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  • "Showtime, Storytime" contains NIGHTWISH's entire August 3 performance at the Wacken Open Air festival in Wacken, Germany. The show, which was played in the front of 85,000 screaming metalheads, was directed by Ville Lipiäinen, filmed with seventeen cameras and has a total running time of 85 minutes. The second disc consists of a 120-minute tour documentary, "Please Learn The Setlist In 48 Hours", also directed by Ville Lipiäinen, with no shortage of drama or overall madness. Also, there is a 16-minute NIGHTWISH Table Hockey Tournament, filmed on tour. In addition, there are two music clips: "I Want My Tears Back" (live at Hartwall Arena in Helsinki, Finland) and "Ghost Love Score" (live in Buenos Aires).The Wacken Open Air appearance was the first of the three final shows of NIGHTWISH's "Imaginaerum World Tour", which saw the band and their Dutch singer Floor Jansen (REVAMP, ex-AFTER FOREVER) playing 104 concerts in 34 different countries, with a total audience of over 1.5 million fans around the globe.Commented NIGHTWISH mastermind and keyboardist Tuomas Holopainen: "Our darling flying Dutchwoman, Floor Jansen, has been nothing but incredible during her time in NIGHTWISH on this tour, so this is a perfect opportunity to immortalize the current vibe of the band on film!"NIGHTWISH's setlist for the Wacken Open Air performance was as follows:01. Dark Chest Of Wonders02. Wish I Had An Angel03. She Is My Sin04. Ghost River05. Ever Dream06. Storytime07. I Want My Tears Back08. Nemo09. Last Of The Wilds10. Bless The Child11. Romanticide12. Amaranth13. Ghost Love Score14. Song Of Myself15. Last Ride Of The Day16. Outro (Imaginaerum)
    $24.00
  • Title says it all. Reworking of classic Genesis tracks this time helped out by a who's who of prog: J. Wetton, B. Bruford, T. Levin, C. Thompson, I. McDonald, N. Magnus, and the list goes on and on. If that isn't enough Steve sticks the Royal Philharmonic on here also. The nice folks at Snapper Music say this is digitally remastered, has "informative liner notes", and a full colour booklet. Essential for anyone who drools at the thought of John Wetton singing "Watcher Of The Skies"...
    $16.00
  • Gorgeous doomy Floydian metal. Super jewelbox reissue.
    $12.00
  • Second album from this New York based prog trio.  The band is heavily influenced by early period Rush but elements of Yes and Kansas pop up as well.  The album highlight is the near 18 minute epic "The Eternal Spring".
    $11.00
  • "From December 1971 to April 1972, Carlos Santana and several other members of Santana toured with drummer/vocalist Buddy Miles, a former member of the Electric Flag, and Jimi Hendrix's Band of Gypsys. The resulting live album contained both Santana hits ("Evil Ways") and Buddy Miles hits ("Changes"), plus a 25-minute, side-long jam. It was not, perhaps, the live album Santana fans had been waiting for, but at this point in its career, the band could do no wrong. The album went into the Top Ten and sold a million copies." - All Music Guide
    $7.00
  • We manufactured Delain t-shirts for the band's gig at ProgPower USA. We sold out of men's shirts and came back with some women's shirts. They are fitted women's shirts - not like in the image shown which are boxy. High quality Gildan 100% cotton shirt.
    $16.00
  • Reissue of the first album from this Italian folk metal band.  Vocals are sung in Italian and English.  Death and clean vocals abound."We’ve seen folk music/metal coming from some of the most notable places forest-dwelling metal would always sprout mushroom-like from, and as we all know, those are usually the best places to find them. But, lately, there have been other, slightly less frosty countries that have undertaken the natural-acoustics-meet-electronics, each with their own take and persuasion, and, for better or worse, worth donning the musical loincloth. Thankfully, the sensation of the creative pool becoming too crowded hasn’t come to pass, so one would be able to appreciate a little country differentiation if it means solid, worthy products.So, with that, can a country that’s been noted for creative, over-the-top melodic metal do the same, but in a different flavor? Let’s find out…Right away, it’s fairly evident that Furor Gallico are playing with a full stylistic deck, giving listener plentiful bouts of folk metal fury that comes more as a barbarian horde than a group of drunks lost in the woods. Odes to sword-swinging victory are the order of the day, wherein the fine Italian countryside is set ablaze in the name of all things heathenish and wild, albeit at a nice, almost leisurely pace. Things move from one extreme to the next, thankfully coming off naturally rather than just slapping some guitars and strings together and hoping for the best, and thus ensuring varying degrees of enjoyment on that end from start to finish. Taking a rather North-born approach, the Gallico gang takes to the metallic spectrum with powerful riffs, snazzy leads, raging growls/screams and pounding drum work while soft strings, glittery harp and flute work underscore the madness with a liltiness more befitting a nice evening beside the fire. Still, like other groups of their musical primordial soup, it fits, and it works.The group does its job and does it quite well, there’s no denying that. However, the threat exists in that they may be playing it a little TOO comfortably. For as fine as their s/t debut is, it runs the risk of sounding too similar to some of their contemporaries and not truly forging a path of its own. Then again, such criticism could very well be moot as a result of this being their first full length, and I’m hoping that’s the case, as I’d hate to see these guys fall into a rut they may not be able to get out of. First album doldrums are usually the test necessary to cow a group of musical bastards away from the mire of the unoriginal, wherein many an accolade and extra album sold is the prize in the end. Normally, not doing so would lead to disaster right from the foundation, but on a good day, these guys hearken enough strong song writing to keep your focus enough to know that something’s going down, where such fine examples include the likes of “Ancient Rites”, “The Gods Have Returned” and “Golden Spiral” coming at you like spiked gauntlets to the temple.At the end of the day I was quite taken with what Furor Gallico had to offer, with the hope that future endeavors will make things all the more fantastic and creative. But so far, things are looking up, and I can see them staying on my radar for quite a while now." - Metal Archives
    $15.00
  • "As of late, at least with their previous album, and the current Pariah's Child, Finland's Sonata Arctica has been throwing their faithful some musical curve balls. Putting them in the category of traditional Scandi power metal is no longer fitting, although they do play the same and often.No, their sound is much more diverse, enterprising, these days. A good example is the song Half A Marathon Man. It's opening strokes of guitar, keyboards, then drums could lead to most any sound. But it delivers this huge rock grooved melodic metal monster, with hooks galore, from vocals to lyrics to riffs. Then there's the power metal romp of X Marks the Spot, disguised as a rock tune, and wrapped in the motif a religious revival. It's familiar, but strange; clever and a whole lot of fun. Also of note is What Did You Do In the War, Daddy which merges the feel of classic heavy metal anthem with the bluster of power metal in places.Yet something more familiar comes with the longest number, Larger Than Life, which sounds like old school Sonata Arctica, where they draw upon their symphonic progressive power metal roots. Perhaps still more straight forward Sonata Arctica is the first half of the album. Notably The Wolves Die Young or Take One Breath are classic Scandi melodic power metal tunes, straying little from the foundation from which the band was built. Yet, fans should know that it is no less interesting than the aforementioned more crafty pieces. Once more I think Pariah's Child represents Sonata Arctica as a band being carefully faithful to their roots, yet always moving forward in their creativity. Easily recommended." - Dangerdog.com
    $14.00
  • New remastered edition gets the full Mark Powell/Esoteric treatment and arrives with one bonus track. Great disc with Richard Sinclair and Mel Collins in the lineup. "Echoes" is an all time classic. Essential.
    $16.00
  • "7 long years it has been since PYRAMAZE’s last album, “Immortal”, with the famed Matt Barlow at the vocal helm. Come 2015, the band has seen half of the original lineup revamped; still remains Jonah Weingarten on keyboards, Morten Gade Sørensen on drums and Toke Skjønnemand on guitars, but have welcomed about longtime-friend and producer Jacob Hansen on guitars and Terje Harøy on vocals. “Disciples Of The Sun” assuredly marks the beginning of a new era for the band, adopting a new and fresh musical trajectory.Who would replace the former members were always at the forefront of the minds of their fanbase. A Danish band, with the exception of American Jonah, Jacob Hansen is well-known in the metal echelons of his home-country and abroad for working with and producing many of Metal’s greatest bands; DELAIN, ABORTED, ANUBIS GATE and EPICA among them. Already the band’s producer, the transition to guitar simply made sense. As for vocals, many considered Matt irreplaceable; such cynicism does not have a place in the metal world, for the band pulled in Terje from Prog/Heavy band CROSSNAIL (formerly TEODOR TUFF).On one hand, the decision to pick a relatively-unknown singer to take the vacant vocal position could be considered risky, but it was the best-possible decision the band could have made, because “Disciples Of The Sun” is chock-full of uplifting and powerful heavy-hitters, to which his voice is perfectly-suited. The introduction of epic proportions sets a spanning, cinematic scene for chugger “The Battle Of Paridas”. One of the album’s heaviest moments right off the bat, the track soon gets into the lyrics, where Terje’s power is obvious right away. Come the chorus (in fact, any chorus on the album, especially that of “Fearless” or “Hope Springs Eternal), the man’s voice lets loose with raw, unrestrained energy. Not losing their trademark, soaring atmospherics either, which are incredibly present in this track, as well as in the infectiously-catchy “Back For More”, PYRAMAZE proves that they have successfully moved forward without losing any trace of their identity.In hearing the wonderful lyrics for the album, written with absolute poetic flair in “Genetic Process” and “Hope Springs Eternal”, I learned that ANUBIS GATE’s very own bassist/vocalist/lyricist Henrik Fevre was asked to write the new album’s lyrics, given that Michael Kammeyer, the previous writer, had left. And they fit the music PYRAMAZE has lovingly-crafted ever so perfectly; uplifting crescendos and dramatic cascades the ideal vehicle. Heavy-hitting, Progressive Power Metal the band’s tried-and-true engine, not one track on the album hints to any monotony; each piece has its own vibe, and is a story all in its own. For one, “Perfectly Imperfect” booms with a series of Stoner-like opening riffs, before transitioning into soaring and gloriously-melodic choruses. The track to follow, “Unveil”, however, provides some of the more ‘Proggy’ moments on the record; the key-change in the last chorus leaving me light-headed, and probably best display’s Terje’s impressive range. As for the most balls-to-the-castle-wall Metal track on the album, “Hope Springs Eternal” is the package, containing the album’s fastest, most aggressive, most blistering riffs; but in a gracefulness only Scandinavian metallers have perfected, transitions to long-lasting, memorable and melodic choruses.For my own personal pleasure, the band picked the right year to release “Disciples Of The Sun”, being able to look forward to new NIGHTWISH and new KAMELOT albums as well, for if Metal were a competition, the genre heavy-weights would have serious competition. PYRAMAZE is, quite frankly, the come-back I’ve been waiting for." - Metal Temple
    $11.00
  • Victor Peraino once again collaborates with Arthur Brown and the results are shockingly good.  The disc adheres to the old sound - Peraino is playing a variet of analogue keys - plenty of VCS 3, Hammond organd, Mellotron, Moog, etc. The music features a combination of original tunes, reworkings of some of their old stuff, plus a cover of "Please Don't Let Me Be Misunderstood'.  The bonus DVD was filmed in Detroit in recent times."In the 70's Victor Peraino recorded on Polydor Records in England with the father of theatrical rock Arthur Brown, know for his million sell hit "Fire" Arthur Brown's Kingdom Come “Journey” was critically acclaimed as a landmark, in the music industry the first recording to feature a drum machine. Victor played keyboards. mellotron. moog synthesizer. vcs3, theremin & vocals on this ground-breaking album. After Arthur Brown's Kingdom Come disintegrated following the release of the wonderful “Journey”, US keyboard player Victor Peraino somehow retained the name, releasing No Man's Land in '75 under the name Victor Peraino's Kingdom Come, reissued by Black Widow in 2010. After about 40 years, Victor and Arthur decide to collaborate again, resurrecting the project Kingdom Come: in this new musical adventure, reproduce in a new guise some of the best songs included in "No Man's Land" (Demon of Love, Sun Sets Sail, Empires of Steel), take up the theme of the wonderful "Time Captives" from "Journey" turning it into a cross-section sidereal enriched by the magnificence of space keyboards, revitalize ina progressive key two old classics like "Don’t Let Me Be Misunderstood" and "I Put a Spell On You "... but they also offer some brand new compositions (We Only Come to Help You, Future, the title track, Walk with Angels) deploying an odyssey of lovely sounds, underpinned by the omnipresent as ever presence of Mellotron, Moog, VCS3, in an uninterrupted flow of emotions."
    $15.00
  • "If we ever needed any further evidence of how thrash lifers Testament completely rule, look no further than this two-disc live album (how often can you say that?), which draws heavily upon their recent releases. And it does rule — hard. With a fun, energetic, raw production sound, the band's enthusiasm shines through loud and clear, and while it's always excellent to hear a few old classics, and here they sound as good as ever, what comes out of this declaration is that the new material is just as memorable, just as thrashing and heavier than ever. Check out songs like the amazing "Native Blood," delivered in an off-the-rails fashion, the blast beats that sounded a bit awkward on the album sitting just right in this context. Dark Roots of Thrash is a shining example of a band that are, surprisingly, at the top of their game late in their career, playing the songs they want to and delivering them with pure thrash metal glory. It's rare to love a live album this much, but such is the power of Testament." - Exclaim
    $16.00
  • Lots of changes in the Mangala Vallis camp with this new release.  Bernardo Lanzetti is out, replaced by the great Rob Tiranti aka Rob Tyrant.  Many of you know Rob from his work in the metal world with Labyrinth but he has alway worked with New Trolls so he knows how to dial it back.  Great, great set of pipes.  The music has changed a bit too.  Its not as overtly retro although at times the keyboard sounds harken back to the 70s.  Definitely more of a contemporary neo feel.  Its a concept album about a hacker who infects the world with a virus that will destroy all the digital files on the planet.  Good times!
    $16.00
  • This is the second album in the live series documenting the band's residency in Tokyo in April 2014.  This is a complete performance of Per Un Amico.  More in the series to come...
    $19.00