Alice Cooper Goes To Hell ($5 SPECIAL)

"Following the success of his first solo album, Welcome to My Nightmare, Alice Cooper followed it up with another concept album, Goes to Hell, similar in style to its predecessor. Again, longtime Alice producer Bob Ezrin was on board, and while there are a few highlights, Goes to Hell signaled an Alice era where he pretty much forsook the raw garage rock of his early days (Killer, School's Out) in favor of polished studio glitz. That said, the title track is worthy of any headbanger's time (and remains one of Cooper's most overlooked rock tunes), while "I Never Cry" was another Alice ballad that found a place near the top of the charts. Other highlights include such tracks as the disco-rock-boogie of "You Gotta Dance" and the laid-back yet sinister funk groove of "I'm the Coolest." Elsewhere, the musical experiments aren't as successful -- the old-time sounds of "Give the Kid a Break," "I'm Always Chasing Rainbows," and the album-closing "Going Home" are about as far removed from the expected hard-rocking AC direction as you can get. And while the rocker "Wish You Were Here" would become a late-'70s concert standard for the Coop, the original studio version lacks the firepower the song achieved on the stage. Alice was supposed to follow up the album's release with another highly theatrical stage show (following the cue of his first solo tour in 1975), but an illness squashed the tour altogether. Despite its missteps, the gold-certified Goes to Hell would prove to be Alice's most commercially successful solo album for quite some time." - All Music Guide

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • NEW REMASTERED EDITION PACKED WITH BONUS TRACKS!!Highly Strung found former Darryl Way's Wolf drummer Ian Mosley on board and it was a big improvement. As was typical of Hackett's work at this point it was a bit uneven - the high points being extremely high with the pop bits not being nearly as successful. Regardless I can listen to him play guitar any time or any place. Remastered set includes three bonus tracks as well as interesting liner notes from Steve Hackett.
    $12.00
  • A Liquid Landscape from The Netherlands is a bit of a departure for The Laser's Edge. Their slice of post-progressive music has a contemporary edge that finds them sitting alongside bands like Dredg, Anathema, and Porcupine Tree. The band has been a live act for several years and shared the stage with bands like Karnivool (AUS), Anathema (UK),Thrice (US) and Riverside (Poland).During the past year the band also was a finalist at the prestigious annual Dutch Grand Prize contest and on top of that they had 3 sold out Noorderzon gigs, featuring a stunning visual show.With all the material they had written, the band reached out to Forrester Savell (Karnivool, Helmet). Forrester liked the material a lot and he agreed on mixing the album and doing some production work as well.‘Nightingale Express’ is a concept album. This inspired moviemaker Lex Vesseur to make a short movie with music from the album. He also made the artwork and the visuals for the live show. So both the music and the film return in an interactive rock show with a live VJ.Washed up, tired and staggering across a beach in the early hours of the morning. Somewhere in the twilight between desperation and surrender, there is still a glimmer of hope. That sense that everything will be alright, no matter what the odds are. This is what A Liquid Landscape sounds like. 
    $8.00
  • his is one of their best releases. It was primarily composed by the band's keyboardist Jukka Gustavson. The jazzy undercurrents evoke a suble Canterbury/Caravan feel but some of vocal stylings of Pembroke and Gustavson remind one of Peter Gabriel on Selling England By The Pound."Considered by many as Wigwam's most ambitious work, Being was originally released in 1974. The album was partially remixed and remastered in 2001, and this latter version is considered superior by the group's mastermind behind the album concept, Jukka Gustavson.When we at Svart began planning the Being reissue, we were faced with the problem of whether to base the vinyl on the original version or the 2001 version, both somewhat different from each other. Eventually we decided to expand the album to a double vinyl, with the 1st LP being as close to the 1974 version as possible, and the 2nd LP presenting the 2001 edition on vinyl for the first time.The original vinyl release featured two booklets, one in English and the other in Finnish. Our version has the contents of both + unreleased photos + a new interview with Jukka Gustavson in one massive booklet."
    $28.00
  • "When one thinks of countries that are a hotbed of prog metal bands, places such as Norway, Sweden, and Finland come to mind. However the Land Down Undah’ otherwise known as Australia has been churning out amazing prog metal bands for the past decade. Bands such as Hemina, Voyager, Lord, Carnivool, Caligula’s Horse, Teramaze and Melbourne’s Vanishing Point have been wowing the prog metal scene for the past decade. It’s been seven long years since the release of Vanishing Point’s The Fourth Season, but the melodic metal quintet consisting of Silvio Massaro (Vocals), Chris Porcianko and James Maier (Guitars), Simon Best (Bass), and Christian Nativo (Drums) have finally returned with their fifth studio album Distant Is The Sun on AFM Records. The band has stayed true to their unique blend of progressive, power, AOR metal and have secured the talents of Sebastian “Seeb” Levermann of Ordan Ogen for mixing duites on Distant Is The Sun. Picking up right where The Fourth Season left off, the musicianship and songwriting on Distant Is The Sun is exceptional.The album kicks off with the short instrumental track Beyond Redemption and powers right into the first song King of Empty Promises. The double bass drum attack from Nativo and melodic keyboards lead the way and the harmonious soaring vocals during the chorus are a perfect way to officially start the album.The title track is next and begins with a heavy groove and transforms into a light piano tinged verses with Massaro’s impressive vocals leading to a catchy and melodic chorus. The twin guitar harmony lead attack from Porcianko and Maier is a thing of beauty during the solo section.Symphonic keys signify the start of When Truth Lies, an epic slab of energetic melodic progressive metal with a driving headbanging beat. Sonata Arctica frontman Tony Kaako lends his melodic pipes to the fast and furious power metal of Circle of Fire. Kaako and Massaro’s vocals compliment each other extremely well and create an amazing metal duet.The keyboard prominence on Denied Deliverance is pronounced in the mix but never overshadows the heaviness of the track, it just adds to the overall melody of the song. A blazing guitar solo section highlights the middle portion of another stellar song. Let the River Run has an impeccable acappella vocal harmony section that begins this mid tempo metal gem. The beautiful vocals during the chorus will be stuck in your head for days after listening.The album slows down for the piano based Story of Misery but don’t be fooled into thinking this is a traditional power ballad. The emphasis is on POWER with a emotive vocal performance from Massaro. Era Zero speeds things right back up with a frenzied double kick attack with plenty of soaring melodic vocals throughout and a shredding guitar solo from the tandem of Porcianko/Maier and culminates in a symphonic ending and bursts right into Pillars of Sand which keeps the hard and fast metal flowing.The eerie keyboard intro of As December Fades melds into a Maiden-esque guitar harmony and a glorious AOR sounding chorus with a symphonic element that is reminiscent of Within Temptation. A bright piano melody signals the beginning of Handful of Hope. Once again Massaro gets his chance to shine with an impressive vocal performance filled with passion and emotion. The bands penchant for writing catchy power metal is on display on Walls of Silence. The brilliant symphonic melodies and heavy guitar compliment each other perfectly. The album closes with the acoustic guitar tinged instrument titled April, an understated yet effective piece of music with a keyboard accompaniment underneath in the mix. It is a curious choice to end the album, but well done nonetheless.After a seven-year absence, the world of melodic prog welcomes back Vanishing Point with open arms and hopefully Distant Is The Sun will shoot the band to the next level of popularity outside their native Australia. This goes to show that like a fine wine, Vanishing Point only improves with age!" - Lady Obscure
    $15.00
  • Classic album from 1981 recut on 180 gram yellow vinyl.  Comes with a bonus 12 inch with remixes of "Strangeitude" and "Sploosh!" by Eat Static and Youth&Simon.
    $24.00
  • Jabs is settling in and it feels pretty good.  This one doesn't quite hit the heights of Lovedrive but all in all not a bad hard rock album.
    $5.00
  • Cynthesis is a new band that reunites three of the original members of Zero Hour (Jasun and Troy Tipton, and Erik Rosvold) along with Enchant drummer Sean Flanagan.ReEvolution is the middle part of a dystopian trilogy begun with 2011’s DeEvolution. The central character, a shaman, is sent out to gather more slaves. He comes across a tribe and senses a light within them that triggers a distant memory of his past.  He realizes this is the original tribe he was taken from.  He brings them back to the city and encounters what was done to the population and sets them free.While Cynthesis maintains much of the Zero Hour tech metal influence, it also demonstrates the more melodic and atmospheric side of Jasun Tipton’s songwriting.  ReEvolution will appeal to fans of both progressive rock and metal.
    $13.00
  • Remastered edition."Brothers in Arms brought the atmospheric, jazz-rock inclinations of Love Over Gold into a pop setting, resulting in a surprise international best-seller. Of course, the success of Brothers in Arms was helped considerably by the clever computer-animated video for "Money for Nothing," a sardonic attack on MTV. But what kept the record selling was Mark Knopfler's increased sense of pop songcraft -- "Money for Nothing" had an indelible guitar riff, "Walk of Life" is a catchy up-tempo boogie variation on "Sultans of Swing," and the melodies of the bluesy "So Far Away" and the down-tempo, Everly Brothers-style "Why Worry" were wistful and lovely. Dire Straits had never been so concise or pop-oriented, and it wore well on them. Though they couldn't maintain that consistency through the rest of the album -- only the jazzy "Your Latest Trick" and the flinty "Ride Across the River" make an impact -- Brothers in Arms remains one of their most focused and accomplished albums, and in its succinct pop sense, it's distinctive within their catalog." - Allmusic Guide
    $6.00
  • "Central to the album are tracks like "Beautiful" and "Missing," each bristling with redemptive lyrical and vocal power, Dug near evangelical above his chosen eccentric palette, one of abrasive textures and sublime melodies that emanate truths rather than delivering them primary-colored and sharp-angled.Says Dug: ""Beautiful" is one of my favorites: ‘Don't forget you’re beautiful.' Everything I sing about, even if I’m telling somebody something about themselves, I'm actually talking to myself, about something that I've been through. So I just go ‘you,’ instead of ‘me’ (laughs). There were many times I just never felt like I was any good, and a lot of us feel that way. So I just figured, hey, ‘Don't forget you’re beautiful.’ That's a good line. And I've seen people cry, listening to that song. And "Missing;" musically it just slams; just from the beginning, even before I put the lyrics on it, it's like, this song is going to work. It was just special for me. It has some kind of vibe that I wasn't used to, a whole new slant with respect to what I do."Lightening up from the dirty strip-mining of the record’s guttural tone is a little ditty called "Equal Rights." The song is pret’ near a bit of a revival hoe-down, and might be a surefire hit, in a different time, space and dimension."Yeah, that was fun," laughs Dug. "There was an old Larry Graham/Grand Central Station song, and Sly And The Family Stone used to do the sang type of thing. They used to sit around and do these harmonies, this black gospel kind of thing, and I grew up in that situation, so I put that together with the slide guitar. I picked up slide years and years ago, but never played it. On this record I play slide all over the place. So I sat down and started strumming a guitar, and I thought, you know, maybe I'll write some kind of old gospel-type song. ‘Equal rights for everyone,’ yeah!"
    $8.00
  • Already dubbed "Toddrÿche" by their fans, Queensryche turn back the clock with their new eponymous titled album.  With Geoff Tate given the boot, the band sounds revitalized with the addition of former Crimson Glory vocalist Todd La Torre.  While its not going to supplant Operation: Mindcrime, the sound harkens back to the band's roots.  La Torre was previously a member of a Queensryche cover band so he does a pretty damn fine approximation of Geoff Tate's glory days.  For years fans have been hoping the band would return to their progressive roots and it took this youth injection to get it done.Please note that this is the standard edition.  It comes with a patch and a slipcase.  There will be a deluxe version forthcoming.
    $12.00
  • DeEvolution tells the story of an elite group of leaders from a heavily industrialized city who find, brainwash and then exploit an indigenous tribe’s shaman, believing he would be the perfect supreme leader. By propping him up as possessing all the answers to societies ills the elites use him in order to gain and keep more control over the masses. They plan to influence the masses on several fronts: Religion, Media, Consumerism, and Government.Twin brothers, Jasun and Troy Tipton along with Erik Rosvold released two albums with the Progressive-Metal act Zero Hour. The band's second album "The Towers of Avarice" won sparkling reviews from nearly every metal magazine around the World and has achieved classic status among prog metal fans. Zero Hour successfully toured Europe and performed twice at Prog Power USA, the largest prog-metal music festival in the World. In 2003, fans were disappointed when Zero Hour parted ways with Erik Rosvold.In late 2007, Jasun began writing material for Cynthesis. As the music developed Jasun could only imagine one vocalist to really connect to the material. After one phone call both Jasun and Erik were very excited to work together again.The final piece of the puzzle was to find an amazing drummer. Jasun asked Troy what drummer he would like to work with. Without any hesitation Troy said, "Sean Flanegan is the guy". Sean is best known for his work with the Progressive Rock band, Enchant (Blink of an eye & Tug of War).Produced by Dino Alden, DeEvolution is the first of a projected series of albums from this reunited force of progressive metal.
    $8.00
  • "Machine Head's third album finds them sounding a bit looser and less constricted musically than they have in the past, but their aggro-metal with funk overtones is still plenty dense and emotionally claustrophobic. Aided by modern metal producer extraordinaire Ross Robinson (who has also helped Korn and Limp Bizkit get in touch with their inner Lemmy), Machine Head continues to explore themes of alienation, loss, and abuse, but singer/guitarist Robert Flynn is singing a bit more this time out; on "Silver" he almost croons. Unfortunately, while his up-tempo bellow is pleasantly generic, his singing voice and delivery both sound like they were lifted directly from middle-period Eddie Vedder. Flynn and the rest of the band are actually at their best in funky, hip-hop mode, as on "Enter the Phoenix" and the early section of "From This Day." Amazingly, they also deliver a respectful cover of the Police's "Message in a Bottle," one which, disappointingly, adds little more than crunchy guitars to the mix. Overall, though, this is a pretty satisfying aggro-rock affair." - Allmusic Guide
    $9.00
  • While the Rising Force album was not Malmsteen's first entre into the metal world it certainly turned it upside down.  The Swedish guitarist was heavily influenced by Uli Roth and Ritchie Blackmore as well as classical composer/violinist Niccolo Paganini.  Essentially his extreme virtuosity defined the "neoclassical metal" sound and has remained a signature of his ever since.The Rising Force debut featured a killer lineup - Barriemore Barlow (Jethro Tull) on drums, Jens Johansson (keys), and Jeff Scott Soto (vocals),  Malmsteen handled all guitar and bass parts as well as the Moog Taurus pedals.  Very much a classic.  Highly recommended.
    $5.00
  • earMUSIC is happy to announce the long-awaited final chapter of the successful Savatage re-issues series. Previously unreleased and originally only intended for the Broadway rendition, “Streets: A Rock Opera” - the groundbreaking album by Savatage – is now released including its original narration parts.To complete this extraordinary release and to award the many fans who have shown dedication and love for Savatage’s legacy, the final chapter of this reissue series will feature the band’s favourite videos. Released for the first time on DVD and restored from the original tapes, the video collection spans from Savatage’s 1987’s video ‘Hall Of The Mountain King’ until 1996’s ‘One Child’.As on all previous chapters of the Savatage re-issues series, the album includes newly-written liner notes by Jon Oliva, who is sharing his memories about all Savatage videos.Fans looking for unreleased and rare bonus tracks will be happy to discover a lot of extra audio content on the DVD: ‘Shotgun Innocence’, ‘Forever After’, one instrumental acoustic version of ‘Voyage’, live versions of ‘Stare Into The Sun’ and ‘Conversation Piece’ recorded in Japan (but NOT included on the official live CD) and the piano version of ‘Sleep’. The bonus track ‘Larry Elbows’ deserves a special mention: this previously unreleased song didn’t make it on the original “Streets: A Rock Opera” album due to time limits and is finally available to all the fans that never forgot the creativity and the energy of this extraordinary band.“I’m really excited for this version of ´Streets´ to finally be released" – says Jon Oliva – “It was something different, an idea that Paul O’Neill had to take the progressive rock opera format to a bigger and better place than anything we had done, and anything I had heard anyone else doing before. This version of the album has only been floating around on bootlegs.”
    $23.00