Angling Feelings

SKU: SPV794723
Label:
Inside Out Music
Category:
Progressive Rock
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Latest from the resurrected Swedish symphonic band continues to sound perilously close to The Flower Kings but with Patrick Lundstrom (Ritual) and Aleena Gibson sharing vocals. A surprising new member is guitarist Per Nilsson from Swedish death/trash metal band Scar Symmetry. He seems quite comfortable hanging with the decidedly softer nature of this music. The great Morgan Agren plays drums and FK/Karmakanic bassist Jonas Reingold is here as well. Keyboardist/leader Hans Lundin holds the whole thing together with as much vintage sounds as you could possibly want.

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    $15.00
  • "Art pop collective The Opium Cartel return after their much-acclaimed debut with their sophomore effort "Ardor". Featuring a stellar cast including No-Man/Henry Fool's Tim Bowness and Stephen Bennett, White Willow/Änglagård drummer Mattias Olsson, as well as members of Wobbler, Jaga Jazzist and Pixel, not to mention two of Norway's foremost vocal talents; Venke Knutson and Alexander Stenerud. The project is helmed by White Willow guitarist/songwriter Jacob Holm-Lupo. While continuing the atmospheric, slo-mo proggy pop sound of the first album, this new album is a somewhat different beast, taking inspiration from 80's art pop icons like The Blue Nile, Japan, Peter Gabriel and Kate Bush, as well as drawing on the contemporary electronic pop of bands like M83. This will also appeal to fans of adventurous indie acts like Field Music, Everything Everything, Sunset Rubdown and The Week That Was." 
    $16.00
  • We've had a hell of a time getting our hands on this album but its finally here and more than worthy of your attention.  In fact this is an album that is going to ride high on many 2014 top 10 album lists.This is the first full length release from this six piece band based out of Bergen, Norway.  The core sound of the band is rooted in classic progressive rock.  Think in terms of the aggressive side of Van Der Graaf Generator and King Crimson.  But there is more at play here.  A strong jazz element is at play as well.  I'm reminded of Jaga Jazzist and perhaps a bit of Frank Zappa and Mr. Bungle.  There is no doubt we are going to hear quite a bit from this band in the future.  BUY OR DIE!"An impressive album of refreshingly unique music that crosses many sub genres, including space-psychedelia, symphonic, heavy prog, avant-jazz and experimental/post metal. Wonderful vocals, very tight interplay among all band members with no one member or instrument really standing above any other--though the presence and performance of the saxophone is highly notable. This is complex music played so tightly. And the astonishing 14- minute epic, "God Left Us for A Black Dressed Woman," must be heard to be believed.1. "Oh My Gravity" (9:49) starts as a jazzy stop-and-start piece that picks up in intensity in the second minute before shifting to a melodic ballad in the vein of the heavier side of FROGG CAFÉ. The male vocalist sounds to me like something between RADIOHEAD's THOM YORKE and TODD RUNDGREN. Around the six minute mark the spiraling, swooning music sounds a lot like some of the louder stuff from MOTORPSYCHO's The Death Defying Unicorn. This feel continues into the seventh minute when organ and horns take turns embellishing the staccato music. The bare-bones, bluesy final 45 seconds is bizarre but so cool! A powerful and surprising opener to this unusual album. Very high marks for compositional prowess and instrumental performance. (9/10)2. "Wind Shears" (6:32) opens in a very psychedelia/spacey 1960s way. Then at the one minute mark it settles into a jazz groove with first sax and then jazzy guitar and Hammond organ filling the lanes over the rhythm section. Clavinet is added for a GentleGiant-like bridge before a polyrhythmic KING CRIMSON "Discipline"-like weave appears to support a brief ghost-like vocal. At 3:20 the sound gets much heavier over the same arpeggiated weave, nearly drowning out the still-soloing sax and organ. This is just like TOBY DRIVER (Kayo Dot/Maudlin of the Well)! At 4:05 things get quiet and sparse again, with the music vacillating from soft and delicate to heavy and abrasive. A very melodic kind of psychedelic big band section plays out for the final minute. Again, bizarre but so cool! (9/10)3. "Eschaton Hero" (8:29) opens with some guitar, keys & sax riffs repeated over latin percussion. At 1:00 everything settles down into another quiet section with a delicate vocal in Stian Økland's upper register. Beautiful chorus/bridge at 1:47 gives way to an unpretentious bass solo before settling back into the delicate vocal music. Same awesome bridge at 2:49 leads into a heavy section into jazzy chaos--all performed over the most simple, calm drum play. At 4:52 it gets even heavier as it plods along for a minute in support of a fuzz guitar solo. Finally the drums start to play--to match the frenzy of the rest of the band--then everything stops so the band can yell "Yay!" Then a variation on the previous frenzy picks back up until 7:05 when everything settles back down into the soft groove of the initial vocal section for a dirty sax solo before letting Stian finish the song out in his high voice. Well conceived and performed, just not my favorite. (7/10)4. "Extraction" (6:34) begins with another odd intro of two or three parts before settling into the vocal support section--which begins heavily before falling into another RADIOHEAD-like bluesy section. At 2:20 a neat Hammond section leads back into the heavy full band section that opened the vocals, then, again, drops off for the beautiful support of a multi-voice- supported section. At 3:45 a very smooth, stripped down electric guitar solos, until there is a full return to explosiveness at 4:20. A bouncy "O Yo Como Va"-like Hammond section at 4:40 gives way to a kind of Latin weave before falling back into the heavier rock weave from the first vocal section to end. (8/10)5. "God Left Us for A Black Dressed Woman" (14:12) opens with another KC "Discipline"-like weave that morphs and flows, polymorphs and grooves for two and a half minutes before decaying into a simplified form for a bluesy ROBERT PLANT-like vocal section. This song's amazing vocal performance could also be compared to some of the finest MATTHEW PARMENTER/DISCIPLINE works. Some incredibly powerful sections in this song--especially the multi-voice vocals in the eleventh minute and the following heavy full-band part. A very DISCIPLINE-like soft section then ensues with a slow build to an awesome crescendo and frizzed finish. The song evolves, shifts, twists and turns and surprises throughout. Again there are several parts that remind me of MOTORPSYCHO's Unicorn. Without question this is one of the best prog "epics" of the year! (10/10)Aside from the above references to Motorpsycho, King Crimson, Radiohead, Toby Driver, Matthew Parmenter/Discipline, the overall impression this album leaves me with is similar to that of DIAGONAL's eponymously titled debut album from 2008. SEVEN IMPALE's City of the Sun is a wonderful collection of masterfully composed, executed and recorded songs.A 4.5 star album that I can't see giving anything less than five in that it is a treasure for the ages!" - Prog Archives
    $14.00
  • "Suddenly, Polish progressive-rock bands are infiltrating the international scene. While many of them are reaching new audiences thanks to the rise of the homeland's Metal Mind Productions, ProgRock Records in the United States managed to nab one of the best. Sandstone initially was formed in 2001 without a keyboard player. But as the band's sound evolved into a hybrid of neo-progressive and progressive-metal music – think, maybe, Arena meets Dream Theater – the quartet quickly realized it needed keys to add texture and depth to its songs.Sandstone's debut, Looking For Myself, is an expansive, six-song journey chronicling one man's struggle for nothing more than to love and to be loved. It sounds more upbeat than Riverside (arguably one of the biggest acts to come out of Poland in recent years) and less technical than Dream Theater. But the sheer ambition of these songs – only one of which clocks in at shorter than seven and a half minutes – propels Looking For Myself into the ranks of those debut discs that leave listeners not only wanting more but also wondering where else the band could take the music. The best indication of Sandstone's capabilities can be heard on "Birth of My Soul," which opens with clear and concise soloing from guitarist Jarek Niecikowski and eventually reaches David Gilmour aspirations near the song's conclusion. Vocalist Marcin Zmorzynski's thick accent is a minor distraction early on, but getting used to it is easy.As is listening to this album." - Sea Of Tranquility
    $3.00
  • Queen of AOR/hard rock is more appropos.
    $10.00
  • “You can expect a beefy rock album, freak style. I think that Cooking with Pagans finally has the sound and energy of Freak Kitchen live; the energy and rawness. It is anything but overproduced, stripped down, drums, bass and guitar. To the point.” – Mattias “IA” EklundhIt has been 5 years since Freak Kitchen graced us with a new album.  Since the release of 2009’s Land Of The Freaks, the band has toured the world – making stops in Europe, USA, and Asia along the way.  Finally the band was able to settle down in their home base of Sweden to record the long awaited follow up Cooking With Pagans.The album finds the band collaborating with Blacksad comic book creator and former Disney animator Juanjo Guarnido.  In addition to creating the amazing packaging for the album, Mr. Guarnido has created an incredible animated video to support the album release.Freak Kitchen consists of world renowned guitarist Mattias “IA” Eklundh, bassist Christer Ortefors and drummer Bjorn Fryklund, The trio offers an intense blend of progressive metal and rock, often served up with a wicked dose of humor.  RIYL Frank Zappa, Steve Vai, and Bumblefoot. 
    $14.00
  • Stunning Italian progressive band similar to PFM. One of the best.  Housed in a gatefold mini-lp sleeve.  Essential.
    $18.00
  • Third album from this fantastic Swedish modern progressive rock band. The music of Beardfish owes a stricking similarity to the recently defunct Anti-Depressive Delivery. It's a quirky mix of modern rock heavily infused with classic progressive sounds. Prog rock fans complain about the genre's inability to break out of a niche cult market - well it's bands like Beardfish that can do it - so don't kvetch - just support these guys. Intelligent contemporary progressive music that should appeal to both old and new school prog fans. Highest recommendation.
    $12.00
  • "Symphonic Power/Progressive metal group Wind Rose are sure to impress with this epic new album Wardens Of The West Wind. If you appreciate groups like the rousing metal bands Fairyland and Blind Guardian then I do suggest that you give Wind Rose a go.This is their second full-length album, and although I haven't heard Wind Roses's first Shadows Over Lothadruin from what I have read as impressive as that album was the Italian band has stepped up their game with Wardens Of The West Wind. That very cool cover art is by Felipe Machado Franco his other work can be seen on metal albums by the likes of Blind Guardian, Brainstorm, Rage and Rhapsody Of Fire. Bass player/producer Cristiano Bertocchi a former member of the prominent Italian metal groups Labyrinth and Vision Divine had also spent time working with Wind Rose and he joined the band in 2014.Folk ingredients are present and with the inviting sounds of traditional instruments and male chants on "Where Dawn And Shadows Begin" this is the precursor to some rather spirited metal on "Age Of Conquest". "Heavenly Minds" is very memorable with a touch of Symphony X in the chorus. Though the band is inspired by Symphony X and also Blind Guardian and Dream Theater. Wind Rose's songs really captivate, Francesco Cavalieri's excellent lead and those male group vocals are very likeable and they are integrated to great effect. The musical side of Wind Rose is also riveting with a fair degree of complexity, power and that symphonic charm plus while yes it's present Wind Rose's songs aren't constantly locked in rapid metal mode.The longest track a potent epic called "Skull and Crossbones" is just over seven minutes, but there is no need for those over extended songs on Wardens Of The West Wind when the ten on offer should more satisfy your epic musical needs. Wardens Of The Wind should go a long way to ensure a steady increase in the number of Wind Rose fans." - Sea Of Tranquility
    $15.00
  • Mutum is a phenomenal gothic metal band from Monterrey, Mexico.  Fronted by Myrthala Bray, the band creates an epic, symphonic metal sound very much from the same mold as Epica, After Forever, and Delain. Ms. Bray has a great voice (and looks to match) for this style of music.  The music has a bit of speed to it and there are some nice orchestrations that gives the music a larger than life feel.  Apparently 60 musicians were involved in the recording and it sounds it!  In an oversaturated female fronted metal scene, Mutum has immediately rises above the pack with their debut.  Highly recommended.
    $13.00
  • One of the great Italian symphonic prog albums of the 70s. Recommended to fans of Banco and PFM. New mini-lp sleeve edition from Vinyl Magic.
    $18.00
  • "David T. Chastain has gained a reputation over the last 25 years as a powerful, progressive guitarist whose music has been centered around his melodic and technically fluent fret board mastery. For Those Who Dare, the fifth CHASTAIN album and originally released in 1990, showed David forging into new territory with the finest group of musicians he had ever worked with creating not only the most accessible metal record of his career but also the most inventive.While David did remain the principle songwriter, he admitted that the band’s sound on For Those Who Dare wouldn’t have been the same without David Harbour (bass) and John Luke He’bert (drums) supplying their own individual trademark performances. Besides David’s virtuoso style the other major attribute to CHASTAIN’s instantly distinct sound is vocalist Leather Leone’s superior and ultimately commanding presence.Originally brought together by Shrapnel Records’ Mike Varney, Leather quickly established herself as one of the greatest female heavy metal vocalists of all time appearing on all four previous and critically acclaimed CHASTAIN albums - Mystery Of Illusion (1985), Ruler Of The Wasteland (1986), The 7th Of Never (1987) & Voice Of The Cult (1988). Ever since his recording debut in 1983 David Chastain has been wowing fans with his innovative and technically superb guitar playing. For Those Who Dare is a perfect example that David Chastain was not just a great player, but also a talented songwriter and band leader with an exceptional group of collaborators to help make his melodic visions a reality."
    $12.00
  • Cheap price for the domestic pressing of the classic Mk II album.  Has "Strange Kind Of Woman".  How bad can it be?
    $5.00