You Please Come Home." The 20-bit remastered version issued by Sony's Legacy imprint in 2005 includes two rather startling bonus tracks from the original sessions that were not included on the LP or previous CD releases; they are the beautiful "So Near, So Far," and "Summer Night."" - All Music Guide" - All Music Guide
    $5.00
  • Second album from this (almost) all girl band from Norway. Octavia Sperati have been categorized as doom but that's only a small component of their sound. There is more of a gothic atmosphere present that evokes the feel of the early Anneke period Gathering discs. I dig this mucho. Highly recommended.
    $8.00
  • "It is summer and it's hot in California. For the recording musician it means that air conditioners are causing problems and are generally too loud. So, the musician can either sit on their ass and do nothing or simply switch gears and record an album with sounds that are louder than the air conditioners. This is what Henning Pauly decided to do when he realized that moving on to his rock-opera "Babysteps" was not possible right now. He called up the singer of the new band of his bandmates from Chain, Transmission, in Germany and asked if he was available. Juan Roos immediately said yes to the project, but he only had a two week window and it was two weeks from that phone call. Henning loves deadlines and so he started writing to have the album written and recorded, minus vocals, within two weeks.Henning describes Juan's voice as a perfect blend between Geoff Tate and David Coverdale: "Juan can give you the high stuff, but he can also be really raspy and rocky...his voice just kicks you square in the nuts!"Because of the very limited time frame for the conception and production of "Credit where credit is due" Henning asked his proven writing team to join in when it comes to lyrics and melodies, so Matt Cash is on board again, as are Edward Heppenstall and Jason McSheehy. Several songs on the album loosely deal with the world of rockstars, scandals and getting credit for what one has done. No need, really, to point out here that everyone involved will get credit where credit is due.The music is loud, heavy and realism has been shoved behind production value on the list of priorities. Heavy Industrial Drum sounds are interspersed with acoustic sets. The banjo finds its way into metal again and sometimes you can draw clear parallels to the work of Trent Reznor and Marylin Manson. There's more to it than just that, but the production is clearly more modern than anything Henning is done so far.This CD was about having fun with music and production and it gives Henning a chance to be back in the studio and have fun doing what he loves the most...making music, not talking about it."
    $3.00
  • "Forget the NWOBHM band name, CD title and cover art: Invisigoth's Alcoholocaust is not New Wave of British Heavy Metal. In fact, it's the antithesis of that. And it's actually quite terrifying, in a laid-back, arty sort of way. Think Porcupine Tree or Blackfield providing the soundtrack to slow torture. Yet, this is an engaging and imminently listenable spin. Consisting entirely of two members — Cage on all instruments and Viggo Domino on all vocals — Invisigoth sets out to make a primal musical statement with foundations in esoteric philosophy, hedonism and psychedelics. Domino takes his voice in so many multiple and moody directions that he often sounds like more than one vocalist, and Cage deserves a drink for his ability to make music epic, dense and sparse (and then somehow piece it all together effectively). The duo throws in a Led Zeppelin cover at the end, for some reason. Ultimately, this is one for goths, proggers and rockers that will leave them with a sense of uncomfortable satisfaction." - Sea Of Tranquility
    $3.00
  • "Lemmy Kilmister had been leading Motörhead for 16 years by the time 1916 was recorded in 1991. Over the years, Motörhead had experienced more than its share of personnel changes -- and in fact, Kilmister was its only remaining original member. But the band's sound hadn't changed much, and time hadn't made its sledgehammer approach any less appealing. As sobering as his reflections on the horrors of World War I are on the title song, he's unapologetically amusing on "Going to Brazil," "Angel City" (an ode to the "beautiful" party people of L.A.), and "Ramones" (which salutes the New York punk band). Whether the subject matter is humorously fun or more serious, Motörhead is as inspired as ever on 1916." - Allmusic Guide
    $5.00