The Atomized Dream (BLOW OUT PRICE!)

The Atomized Dream (BLOW OUT PRICE!)

BY Canvas Solaris

(Customer Reviews)
$4.00
$ 2.40
SKU: SR3043-CL
Label:
Sensory Records
Category:
Technical Metal
Add to wishlist 

“The Atomized Dream” is the fourth full length release from this Georgia based instrumental metal band. With a new expanded lineup, the Canvas Solaris “sound” continues to evolve.

The band has shown tremendous growth since their beginnings in 1999, evolving out of the death metal/mathcore scene. Dropping their vocalist along the way the band decided to emphasize intricate arrangements, creating compositions that only the most adept musicians could play. Canvas Solaris’ music resonated equally with fans of technical metal co-horts Behold The Arctopus and Spastic Ink as well as bands like Don Caballero and Dillinger Escape Plan.

Following the recording of their third album, Cortical Tectonics, the lineup saw a radical change. Band founders Nathan Sapp (guitars) and Hunter Ginn (drums) replaced departing guitarist/bassist Ben Simpkins with 3 new members. Joining are Chris Rushing (guitars), Donnie Smith (analog synth), and Gael Pirlot (bass). While the core sound has remained these new members have clearly made their mark. Keyboards now play a more prominent role, while the twin guitar interplay is mesmerizing. The band continues to contrast hyper-technical metal passages with spacey and quiet acoustic based interludes.

A recent tour with Behold The Arctopus and Dyshrythmia brought attention to the band and they plan on continuing the momentum with additional shows in 2008.

The band is always interested in presenting their work with interesting graphics. They are honored to have noted low brow artist Mars-1 provide the cover art. Once again the album was produced by Jamie King (Between The Buried and Me) and mastered by Grammy winning engineer Bob Katz.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • "Dutch symphonic rock band WITHIN TEMPTATION are thrilled to unveil a new live DVD/Blu-ray/2CD. ‘Let Us Burn – Elements & Hydra Live In Concert’ is set for release on November 14 and features two of WITHIN TEMPTATION’s most talked about arena shows ever. The two dates are 2012’s resplendent 15th birthday ‘Elements’ concert and the final night of the ‘Hydra’ European arena tour at Amsterdam’s Heineken Music Hall in May 2014. When it comes to the live experience, Within Temptation’s status is of a league extraordinaire. These two performances showcase every nuance of their fierce reputation plus stunning imagery and special FX, including even giant fire-breathing dragons!In November 2012, WITHIN TEMPTATION challenged themselves to create one of their most impressive arena shows ever, to celebrate the band’s 15th birthday. The result was the one-off symphonic ‘Elements’ show, held at the Sportpaleis in Antwerp. A dazzling event with 15,000 fans, the band’s dream came to life. Newly inspired, the group went forth to write their critically acclaimed sixth studio album ‘Hydra’.n early 2014, WITHIN TEMPTATION unleashed ‘Hydra’. This monster record claimed more than 10 European Top-10 chart positions, a #2 position in the iTunes World Charts, and the band’s highest US Billboard Top-20 chart position to date. The album success was followed by a 33-date European arena tour, selling out noted venues like Wembley Arena in London, Le Zenith in Paris, and the legendary Heineken Music Hall in Amsterdam (twice).Over 15,000 fans joined the ‘Elements’ show celebrations and more than 120,000 fans witnessed the ‘Hydra’ beast on stage in Europe, but WITHIN TEMPTATION is far from done. The ‘Hydra’ world tour is currently in full swing in North America. With South America and Japan still to come, more than half a million fans will have seen WITHIN TEMPTATION by the end of this year.WITHIN TEMPTATION is renowned for releasing impressive live DVDs. Previous release, the best-selling ‘Black Symphony’ DVD, helped make them one of the most popular bands in their genre. At their recent Awards show in Berlin, Metal Hammer Germany presented WITHIN TEMPTATION with the prestigious Best Live Band Award. The new DVD underlines this title.‘Let Us Burn – Elements & Hydra Live In Concert’ will be released in four formats – DVD + 2CD, Blu-ray + 2CD, 2CD, and digital album. The DVD and Blu-ray contain 34 live audio visual tracks in HD, mixed in 5.1 Dolby Surround. The 2CD and digital album comprise 32 live audio tracks. The two shows have a running time total of approximately 170 minutes. ‘Let Us Burn – Elements & Hydra Live In Concert’ is a treat for rock fans all over the world."
    $9.00
  • Dream Theater began their mammoth A Dramatic Tour Of Events world trek in July 2011 with the final leg in South America taking place in August 2012. It was here at the Luna Park arena in Buenos Aires, Argentina that they decided to film the two nights that go to make up this DVD release. It was Dream Theater's first tour with new drummer Mike Mangini and all the tracks from their first album together A Dramatic Turn Of Events are included in either the main show or the bonus performances. Dream Theater are rock s supreme virtuosos with many awards to their name and here in concert they bring all the power and drama of their music to life with breathtaking performances of classic tracks from across their career.Features many of their classic tracks including: Metropolis Pt. 1 , The Silent Man , Pull Me Under , The Root Of All Evil , The Test That Stumped Them All , The Spirit Carries On and the recent On The Backs Of Angels .Bonus FeaturesDocumentary / Trailer / Behind The Scenes / Cartoon IntroTrack ListingDVDDisc One Main Show1) Bridges In The Sky 2) 6:00 3) The Dark Eternal Night 4) This Is The Life 5) The Root Of All Evil 6) Lost Not Forgotten 7) Drum Solo 8) A Fortune In Lies 9) The Silent Man 10) Beneath The Surface 11) Outcry 12) Piano Solo 13) Surrounded 14) On The Backs Of Angels 15) War Inside My Head 16) The Test That Stumped Them All 17) Guitar Solo 18) The Spirit Carries On 19) Breaking All Illusions 20) Metropolis Pt. 1Disc Two Bonus Tracks1) These Walls 2) Build Me Up, Break Me Down 3) Caught In A Web 4) Wait For Sleep 5) Far From Heaven 6) Pull Me Under
    $14.00
  • "Ronnie James Dio assembled a new version of Dio for Lock Up the Wolves, to no apparent change in the band's sound. Nevertheless, the group's status in the metal community was beginning to slip, and the album was the lowest-charting Dio record apart from the live Intermission." - All Music Guide
    $5.00
  • This one is a real mindblower.  One of Italy's best bands, La Maschera Di Cera, has created a musical sequel to Le Orme's Felona E Serona.  I can't recall any band ever doing something like this.  Like all of the band's work it remains faithful to the "Rock Progressivo Italiano" sound.  Apart from cleaner sounding sonics it could have easily pass for somethining recorded in 1974.  The music does in fact pick up on some of the core themes and melodices from FeS.  You want 'tron?  You got it!  You want flute?  You got it.  To wrap the whole package together the band licensed the cover art from Lanfranco, the artist responsible for the art for FeS.  So it really does feel like a sequel.  Please note there are actually two versions of the album.  This is the English language edition - it features a slightly different mix than the Italian version.  Highly recommended.
    $20.00
  • "Getting your head and ears around an Andromeda album can be a challenge. It's not that their music is perplexing, but it is often varied and eclectic. Consider the first two songs on their fifth album, Manifest Tyranny. Preemptive Strike is a short introductory piece of mostly heavy and thrash metal. The following Lies R Us slows the pace offering a melodic, yet heavy in parts, prog piece with a great melodic vocal arrangement. It's quite accessible. Okay then ...Expect more than a little intrigue throughout Manifest Tyranny. Stay Unaware offers an abundance of riffage, but also noticeable synth layers and solo. False Flag, the longest cut here, seems a moderation, like heavier prog rock (also noticeable on Survival of the Richest), but shifts and moves with the clever ease you expect from progressive music. Then there's simply some strange stuff. Chosen by God has a muted ethereal vocal arrangement, lots of riffage and synths, which evokes a lighter atmospheric motif. Then there's the integration of words (speeches) from political leaders. (This occurs throughout the album, often to the point of distraction.)The nuance of progressive rock returns later in Go Back to Sleep. It offers a lighter blend of electric and acoustic guitar, with a later synth solo, and some disturbing lyrics. Of note, this song displays David Fremberg's supreme vocal talents. Allowing some more convention and accessibility, Asylum offers complexity but provides a hard rock edge in the guitar solo. Play Dead and Antidote find Andromeda simply offering an arrangement of, sometimes heavy, but certainly complex and delectable progressive metal.With Manifest Tyranny, Andromeda continues to challenge and entertain. This is what a fan of progressive metal should expect: intrigue and enjoyment, and the need for more than one listen. Fans and critics will wonder if it's equal to, or better, than their critically acclaimed first outing Extension of the Wish (2001). Perhaps this is a question left to the fans or, perhaps, those who are braver than me. Strongly recommended." - Dangerdog.com
    $14.00
  • "New album  from Daniel Cavanagh of Anathema, introducing the brilliant Sean Jude.Leafblade was born out of a calling. A calling to bring the writing of Sean Jude towards a wider audience; or so thinks Mr. Cavanagh of Anathema, who originally formed Leafbladewith Jude several years ago.In May 2013 Leafblade release their new album, The Kiss of Spirit and Flesh, on the Kscope label.Daniel and Sean are joined on the new album by Anathema's portuguese multi instrumentalist Daniel Cardoso who plays drums, supported by Kevin Murphy and recorded by Mark Ellis who worked on anathema's 2010 masterpiece, We're Here Because We're Here.Produced by Cavanagh, The Kiss of Spirit and Flesh steps up the dynamics from debut albumBeyond, Beyond.Showcasing Cavanagh's unmistakable production work, his signature electric guitar playing and heartfelt 'musical weaving', all of which is built around Jude's unique and brilliant progressive songwriting, his lute-like nylon strings, his articulate lyrics and passionate vocal delivery.Cavanagh feels that the album has found a natural home at Kscope, the label that he has worked with extensively over the past few years, "the writing is absolutely top class and the progressive and organic nature of the music makes it very much part of Kscope's orbit."He continues; "we feel the album is a special one thanks to the beautiful lyrics, top class arrangements and excellent musicianship, and it should appeal to Anathema fans and progressive fans alike."""
    $15.00
  • Top rarity mined from the Vertigo catalog once again (it was briefly available on CD from Repertoire). Odin was a British band that migrated to Germany where they achieved a modest level of success. Recorded in Germany at Windrose Studios in 1972, the music had a decidedly English feel. In fact the album kicks off with "Life Is Only" a lengthy work out in which Jeff Beers, the band's keyboardist, channels Keith Emerson. Curiously this is followed by a short instrumental called "Tribute To Frank" which can only be a reference to Zappa - the music is a dead ringer for his style of writing. Long Hair Music did another fine job, giving us detailed liner notes and even a near 14 minute live bonus track.
    $18.00
  • Latest studio album from this lethal German band.  SBE was formed by guitarist Christian Peters in 2007.  The quartet (twin guitar, bass, and drums) will deeply satisfy the musicial appetite of any fans of 70s psychedelia, space rock, and doom metal.  They may well be the ultimate stoner rock band.Revelation & Mystery finds the compositions a bit tighter than previous efforts but that's a relative term when the title track runs past the 12 minute mark. Vocals don't interfere too heavily with the acid laced space trippin' guitar work.  Peters sings a bit and then they get down to serious business jamming their way into the cosmos.  If you are fan of early Guru Guru, Hawkwind, and Black Sabbath, or even Deep Purple you need to hear this band.  I got high just looking at the cover art.  This album is a total lease breaker to boot.  BUY OR DIE!  "The second album from Samsara Blues Experiment in as many years, Revelation and Mystery (World in Sound) takes a surprising turn in approach from their Long-Distance Trip debut, distilling the jams of the first record into more structured, song-based material. The tracks of Revelation and Mystery almost exclusively follow verse-chorus-verse patterns, and while part of the joy of listening to a song like “Singata Mystic Queen” from the prior collection was meandering along with it, Samsara Blues Experiment don’t completely lose sight of the journey in favor of the straightforward. Right from its start, Revelation and Mystery sees the four-piece layering guitar effects and infusing their parts with swirls and a spaced-out feel. It’s not that they’ve completely changed their methodology so much as they’ve shifted the balance within their sound. These structural elements were certainly present on Long-Distance Trip, but a cut like the semi-acoustic “Thirsty Moon” shows that Samasara Blues Experiment are able to work within these parameters to grow their songwriting. One gets the sense in listening to opener “Flipside Apocalypse” (which follows a 17-second nameless intro track) that this process is just beginning and that the band are still finding out what they want their sound to be, but that only makes Revelation and Mystery a more immediate, direct experience; the linearity of the album unfolding gradually as the songs move from the straightforward into the more sublimely jammed.Fast-paced rumbling from the bass of Richard Behrens in the surprisingly punkish beginning of “Flipside Apocalypse” is an immediate clue to the changes the last year have brought about in Samsara Blues Experiment. The mood is more active, less calming and chilled out than last time around, and the guitars of Hans Eiselt and Christian Peters – who also handles vocals – seem to be more concerned with riffing out than stacking layers upon layers, though there’s some of that too, even as later in the song a riff straight out of the biker rock milieu shows up and carries the song through to its end. I don’t know if it’s the result in some change in the band’s songwriting process or just how things happened to come out this time, but the change continues through “Hangin’ on the Wire,” which is genuinely hooky and thoroughly in the realm of heavy rock. A crisp production during the solo section brings to mind some of Queens of the Stone Age’s finer moments, and drummer Thomas Vedder locks in with Behrens’ own excellent fills with a few of his own. Peters, though, emerges at the head of the song. His vocals confident and effected in equal measure, he works quickly to establish the verse and chorus patterns, both worthy of sing-alongs, so that by the end, “Hangin’ on the Wire” feels like its earned its handclaps, and though “Into the Black” starts out more ethereal, with extended solo sections and a long instrumental introduction, the shuffle soon takes hold and it proves to be more boogie than nod.But perhaps “Into the Black” is where the band begins their subtle shift into more esoteric sonics, because as the soft strums and plucks and interplay of electric and acoustic guitars take hold on “Thirsty Moon,” the song feels neither out of place nor especially unexpected, which it very well might have if placed earlier on Revelation and Mystery. Peters’ vocal line feels a little rushed during the verse – it’s almost as though there were too many syllables to fit in the line – but the interaction of his and Eiselt’s guitars in the instrumental break and the balance between the guitar and Vedder’s drumming in the mix makes up for any such hiccups. Another chorus feels delivered more appropriately, and the progression cycles through again; solo section into chorus, solo section into chorus. And it’s not until Behrens’ highlight bass line begins “Outside Insight Blues” that it’s apparent just how much Samsara Blues Experiment put into the album’s flow. Added keys allow the guitars to go farther out into sporadic notes without sacrificing fullness of sound, but after about two and a half minutes, there’s a turn into riffier material that carries the groove through the next six. There are a few part changes, but things don’t really feel jammed out until the classic ‘70s boogie meets psychedelia of the last 90 seconds or so, blues harp and all. It’s a shift worthy of Siena Root, and the two-minute interlude “Zwei Schatten im Schatten” (in English, “Two Shadows in the Shadow”) follows suit with an appropriate marriage of Eastern and Western musical traditions with sitar and acoustic six-string. There’s something sweet and solemn in the intertwining melody, and it’s a passing thing on the way to the 12-minute closer, but worth paying attention to in a way that many interludes aren’t.Then, at last, comes the ending title cut. Worthy of its name, “Revelation and Mystery” caps the album with a sense of psychedelic majesty through which Samsara Blues Experiment show their ability to keep hold of a song no matter how deep into space they might also want to push it. The song winds. Its progression is at once driving and subdued, and of all the songs on Revelation and Mystery, it’s probably the best blend of all sides of what’s shown itself to be the band’s current sound. Of course, at 12 minutes, one could easily argue it has time to do and be all these things – with room left over for a bit of that sitar to show up as well among the guitar leads – but still, it’s another display of the maturity Samsara Blues Experiment have been able to take on in a relatively short amount of time (their demo gave first notice in 2008). Some bands need three years to learn and foster growth between their albums, and some bands need to play. If the jump between their first and second records is anything to go by, Samsara Blues Experiment would seem to be the latter. Wherever this stylistic form takes them, I don’t imagine it’ll be too long before we find out, but until then, the 47 minutes of Revelation and Mystery provide a varied and exciting listen worthy of repeat visits. Samsara Blues Experiment continue to progress, continue to impress." - The Obelisk
    $12.00
  • This is so much better than the band's first album it's ridiculous. First off they axed Elisa Martin, who's accent-laden vocals never cut it for me. She was replaced by Max Leclerqe who also sings for Magic Kingdom. The production is way better as well. Basically this is epic fantasy symphonic metal bearing strong similarities to Rhapsody. Wuthering Heights comes to mind at times but this has more of a larger than life feel and none of their folk influences. I'm not always partial to this style since it's been done so often but I found this to be a solid album beginning to end. Highly recommended.
    $12.00
  • Third album from this German retro-prog outfit.  A few seconds into the lead off 21 minute title track and you know you are taking a trip down memory lane.  The album is filled with enough old school keyboard sounds to embarass Tony Banks.  The main cog in the Argos wheel is keyboardist Thomas Klarmann, who also handles fute, bass, lead vocals.  He plays a mean Hammond organ and knows how to squeeze the right sounds out of a Mellotron as well.Genesis is one of the touchstone influences but you will also hear nods to Canterbury, Gentle Giant, VDGG, and hosts more (if you can think of 'em they are here).  These guys aren't going to win any originality contests but it sure is great ear candy.  Highly recommended.
    $15.00
  • "Being around since 2003, the Greeks finally issue their first full length album named “Caught In this Iless Storm”, a very interesting attempt, leaving their mark on the scene. Their previous Demo CD “Asymmetric” has received very good reviews in 2005 leaving great prospect for future. Well, taking first things first it is of high importance to portray the band’s purpose which is to play music in a way that a listener not familiar with the sound can enjoy and at the same time a listener that searches for something more is intrigued. ART OF SIMPLICITY basically play progressive metal, with many elements from jazz and classical music, following paths engraved by great bands such as Pain Of Salvation and Dream Theater, however they have achieved to combine and enhance their music with very interesting ideas resulting to an inspired personal sound. Very good vocals accompanied with well played guitar riffs and solos along with different sounds and instruments such as piano and violin, form a constantly changing environment, describing the band’s purpose to the limit. The production is of high quality standards whereas songwriting is complex enough to satisfy the demanding listener, but at the same time simple enough to leave memorable moments in mind almost from the first listening.Taking into consideration that the band features members from the highly respectable bands Fragile Vastness and Wastefall, it makes no surprise regarding the quality of the album, admitting their very good job in almost every part of this attempt.So, waiting future to confirm their potential, enjoy the ART OF SIMPLICITY…" - Metal Invader
    $6.00
  • One of my favorite albums from Threshold. Damian Wilson is a real standout and the music's subtle celtic underpinning give the album a distinct flavor. New edition comes with 3 bonus tracks.
    $18.00
  • "David T. Chastain has gained a reputation over the last 25 years as a powerful, progressive guitarist whose music has been centered around his melodic and technically fluent fret board mastery. For Those Who Dare, the fifth CHASTAIN album and originally released in 1990, showed David forging into new territory with the finest group of musicians he had ever worked with creating not only the most accessible metal record of his career but also the most inventive.While David did remain the principle songwriter, he admitted that the band’s sound on For Those Who Dare wouldn’t have been the same without David Harbour (bass) and John Luke He’bert (drums) supplying their own individual trademark performances. Besides David’s virtuoso style the other major attribute to CHASTAIN’s instantly distinct sound is vocalist Leather Leone’s superior and ultimately commanding presence.Originally brought together by Shrapnel Records’ Mike Varney, Leather quickly established herself as one of the greatest female heavy metal vocalists of all time appearing on all four previous and critically acclaimed CHASTAIN albums - Mystery Of Illusion (1985), Ruler Of The Wasteland (1986), The 7th Of Never (1987) & Voice Of The Cult (1988). Ever since his recording debut in 1983 David Chastain has been wowing fans with his innovative and technically superb guitar playing. For Those Who Dare is a perfect example that David Chastain was not just a great player, but also a talented songwriter and band leader with an exceptional group of collaborators to help make his melodic visions a reality."
    $12.00
  • Second album of the collaborative effort from Porcupine Tree's Steven Wilson and noted Israeli pop singer Aviv Geffen. The music on this one is a bit mellower than the debut but still cut from a similar cloth.
    $14.00