2112 (SUPER DELUXE CD/BLU-RAY)

SKU: B00174774700-2
Label:
Mercury
Category:
Progressive Rock
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Long awaited 5.1 remix of the classic Rush album in a limited  "super deluxe" edition comes housed in a hardbound book.  Here is what you get...

CD:

1. Remastered edition

2. 3 previously unreleased live tracks

BLU-RAY:

1 5.1 remix in 24/96 PCM and DTS-HD

2. Stereo mix in 24/96 PCM

EXTRAS:

40 page comic book by story artist Tom Hodges (Star Wars "The Clone Wars," The Simpson's "Treehouse of Horrors #17") and a 24 page book with expanded artwork, liner notes, lyrics and unreleased photos. New liner notes written by David Fricke, Rolling Stone.

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  • Special edition arrives with a bonus DVD of the band performing material from Concrete Gardens filmed at EMGTV."Sound: Tony MacAlpine was one of the Shrapnel label guitarists of the '80s, and also played keyboards for the debut releases of Vinnie Moore and other Shrapnel artists. Tony's debut solo album, "Edge of Insanity," came iout in 1986 - the same year as his first side project, M.A.R.S., with release of the album "Project: Driver." Since that time Tony MacAlpine has released numerous solo albums, participated in collaborations, made live guest appearances, and even acted as part of Steve Vai's backing band. "Concrete Gardens" is Tony's twelfth solo studio album, and is entirely instrumental like the vast majority of Tony's solo work. The album has been in the works since 2013, but took a while to release due to Tony's numerous collaborations and other projects. Jeff Loomis provides a guest guitar solo on the album on the track, "Square Circles." The album contains 12 tracks with a total runtime of just under sixty minutes. The album differs from Tony's previous work by having more of a progressive metal flavor to it, while I think of most of his previous releases as just being straight instrumental rock.The album opens up with the track "Exhibitionist Blvd," with some seriously flanged guitar and a major key melody that builds into something a little different as the track goes on. There is a specific passage that shows the influence that Vai has had on MacAlpine, though I would rank them close to equal in the virtuoso racket. "The King's Rhapsody" opens up with a keyboard intro, played by Tony, of course. Heavy guitars come in and takes the song to a few unexpected places, and actually gets my foot tapping, too - which is an accomplishment for instrumental rock! "Man in a Metal Cage" has some interesting note choices, with some mildly middle-eastern sounds for a few brief moments in the track mixed in with some obligatory sweep tapping. Otherwise, there are several passages working to create several moments of extreme tension. There are a few arpeggiated parts that are reminiscent of some other song that I can't quite place. "Poison Cookies" has a weird jazz-fusion funk feeling going on with it that I definitely appreciated - if for nothing else it changed gears long enough to shake off any monotony I thought the album might be working towards."Epic" was both a more laid back song, but also was very cerebral - the keyboard and guitar parts built on each other in a weird/cool way. "Napoleon's Puppet" very briefly reminded me of some material written by Brendan Small for his album, "Galaktikon," but it had that rhythm part to it that definitely separated it by giving it some incredibly strong groove. "Sierra Morena" is played on piano/keyboard in the intro but guitar, bass and drums come in pretty quickly. The song is named after a mountain range in Spain with the same name. I can't quite connect the music as being descriptive of a mountain range unless they're being written about the context of flying over them. "Square Circles" has some moments in the track that remind me a little bit of King Crimson, though the sense of melody is still a tad more traditional. Jeff Loomis guests on this track for a guitar solo, and it is a fairly outstanding solo in the context of the song, having a good balance of being emotive and twisted."Red Giant" is a pretty intense track, with some more middle-eastern vibes going on, and one of the most engaging and vocal-like melodies from the album, to my ears. "Confessions of a Medieval Monument" definitely grabs a certain type of vibe from the opening, with a cool (but fairly simple) bassline running behind it. This is definitely one of those songs that creates a fertile atmosphere for a little mind movie to play along to it. The way the dynamics are used on this song, as well as the recurring melodic theme, make this easily one of the strongest tracks on the album. The title track, "Concrete Gardens," is interesting with a heavy rhythm guitar and a (initially) much cleaner lead part. Something about this track reminds me of Frank Zappa, which is absolutely a good thing. The album closes out with a song called "Maiden's Wish," which is played on keyboard/piano as a solo piece. It is a fairly light-hearted song to end the album with, and I enjoyed it. If you just listen for the crazy guitar, then you can stop short of "Maiden's Wish." // 8Lyrics: There are none. // 8Overall Impression: I have always been extremely impressed with Tony MacAlpine, and this album just reinforces my opinion. While he may not be quite at the technical/speed level of some other virtuoso guitarists, especially the whole Shrapnel bunch, he makes up for it in a strong sense of feel and musicality. I especially enjoy the melodies he uses as recurring themes in many of his songs. I highly recommend this album to anyone who's a fan of instrumental rock or metal. // 8" - Ultimate-Guitar.com
    $15.00
  • "This 1970 release "climbed" to #17 with the classics Mississippi Queen and Theme from an Imaginary Western . Also includes an unreleased live version of the Woodstock ode For Yasgur's Farm !"
    $8.00
  • First time on CD of this rarity from the Cybotron catalogue.  This one's been in my collection for decades so its nice to finally see it in the digital domain.  If you are not familiar with Cybotron, they were more or less Australia's answer to Tangerine Dream and Ash Ra Tempel.  The band features Steven Maxwell Von Braund and Geoff Green on a variety of instruments.  Back in the day Sunday Night At The Total Theatre was an "official bootleg" that the band gave away at gigs in order to drum up interest.  Pure cosmic bliss out music.  Comes with a bonus track and beautiful packaging.  Highly recommended."Firstly there’ a man in a cape on the cover of this obscure 1976 semi bootleg from the groundbreaking Australian cosmic Kosmische duo Cybotron. Secondly there are a whole bunch of cool looking analogue modular synths. It’s common knowledge in music circles that a cape alone is a guarantee of great music, but if you add modular synths to the mix then you’re approaching almost divine intervention.Make no mistake, there is definitely something quasi spiritual about this live recording. The label calls the pieces ecstatic mood ragas and it’s hard to disagree. These are definitely pieces that are all about worship, yet it’s not organised religion that’s the focus here, rather it’s the synthesizer that is the deity.Consisting of Steve Maxwell Von Braund and Geoff Green, Cybotron were heavily influenced by German electronic sounds from the early 70′, and would go on to release 3 studio recordings with an assortment of collaborators before finally disbanding in the early 80′. For this brief period in the mid to late 70′ Cybotron were the mainstays of the cosmic electronic music movement in Australia and did much to develop electronic music in this country.This is electric drone music, large beautiful synthetic slabs of electronics played out across an entire side of an album, thick semi improvised highly repetitious oscillations approached with a rare kind of patience. Here the journey is more important than the destination. There’ tranquillity to side one, which is taken up by the piece Parameters of Consciousness, where it’s not until a quarter of the way in that a beat slowly makes its presence felt. It all happens in such a gradual manner that it’s really only the change in their synth melodies that alert you to its presence. This is space music, experimental synthetic wig outs, and it’s probably more relevant today than it was then.Side 2 is Vulcan, which goes straight for space with seemingly improvised high pitched squiggles of sound accompanying some lower end noodling. It doesn’ really seem to know where its going, though just as there’ a moment of clarity the drum machine beat is brought in high in the mix and suddenly the squiggles turn into riffs and we’re part of a peculiar wrong almost pop stomp. It’s beautiful, chaotic and despite being one of the more musical elements on this recording, still quite experimental. Whilst this takes up much of the side, there’ also a super rare cut Ride To Infinity that was originally released on a 7inch, which is a much more carefully constructed sequencer heavy Tangerine Dream influenced tune of space electrics.The live recordings were originally recorded by 3ZZZ and were released just after Cybotron’ self-titled debut a year earlier. It’s a pretty incredible set. Even on a recording 37 years later it’s still an overwhelming near mystical experience. It feels so right to re release this material now (on vinyl), as here’ one of the almost forgotten pioneers of synthesizer music in this country and they actually sound better and more relevant than most of the music being made today." - Cyclic Defrost
    $15.00
  • Let me preface my observations of the CTTE remix by saying that I don’t put these classic albums on a pedestal.  If they can be sonically improved while remaining faithful to the original mix and maintaining musicality and the emotional content then I’m all for it.  In general I liked what Steven Wilson did with the King Crimson catalog.  I was particularly impressed by his reconstruction and resurrection of Lizard.  When I heard he was tackling the Yes catalog I was hopeful because if there was ever a band that could use some sonic wizardry its Yes.  Eddy Offord was never able to bring the magic to their mixes that he was able to give to ELP.So how did Steven Wilson do with CTTE?  I can only use one word to describe the new mix: “transformative”.  CTTE was an album cobbled together from various bits and pieces.  Its widely acknowledged to be the band’s best album (its certainly my opinion) but in terms of sonics it fell victim to the “too many cooks” syndrome.  The original mix was a bit of a mess.  Its all changed now. The one thing that is immediately apparent is the foundation provided by Chris Squire’s bass.  It reaches the pits of hell and if Mr. Wilson is going to take this approach with TFTO and Relayer he’s got my vote.  In general there is a veil of schmutz that has been wiped away.  All the instruments have more clarity and focus in the soundstage.  “I Get Up I Get Down” was chilling.  I found the soundstage consistently extended beyond the boundaries of my speakers.  The mix is warm, involving and there is a balance among the instruments that I found lacking in the original mix - primarily because of Squire’s bass being given a shot of adrenaline.  Jaw dropping stuff.  The bonus track of “America” had exceptional, dare I say audiophile sound.So the obvious question is - what sounds better - this mix or the SACD?  I dunno.  I can’t find my bloody SACD to compare…but here is my memory of the SACD.  When I got it I played it through.  It didn’t overwhelm me or disappoint me.  My thought was “its fine...it is what it is - this is the best it will ever sound in the digital domain”.  I was wrong.  BUY OR DIE! FORMAT: 1 x CD/1 x DVD-ACD:1  Close to the Edge2  And You And I3  Siberian KhatruBonus Tracks:4  America5  Close to the EdgeDVD-A:– Album mixed in 5.1 Surround from original multi-track sources.– New Album mix – Original Album mix (flat transfer)Both in High Resolution Stereo– America original & new stereo mixes & 5.1 & in High-Resolution+ further audio extras• Close to the Edge is the first in a series of remixed & expanded Yes Classics• The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson (Porcupine Tree) & is fully approved by Yes.• CD features a completely new stereo album mix by Steven Wilson• CD also features a new mix of America• CD also features an early mix/assembly of Close to the Edge• DVD-A (compatible with all DVD players & DVD Rom players) features a 5.1 DTS Mix and High Resolution Stereo mixes.• DVD-A players can, additionally, access a 5.1 Lossless audio mix (24bit 96khz).• DVD-A features the new album mix in High Resolution stereo• DVD-A also features the original album mix in a hi-res flat transfer from the original stereo master tape source.• DVD-A also features numerous audio extras in high-resolution stereo including single edits & studio run- throughs.• Original artwork by Roger Dean who has also overseen the artwork for this new edition• Presented as a 2 x digi-pack format in a slipcase with new sleeve notes by writer Sid Smith along with rare photos & archive material.“Close to the Edge” is the first in a series of expanded Yes editions including 5.1 Surround mixes, new stereo mixes & High-Resolution stereo mixes of the original music along with a wealth of extra material. Acclaimed musician/producer Steven Wilson has produced the new mixes with the approval of the band, while Roger Dean reprises his role as art director/designer of the newly issued edition, making this the definitive edition of the album.When Yes entered the studio with Eddie Offord to record the band’s fifth studio album in mid-1972, their second with this line-up, the band was on something of a roll. “Fragile”, the band’s previous album, had taken Yes to a new level of international popularity with Top Ten chart placement on both sides of the Atlantic & yielding a hit single in the USA with ‘Roundabout’. The band was now established in the major music markets to an extent that was, perhaps, unexpected given the complexity of the music Yes performed. But with that popularity came a confidence that the expansive material of the two previous albums could be taken a stage further with the new recording. Rather than consolidating, Yes chose to innovate.Recorded during lengthy sessions at London’s Advision Studios, “Close to the Edge” is that rarity in recorded music, the sound of a band & its individual members writing, playing and recording at the peak of their collective abilities. The album was issued in Autumn 1972 reaching chart highs & platinum sales status of  4 in the UK, 3 in the USA & 1 in Holland, though such statistics only hint at the worldwide popularity of the album over a period of more than four decades. The three pieces of music, the title track which spanned the entire first side of the vinyl album with ‘And You And I’ & ‘Siberian Khatru’ on side two, have remained concert favourites since release, with the 2013 Yes line-up currently in the middle of a world tour stretching into the middle of next year that sees the album performed in its entirety.The album remains the favourite among many of the band’s legion of fans, a defining recording both for the band & for the progressive rock movement. It is also one of the most successful British rock albums ever released.Since this release of “Close to the Edge” was confirmed, the various websites dedicated to Yes, Progressive rock & high-resolution audio have been very active with discussions among fans keen to hear the new mixes & the existing material in its purest audio presentation. 
    $20.00
  • New edition housed in a mini-lp sleeve."Vita sul pianeta" is a concept album released in 1973 by Car Juke-Box record label - the same of the first Le Orme's LP's - and recorded by Laser, a five-piece band from Rome previously named "Il Laser di Elvezio Sbardella" after their founder's name.Even if most people is interested in the album because it is extremely rare - one of the rarest ones in the Italian progressive rock field, printed in few hundred copies - music has to be re-estimated here, especially if we consider that the LP was recorded with a very limited budget and in just one take. Music is really varied, a hard rock guitar and keyboard-based, with hints of beat and blues.The band sadly split up right after the release of "Vita sul pianeta", due to the lack of support from the record label and the keyboard player leaving to join the military service. Very difficult to find also in its 2000 reissue, the album is now available again as a papersleeve CD and vinyl replica."
    $15.00
  • This may well be the best DVD you ever buy in your lifetime.  Long circulating as a bootleg, A Token Of His Extreme finally sees the light of day as an official release.  It was originally a TV special put together by Frank Zappa and only aired one time on KCET on August 27, 1974.  Pieces of it were included in the Dub Room Special DVD but this is the first time its made available intact.The lineup is amazing:Frank Zappa (lead guitar, percussion, vocals)Napoleon Murphy Brock (tenor sax, flute, vocals)George Duke (keyboards, zil, tambourine, vocals)Tom Fowler(bass)Chester Thompson (drums)Ruth Underwood (percussion)The performance is amazing:1. The Dog Breath Variations/Uncle Meat2. Montana3. Florentine Pogen4. Stink-Foot5. Pygmy Twylyte6. Room Service7. Inca Roads8. Oh No9. Son Of Orange County10. More Trouble Every Day11. A Token of My Extreme Bruck Bickford's Claymation movie inserts are beyond amazing and will melt your synapses.  75 minutes of absolute brilliance.  BUY OR DIE! 
    $12.00
  • Digipak edition - limited to 5000 for the world."Prophets Cynic are not, yet they did see the writing on the death metal wall around the mid-90’s, so that counts for something. At that particular point in time, the death metal scene was swelling to uncontrollable proportions, with creativity at an all-time low and labels signing anyone who could mimic Cookie Monster and palm-mute some diminished chords. Pair that with the then-burgeoning black metal scene, and death metal circa 1994 to 1997 essentially had no chance. As it stands, Cynic officially broke up in 1994 and formed the short-lived Portal, which is the point of discussion for this review.Comprised of the core members of Cynic’s Focus lineup (drummer Sean Reinert, guitarist/vocalist Paul Masvidal, guitarist) Jason Gobel, bassist Chris Kringel), Portal added vocalist/keyboardist Aruna Abrams, who was the benefactor of the band’s new-found “trippy” sound. And that’s really the defining term when it comes to Portal – they’re very light, not so metal or technical…just trippy and highly atmospheric.One could see where Cynic wanted to go with Portal for their eventual reformation album, 2008’s Traced In Air. The lush dynamics of “Endless Endeavors,” “Costumed in Grace,” and “Road to You” demonstrate the band’s ability to take prog rock and make it flow like a river, a cerebral river at that. Abrams’ vocals are suitably poised and reserved, blending in seamlessly with supple keyboard strokes and ambient uh, ambience. There’s a dearth of the progressive metal flair the band showed on Focus, as the songwriting mode of “Karma’s Plight” and “Crawl Above” showcase a jazzier, more free-form side to Cynic that was practically itching to come out a few years prior.Cynic’s new-age crowd might find something of value with The Portal Tapes, as it’s a direct reflection of Traced In Air and last year’s Carbon-Based Anatomy EP. The old death metal crowd that helped break the band won’t have anything to do with this, and methinks had they heard something like this in 1995, then they’d be running back to their Broken Hope and Monstrosity albums almost instantly." - Blistering.com
    $15.00
  • "Digitally remastered edition of the 1986 document of the famed former Thin Lizzy guitarist's tour of Japan that includes the original 8 tracks plus an extra three bonus cuts"
    $9.00
  • Glass Hammer get all existential on us...Perilous is the new band's new concept album about a man dealing with grand scale issues like mortality.  A bit of a downer but like all Glass Hammer projects there is a ray of sunshine at the end.  Glass Hammer is fronted by Jon Davison who was plucked away by the remaining members of Yes for current tours and cruises.  He remains a member of GH as well.  Naturally with the voice of a Jon Anderson sound alike, the music bears remarkable similarity to Yes.  Some of Fred Schendel's piano work reminds a bit of Going For The One.  When Fred is hammering away on the organ the music takes on a Kansas quality.  So essentially not much has changed.  Glass Hammer's sound has pretty much evolved into a Yes/Kansas hybrid over the past decade and there it remains.
    $13.00
  • "Retribution” is the new album from Sweden’s Nightingale, the intended one-off project that refuses to die. Established by musical multi-talent Dan Swanö almost 20 years ago, the band is proof that good music can take on a life of its own, often when the artist least expects it.Known for his work both as a producer/engineer and with metal acts Edge Of Sanity, Bloodbath, Pan-Thy-Monium and most recently Witherscape, Swanö began his unplanned Nightingale journey in 1995 with “The Breathing Shadow”. It was a one-off goth-flavoured solo album heavily reminiscent of The Sisters Of Mercy, meant to satisfy his interest in the genre and then be put quietly to bed as Swanö moved on to other projects. The album was successful enough to warrant a follow-up according to his label at the time (Black Mark), but Swanö was, as he puts it "so over the goth thing.""I thought that if I was going to make a second record it had to reflect what I was listening to at the moment. I was going through a big revival of Gamma, Foreigner, Journey and all that super melodic AOR pomp rock stuff. It was a weird turn from the first record, so I decided to make Nightingale a home for music that I write in the moment, no matter what it is."Nightingale released five more albums between '96 and '07, slowly establishing a band line-up that began with Swanö's guitarist/keyboardist brother Dag in 1996 acting as a co-producer and session player on “The Closing Chronicles”. He officially came aboard in 1998 under his Tom Nouga moniker. The band was fleshed out by bassist Erik Oskarsson and drummer Tom Björn, who had their first rehearsal with the Swanö brothers on Christmas Day 2000. “White Darkness” from 2007 could well have been the last Nightingale album, as it featured very little songwriting input from Swanö due to severe writer's block. He decided to focus on his career as an engineer and chose to make music as a hobby. His creative side won eventually, however, as the urge to write and play again became irresistible."I bought a few instruments that would inspire me, and eventually the riffs started piling up," Swanö recalls. "I was collecting them for some kind of death metal release, and the other stuff that came out ended up being what could be used for a future Nightingale record."Originally titled “Bravado” in the working stages, “Retribution” offers up 10 songs steeped in uncomplicated '70s and early '80s-flavoured rock. Tracks such as 'Chasing The Storm Away', 'Forevermore' and 'The Maze' could have easily found a home on commercial rock radio 30 years ago, yet the album is completely relevant in 2014. Fans of Swanö's heavier works that are unfamiliar with Nightingale may be surprised the simplicity of the music and the band's non-aggressive approach."It's not easy to write simple stuff that's good," Swanö points out, suggesting people take a good long listen to “Retribution” rather than dismissing it.In Swanö's estimation “Retribution” succeeds because the songs "just kind of happened." He never set out to write any specific parts; the music is in fact a result of spontaneous moments, whether it was an accidental combination of notes on a keyboard that became an opening riff ('On Stolen Wings') or an odd guitar tuning ('Warriors Of The Dawn'). On top of that, the songs were hashed out in the rehearsal room before the band went into the studio, resulting in major changes to some of the music as it developed."When I listen to the record I don't want to have any regrets," explains Swanö. "There's no point in releasing a new Nightingale record if I don't think it's the best we ever did. That a pretty high standard to have, but if I don't feel that way when I listen to it the moment it's ready, it's got nothing to do with our back catalogue. That's the way I've felt with every record."Asked to sum up what “Retribution” means to him with regards to Nightingale's legacy, Swanö offers the following: "Classic rock with that pomp attitude really inspired me. I just wanted a good production that could hold up well against a band like Alter Bridge but still have a bit of the sonic charisma of the records from '79, which was a great year for music. The target was to make a timeless record with good, classy songs that the four of us can agree are really cool."Nightingale’s “Retribution” comes packaged in beautiful artwork courtesy of Travis Smith (Opeth, Nevermore, Katatonia, etc.) and should equally appeal to open-minded atmospheric metal and also to melodic prog rock supporters into bands like Rush, Marillion, Styx, Kansas, The Mission, Queensryche, Enchant, Threshold, Arena oreven Opeth and Katatonia."
    $13.00
  • Remastered edition of the second album from the greatest hard rock band to come from Long Island.Comes with 4 bonus tracks and a price you can live with.
    $5.00
  • "The 'Motor' of this concert was built from the core of the 'Mild Maniac Orchestra' with Volker Kriegel on guitar and Thomas Bettermann on keyboards. Completing the line-up are three extraordinary musicians: The Eberhard Weber on bass, Wolfgang Schlueter on vibraphone and Ralf Huebner on drums. Calm, pending sounds, sequences like movie soundtracks, artful swapping, virtuoso ending in swinging solos and finally far settling into melancholic prevailing moods with subliminal, quiet pleasure, which made everything Volker Kriegel did so distinctive."
    $17.00
  • Horn Culture is a nice spiritual jazz session led by the legendary saxophonist.  It dates back to 1973 and most of the musicians actually plug in.  Yoshiaki Masuo is the guitarist (some of you may know his great "24" album only released in Japan).  Walter Davis is playing electric piano and Bob Crenshaw is on electric bass.  David Lee is on drums and the great Mtume is on percussion.  Worth it just for the near 12 minute "Sais".
    $6.00
  • Mind Colours is the debut album from this instrumental Italian quartet.  The band features the former guitarist and keyboardist from The Watch - Ettore Salati and Fabio Mancini.  While there may be some traces of fusion around the perifery, Soulengine's stock in trade is symphonic progressive rock.  Salati's leads are very fluid, reminding a bit of Steve Hackett (not surprising).  Mancini contributes Hammond organ, analog synths and of course Mellotron.  There are stretches where you will feel transported back to the 70s listening to a Genesis jam session.  Very nicely done.  Highly recommended.
    $15.00