5150 ($5 SPECIAL)

SKU: 925394-2
Label:
Warner Bros
Category:
Hard Rock
Add to wishlist 

"he power struggle within Van Halen was often painted as David Lee Roth's ego running out of control -- a theory that was easy enough to believe given his outsized charisma -- but in retrospect, it seems evident that Eddie Van Halen wanted respect to go along with his gargantuan fame, and Roth wasn't willing to play. Bizarrely enough, Sammy Hagar -- the former Montrose lead singer who had carved out a successful solo career -- was ready to play, possibly because the Red Rocker was never afraid of being earnest, nor was he afraid of synthesizers, for that matter. There was always the lingering suspicion that, yes, Sammy truly couldn't drive 55, and that's why he wrote the song, and that kind of forthright rocking is evident on the strident anthems of 5150. From the moment the album opens with the crashing "Good Enough," it's clearly the work of the same band -- it's hard to mistake Eddie's guitars, just as it's hard to mistake Alex and Michael Anthony's pulse, or Michael's harmonies -- but the music feels decidedly different. Where Diamond Dave would have strutted through the song with his tongue firmly in cheek, Hagar plays it right down the middle, never winking, never joking. Even when he takes a stab at humor on the closing "Inside" -- joshing around about why the guys chose him as a replacement -- it never feels funny, probably because, unlike Dave, he's not a born comedian. Then again, 5150 wasn't really intended to be funny; it was intended to be a serious album, spiked by a few relentless metallic rockers like "Get Up," but functioning more as a vehicle to showcase Van Halen's -- particularly the guitarist's -- increasing growth and maturity. There are plenty of power ballads, in "Why Can't This Be Love" and "Love Walks In," there's a soaring anthem of inspiration in "Dreams," and even the straight-up rocker "Best of Both Worlds" is tighter and leaner than the gonzo excursions of "Panama" and "Hot for Teacher." And that's where Hagar comes in: Diamond Dave didn't have much patience for plainspoken lyrics or crafting songs, but Sammy does and he brings a previously unheard sense of discipline to the writing on 5150. Not that Hagar is a craftsman like Randy Newman, but he's helped push Van Halen into a dedication on writing full-fledged songs, something that often seemed an afterthought in the original lineup. And so Van Hagar was a bit of an odd mix -- a party band and a party guy, slowly veering into a bourgeois concept of respectability, something that eventually sunk the band -- but on 5150 it worked because they had the songs and the desire to party, so those good intentions and slow tunes don't slow the album down; they give it variety and help make the album a pretty impressive opening act for Van Halen Mach II." - Allmusic Guide

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • Latest album from this cutting edge band continues to push people's buttons. The music remains an eclectic mix that evokes some of their earlier work. The disc does contain a couple of controversial tracks - "America", which features Daniel G. offering a withering diatribe against the US government, American consumerism, and perhaps Americans in general (that's debateable). The other track in question is "Disco Queen", which is pretty much a tongue in cheek disco tune that sticks out like a fart in church. It's a joke that goes on a bit too long. So overall it's a bit uneven - the high parts being very high and up to the standards of old but there are these oddball tracks which leave you scratching your head. Recommended to the thick of skin.
    $12.00
  • "Australian progressive rock band WITHOUTEND delivers a debut album offering a very original interpretation of modern Progressive Metal/Rock. The album's main concept of change and consequences is conveyed through a blend of dark melodic progressive music with very dark and emotional lyrical content. The opening track "Again" is based on the idea of coming face to face with temptation and living with your consequences and sets the scene for the rest of the album. "In Transit", perhaps the most commercially accessible tracks on the album deals with the life changing aspects of moving on to a new chapter of ones life and looking at life as being a silent movie. "Analyse" and "I Still Remember" both explore the breakdown in relationships in response to major life changes. "Searching for Meaning" and "Descend" are based on a persons quest for answers and questioning people's beliefs while living/existing in artificial and predetermined surroundings. "Comfort Zone" deals with one's personal battle against their comfort zone. "Compulsion" closes the chapter opened by the opening track and tries to solve and understand ones compulsive desires. The idea behind the last track, "The Third Day" was to express the time heels all wounds/solves all problems concept in a ballad which closes the album." - Prog Archives
    $3.00
  • "Brazilian power metal superstars Hibria proudly present their very first live concert album on both DVD & CD - a multimedia headbanging experience of the first order!Professionally filmed with multiple cameras at the Shinagawa Prince Stellar Ball in Tokyo, Japan - May 15th, 2011 - and covering all of the fan favorites including Steel Lord On Wheels, Bind Ride, Shoot Me Down and more!This is the final release with Hibria founding member, guitarist and producer Diego Kasper!"CD/DVD1. Blind Ride2. Nonconforming Minds3. Shoot Me Down4. Welcome To The Horror Show5. Living Under Ice6. Defying The Rules7. Millennium Quest*6. Blinded By Faith9. The Shelter s On Fire10. The Anger Inside11. The Skull Collectors12. Sea Of Revenge*13. I Feel No Bliss*14. Sight Of BlindnessENCORE15. Intro (Wings Of Wax)16. Tiger Punch17. Steel Lord On Wheels18. Rotten Souls*DVD only
    $15.00
  • First album from Dan Swano actually works in a progressive rock style not that different from Landberk.
    $20.00
  • The official title of this amazing Spanish quartet is actually One Of These Days & Thee Heavy Random Tone Colour Lab.  This is the band's debut release and is only available on vinyl.  It arrives on 180 gram vinyl in a numbered limited edition of 500 copies.  Gorgeous artwork form Iria Rodriguez.  You also get a download code for mp3s of the album.This is pure retro/prog/psych plain and simple.  Beyond the tip of the cap with their name, the band draws some musical influence from Atom Heart Mother era Pink Floyd.  The album consists of 4 long tracks.  When the band stretches out I'm also reminded very much of early Nektar - say Tab In The Ocean.  Organ, 'tron, analogue synths - all the good stuff is here.  Guitars have the right sound.  Its not like metal guitars grafted onto an old school sound (some of the new Italian retro bands seem to get this wrong).  This album reeks of the early 70s.Quite a stunning release.  If you can play vinyl you have no choice...BUY OR DIE!
    $30.00
  • Wow!!  Pro-shot live performance of Manuel Gottsching, Harald Grosskopf, and Steve Baltes filmed in concert in Berlin on June 8, 2012.  Over two hours long and features material drawn from Blackouts and Correlations.
    $24.00
  • A great archival score from this relatively new label out of Poland that is concentrating on Eastern European jazz and rock.  Previously unreleased live recording from 1975."SBB haven proven that there could be a world-class band in Poland. Sent on tour to Sweden in May 1975 to open for the second-rate British act Jack the Lad, SBB quickly stole the show and brought the house down. Contracted for the Roskilde Festival in 1978 as the first group from Poland ever. In their native country they were capable of playing as many as four concerts a day at one venue, and still all the tickets were sold out. They were big. Thanks to the previously unreleased live recording from 1975 we can prove it once again.The memorable performance at the „Jazz nad Odrą” festival in March 1975 was one of the very first to feature the band’s completely new setlist used (with a few alterations) during the next twelve months. The musicians performed the tracks from their second (not yet released) and third (not yet recorded) album, including the biggest hit up to date, „Z których krwi krew moja”. All the songs were merged in one long suite, incrusted with fierce and powerful improvisations. In 1976 the band began to expand the variety of instruments used and, as a result, never returned to the progressive (and aggressive!) formula so typical of 1975. Thanks to the Wrocław recording, however, we are lucky to experience once again the energy that radiated from the three extraordinary musicians.The material has been remastered from the original tapes in pristine quality."
    $15.00
  • Special edition comes with two bonus tracks."German Power Metal titans' "Straight Out Of Hell" was indeed one of my most anticipated albums of 2013, and expectedly from a band like HELLOWEEN, it did not disappoint me. This album, contrarily to what its title suggests, is actually more optimistic than the previous ones. The opening track "Nabatea", a relatively long one, is an amazing Speed Metal masterpiece with a quite different lyrical theme than the rest of the tracks. "World of War" is another fast-paced song with a more serious undertone that reminded me of the classic “Eagles Fly Free" for some reason. It is one of the best tracks, in my opinion."Live Now" a relatively weak track and my least favorite, is followed by the bombastic "Far From The Stars", one of the most powerful and thrilling tracks. "Burning Sun" is actually my personal favorite. Michael Weikath got the idea of this one in the shower, and it turned out to be such a masterpiece, embellished by breathtakingly symphonic interludes, and of course, amazing vocal performance by Mr. Andi Deris. When I first heard "Waiting For The Thunder", nothing except "If I Could Fly" crossed my mind. "Hold Me In Your Arms" is a soft romantic ballad, totally expected at this point, right in the middle of the album."Wanna Be God" comes right after and it's in a way, HELLOWEEN's "We Will Rock You". I definitely loved it, and you'll find yourself singing along, right away, at the first time you listen to it. The title track is a very catchy one, but there’s nothing special about it. Still, you'll have the "Straight Out of Hell" line sung in chorus stuck in your head for a while. The biggest surprise was "Asshole" though. The track is surprisingly not as heavy as its title implies, not even aggressive. It is, however, another cheerful sing-along track. It's another powerful and highly ranked track for me. The symphonic elements in "Years" are just enchantingly well done. "Make Fire Catch The Flame" has a sort of cinematic intro and a perfect chorus with an awesome bombastic sound and a great velocity as in "Nabatea". "Churches Break Down" is no weaker than the previous tracks, with additional elements such as a brief use of organ and female vocals.The limited edition of album contains two additional bonus tracks: one is "Another Shot of Life" and it's not bad at all for a bonus track. The second is the Hammond version of "Burning Sun", a tribute to the late Jon Lord. The bottom line: "Straight Out of Hell" is a decent follow-up to the thirteen preceding great albums that made HELLOWEEN the pioneers of their genre. It put a smile on my face for days." - Metal Temple
    $14.00
  • "Esteemed international metal label Season of Mist began pursuing the two-guitar, three-singer Vancouver quartet Anciients after hearing a series of early mixes for what would become the band’s debut album. It’s easy to imagine what initially lured the diverse label to the band: The tracks on Anciients' nine-song entrance, Heart of Oak, are hyperkinetic but heavily anchored. They surround the hooks you might expect from a Baroness anthem with tangential and technical playing that trends toward prog rock but stops short of Opeth or Enslaved’s maze of redirections. Anciients excel at muscular and agile guitar solos, while the guitarists, Kenny Cook and Chris Dyck, also volley the vocal duties, jumping from death metal bellow to pop-metal lift. It’s exciting stuff, really-- often complicated without seeming excessive, skillful but soulful, approachable but not pedestrian. At its best, Heart of Oak is immediate and electrifying, an album that suggests Anciients’ half-prog, half-pop metal is bound for big stages.By this point, though, you’ve probably wondered what’s up with the band’s name: Why, after all, add an extraneous vowel to a perfectly good handle? That excess is emblematic of Anciients' chief musical foible-- time and again, they add unnecessary sidecars to songs that would have been more effective left alone. Of these nine tracks, only one doesn’t break the six-minute mark. The exception is a tender but predictable instrumental, a mid-album interlude meant as a tribute to some late friends and family members. But the rest of these things are hyperbolic monsters that speak to a rookie act attempting to get through all of their influences at once, even though three of the members have been playing together in other groups for a decade. They are trying to make a very big point all the time, and the weight collapses in on itself. “The Longest River”, a nine-minute cut with a woefully apropos handle, swivels from acoustic foreboding to contract-and-expand thrash, from distended solos to dense stomp, from sweet-singing verses to growled impasses. None of it’s bad, but none of it is astounding enough to pardon the way it obviates an excellent refrain.That’s a consistent problem for Heart of Oak, a record that adulterates many incredibly exciting moments with consistent excess. “Flood and Fire”, a late-album highlight, seems more like a string of song pieces than a proper song, with a righteous solo swiping momentum from a great chorus that, in turn, stymies several great and grim hardcore shout-alongs. As Cook told Metal Underground, album opener “Raise the Sun” initially keys on Fleet Foxes before leaping into a verse so sticky and warm that ASG or Torche might like to have it back. Elsewhere, the song convincingly invokes metalcore and psychedelic rock, hangman riffs and fleeting blast beats. The parts are exhilarating, but strung together with more enthusiasm than wisdom so they’re mostly exhausting. Taken a track or two at a time, Heart of Oak is manageable; make it from end to end, though, and it’s difficult not to feel frustrated by the fatigue.These complaints aren’t meant as some preclusive warning against Heart of Oak; rather, they’re only an honest assessment of a band that, in years to come, is probably going to be great. If Anciients choose to venture further deeper into labyrinthine prog, they’ve got the riffs and rhythms to make it compelling over the long haul. They seem as steeped in the suffocation of black metal from Scandinavia as they do in the sweetness of Allman licks from Georgia, as capable of thrash sprints as they are stoner lulls. And as the pealing organ and rumbling field recordings of the gorgeous (but, again, incredibly excessive) closer “For Lisa” suggest, they bring a wide-eyed approach to their music. Heart of Oak doesn’t have a compelling, cohesive narrative thrust, but there’s always time to buy a book of folklore, right?Alternately, Anciients could choose the route of bands such as Baroness or even Mastodon, embedding that sharp technicality within songs that make their points with concision that doesn’t forsake intricacy. The kernels of these songs are strong enough to suggest that they’re not very far off-- that is, their biggest problem as a band isn’t a dearth of ideas but, rather, discretion with those ideas. Anciients are exciting new prospects, with or without that cumbersome vowel chaiin." - Pitchfork
    $13.00
  • "You know how it is. You’re the Daughter of Satan, you fall in love, your lover dies, you kill some nuns, and then you destroy the world.All in a day’s work for Demon Lung, whose new album ‘A Dracula’ is the gleeful retelling of a gruesome story inspired by the 1977 horror film Alucarda.‘A Dracula’ is bigger, faster and more spectacular than its predecessor, the band’s excellent debut ‘The Hundredth Name’, and while it may not be a huge creative gamble for the Las Vegas quintet, it’s a step up in every department.Clad in white gown and sorrowful expression, singer Shanda Frederick in undoubtedly the band’s focal point. She particularly enjoyed writing the lyrics for this album, and that relish oozes through in her performance.Frederick’s voice sways and lilts with a delicately-controlled strength. It is at once tragic and snarling, dreamy and yet decisive. For all her gloomy power and vampiric passion, it would be great to hear even more variety from Frederick’s distinctive voice. She persists with a trademark slide at the end of almost every line, which becomes distracting.On the song ‘Raped By The Serpent’, she demonstrates that when her vocals are more positive and invigorated, then the song can really come to life. Other standout tracks include ‘I Am Haunted’, which is a slow and patient triumph, and the gloriously understated epic ‘Gypsy Curse’.Big, metallic riffs pummel and crash as the narrative proceeds to its striking conclusion, the guitars working in perfect partnership with Frederick’s Medusa-like charms.Demon Lung draw upon a sludgy heaviness and apocalyptic drumming to create a thunderous, stirring sound. And yet some songs stubbornly refuse to burst into life, as was the case on the band’s previous album. These Nevada wizards prefer to downplay their own epicness in order to maintain a relentless state of tension.‘A Dracula’ is consistently engaging and mesmerising work of creative misery from these stylish Las Vegas doomsayers." - Doom Metal Heaven
    $14.00
  • Incredible warehouse find.  Scored a small horde of these and I can pass them on to you at an amazing price."Gamma Ray! Undoubtedly one of the most important names in contemporary, classic Heavy Metal, and thee most respected and influential German band in the genre. Fronted by Kai Hansen, following his departure from Helloween, Gamma Ray has become one of the most prominent bands in European Heavy Metal. "To The Metal" is the 10th studio album in 21 years of worldwide success and a new diamond in their never-ending experimental creativity. The Special Edition contains a bonus DVD in HD with interview, rehearsals, live studio sessions and 3 videoclips."
    $3.00
  • This one came out of left field.  Solisia are a female fronted metal band based out of Rome.  Led by Elie Syrelia they don't go down the well mined gothic metal style.  Instead the band incorporates a strong symphonic element and pack more than a little bit of a power metal crunch.  Ms. Syrelia is quite the revelation.  She sings accent free with a lot of emotion and power.  In many ways she reminds me of Amy Lee.  Definite star power going on and I suspect we may be hearing a lot more from this band in the future.  Highly recommended.
    $8.00
  • Second album from this outstanding new Italian band performing in the "Rock Progressivo Italiano" style.  Their debut La Crudelta Di Aprile blew me away and this new one is coming on like a sledgehammer.  The quartet is led by keyboardist Emanuele Tarasconi who pulls all kinds of vintage keys out of the closet.  Guitars figure a bit more prominently this time around and again there is a guest violinist.  The focal point tends to always drift back to Tarasconi's keys which have a style that reminds of Toni Pagliuca's work with Le Orme.  There are Italian vocals on the album but there are really long stretches of instrumental passages to the point that the vocals are inconsequential.  If you liked their first album you are going to love this one.  BUY OR DIE! 
    $16.00
  • This is the Steven Wilson remix of the 1974 classic.  It comes with two bonus tracks.Track listing:ProclamationSo SincereAspirationsPlaying the GameCogs in CogsNo God’s a ManThe FaceValedictoryBonus Tracks:The Power and the GloryAspirations (Instrumental out-take)"The group's first U.S. release in two years featured ornate playing from Kerry Minnear on keyboards and Gary Green's loudest guitar work up to that time. The Power and the Glory is also a fairly dissonant album, yet it made the charts, albeit pretty low. There seems to be a unifying theme having to do with one's place in the social order, but it's very vague in contrast to Pink Floyd's re-creations of the post-'60s drug experience, Yes' sweeping album-length suites, and ELP's sci-fi epics. "No God's a Man" is an infinitely more challenging piece of music than anything on Jethro Tull's Aqualung, but that wasn't a commercial virtue; nor could the electric violin break on "The Face" or the rippling electric guitar passages throughout cover the effort involved in absorbing these songs. The Power and the Glory vaguely resembled Genesis' early art-rock albums, but without any presence as charismatic as Peter Gabriel. "Playing the Game" and "So Sincere" were the most accessible tracks and ended up as key parts of their concert set." - Allmusic
    $18.00