2112 (CD/BLU-RAY)

SKU: B001747800-2
Label:
Mercury
Category:
Progressive Rock
Add to wishlist 

Long awaited 5.1 remix of the classic Rush album.  Here is what you get...

CD:

1. Remastered edition

2. 3 previously unreleased live tracks

BLU-RAY:

1 5.1 remix in 24/96 PCM and DTS-HD

2. Stereo mix in 24/96 PCM

3. Digital comic book, lyrics, liner notes and photo gallery

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • One of the greatest albums of all time! Seminal German mindf**k killing machine of extraterrestrial guitar solos melded with organ and pounding drums. Trio of Manuel Gottsching (guitar), Hartmut Enke (bass), Klaus Schulze (drums, electronics) created a masterpiece that still reverberates today, spawning a new generation of krautrock bands like Magnog, Fuxa, etc. New edition remastered by Manuel Gottsching.
    $17.00
  • "Their debut album, Dreamboat Annie, was first released in Canada and then in the United States on February 14, 1976. It was an immediate hit, reaching number seven on the United States album charts, and achieved a platinum award for sales.At this point in its career, Heart was still a band, but the Wilson sisters had already begun to exert control. They co-wrote wrote nine of the 10 tracks on the record and wrote the remaining track with the rest of the band. In addition, Ann, as the lead vocalist, was the centerpiece and main focus of the band.It was an auspicious first album. The music had a rawer feel than their later polished sound that would propel them to further stardom. It was hard rock with a bluesy sound mixed in. It all added up to one of the better debut albums of the seventiesThe album's first track was the Top 10 hit single “Magic Man.” Ann Wilson’s vocal immediately grabs you. It was instantly recognized that she possessed one of those rare voices that was a gift. The other Top 40 single, “Crazy On You,” was an anxious and urgent rocker. The acoustic intro led to a building electric guitar sound with a repeated riff that continued throughout the song.There is a lot to like about the album. “Soul Of The Sea” is a nice guitar ballad with strings. “White Lightning and Wine” is a bluesy rocker and a forgotten gem in their large catalog of material. “Sing Child,” which is the only group composition on the album, has a guitar jam in the middle that presents early Heart as a true band. “How Deep It Goes” is another rock/blues outing.When this debut effort was first released, it seemed as if Heart just appeared on the music scene out of nowhere. Thirty-four years later, the Wilson sisters are now recognized as lasting rock superstars. If you want to explore the music of Heart, Dreamboat Annie is the place to start." - Seattle Pi
    $7.00
  • "Clive Nolan (Pendragon, Arena) returns with his new solo project - ‘Alchemy – a musical”, a Victorian adventure set in 1842. Next to Clive Nolan himself, the album feature the artists well known in the world of progressive rock including Tracy Hitchings (Landmarq, Strangers on a Train), Andy Sears (Twelfth Night), Paul Manzi (Arena), Damian Wilson (Threshold), Paul Menel (ex-IQ), David Clifford (Red Jasper) as well as the leading lady of Nolan's previous musical 'SHE', Agnieszka Świta and Noel Calcaterra - a Uruguayan singer/actress and the voice of Clive Nolan South American 'Otra Vida' project from 2010. The Caamora Company musicians - Clive Nolan (keyboards), Mark Westwood (guitars), Scott Higham (drums), Claudio Momberg (keyboards) and Kylan Amos (bass) will once more take charge of the instrumental part of the project. The core members of the company will be joined by special guests and a chorus. This release will be preceded by the world premiere of 'Alchemy' show at the famous Wyspianski Theatre in Katowice, Poland on February 22, 2013, where it will be recorded and released on a DVD by Metal Mind Productions in Autumn 2013."
    $17.00
  • Limited edition 24 bit gold disc remaster from Mobile Fidelity. Over the years I've found the MFSL CDs and LPs to be a bit uneven. I played this new version of Fragile in our main reference system. I thought the sound was exceptional. Great imaging and quite detailed without any edge. It is quite dynamic and Squire's bass will now knock you on your butt. Kudos to Shawn Britton for the fine mastering job. Yeah it's expensive but in this case it's worth it. This is the definitive version of Fragile on CD.
    $28.00
  • To celebrate the 40th anniversary of Machine Head, Eagle has put together an all-star tribute to one of the greatest hard rock/metal albums of all time.   Check out this lineup: 1. Smoke On The Water - Carlos Santana & Jacoby Shaddix2. Highway Star - Chickenfoot3. Maybe I'm A Leo - Glenn Hughes & Chad Smith4. Pictures Of Home - Black Label Society5. Never Before - Kings Of Chaos: Joe Elliott, Steve Stevens, Duff McKagan, Matt Sorum6. Smoke On The Water - Flaming Lips7. Lazy - Jimmy Barnes with Joe Bonamassa8. Space Truckin - Iron Maiden9. When A Blind Man Cries - Metallica
    $11.00
  • "Emerson Lake & Palmer‘s third album Trilogy is being reissued later this month (ELP) by Sony Music and the new deluxe edition will feature a brand new 5.1 mix, new stereo mixes and previously unheard version of From The Beginning.The 1972 long-player is expanded two three discs –  two CDs and a DVD-audio – for this new set, with CD 2 including brand new stereo mixes (and the unheard version of From The Beginning). The third disc (a DVD-audio) contains the surround sound mix put together by King Crimson’s Jakko Jakszyk.The 5.1 mix is lossless hi-res if you have compatible equipment, if not the surround mix can be enjoyed in DTS or Dolby 5.1 via any standard DVD player (and a surround speaker set-up, of course!). The DVD also contains hi-res stereo versions of the new mixes, as well as hi-res stereo versions of the original mixes.This new version of Trilogy comes with restored artwork and a 16-page booklet with new liner notes and photos.Trilogy 2CD+DVD-A deluxe• UK Pre-order: Trilogy• USA Pre-order: Trilogy• CANADA Pre-order: Trilogy• GERMANY Pre-order: Trilogy• FRANCE Pre-order: Trilogy• ITALY Pre-order: TrilogyTrack listingDisc 1 - CD: Original Trilogy1. The Endless Enigma (Part One)2. Fugue 3. The Endless Enigma (Part Two)4. From The Beginning5. The Sheriff 6. Hoedown7. Trilogy8. Living Sin9. Abaddon’s BoleroDisc 2 – CD: New Stereo Trilogy1. From The Beginning [Alternate Version]2. The Endless Enigma (Part One) [New Stereo Mix]3. Fugue [New Stereo Mix]4. The Endless Enigma (Part Two) [New Stereo Mix]5. From The Beginning [New Stereo Mix]6. The Sheriff [New Stereo Mix]7. Hoedown [New Stereo Mix]8. Trilogy [New Stereo Mix]9. Living Sin [New Stereo Mix]10. Abaddon’s Bolero [New Stereo Mix]Disc 3 – DVDA:  5.1 TrilogyNew stereo mixes presented in MLP Lossless 5.1 & Stereo @ 24 bit 96kHz, DTS 96/24 5.1 & Dolby Digital 5.1 (48kHz) and LPCM Stereo @ 24-bit 96kHz1. The Endless Enigma (part one)2. Fugue 3. The Endless Enigma (part two)4. From The Beginning5. The Sheriff6. Hoedown7. Trilogy8. Living Sin9. Abaddon’s Bolero10. From The Beginning (Alternate Version)Original Stereo Mix presented in both MLP Lossless & LPCM, both at 24-bit 96kHz11. The Endless Enigma (part one)12. Fugue13. The Endless Enigma (part two)14. From The Beginning15. The Sheriff16. Hoedown17. Trilogy18. Living Sin19. Abaddon’s Bolero
    $21.00
  • "Dark Sarah is a concept project from Finland, led by singer/songwriter Heidi Parviainen (former lead singer of the Symphonic Metal act Amberian Dawn). Financed by successful indiegogo campaigns, Dark Sarah’s Behind The Black Veil brings together a number of veteran musicians and singers and the act has released a strong and theatrical debut.Although not 100% new material (separate funding campaigns had allowed the first eight tracks to be released as two individual EPs), Behind The Black Veil consists of 12 main songs along with two bonus tracks – a substantial amount of theatrical goodness. Heidi Parviainen’s strong voice is the centerpiece of the release, and it remains as powerful and clear as ever. She shares the microphone with guests Manuela Kraller (Xandria), Inga Scharf (Van Canto), and Tony Kakko (Sonata Arctica). The band behind Heidi is technically excellent, consisting of guitarists Kasperi Heikkinen (U.D.O, Merging Flare) and Erkka Korhonen, bassists Jukka Koskinen (Wintersun) and Rude Rothstén, and drummers Teemu Laitinen and Lauri Kuussalo.“Save Me”‘ opens the album, and is the epitome of “cinematic” metal. A sad and melancholy track introduces the character of Dark Sarah and sets the standard for the tracks that follow. Dramatic orchestral musical passages and near operatic vocals are carried by well done keyboards and strong lyrics that lay the groundwork for the rest of the album. “Poison Apple” starts with moody keys but it quickly becomes a heavy rocker with intense bass and drums. On the whole this song is nicely balanced between metal and orchestral instruments. “Hide And Seek” is a stirring keyboard driven ballad that brings out the true beauty and power of Heidi’s voice. “Memories Fall” is a well done, energetic duet with Xandria’s Manuela Kraller, and their two voices complement each other well while riding over a crunching guitar line.“Evil Roots” kicks off the second quartet of songs. Inga Scharf (Van Canto) lends her voice to this well done Power Metal track, and the lead and backing vocal work on this track is truly outstanding. Broadway theatrics make an appearance on the unusual “Violent Roses” – a Tim Burton-esque cinematic track that starts slow and low and ramps up the intensity as it progresses. “Hunting The Dreamer” is a rousing rocker with a kicky rhythm line and driving bass. The interplay of full metal (great guitar solo!) and orchestra gives this one a unique personality. “Fortress” starts as a soft, moody and introspective piece with some nicely done vocals and textures, and then gets kicked up in power and speed as guitars, bass and drums join the keys.“Silver Tree” is a wonderfully done up-tempo piece with plenty of keyboards and lush orchestration, highlighted by a slightly manic drum line. Soft keys and peaceful vocals start off the power ballad “Sun, Moon, And Stars” – a song with a very simple arrangement in comparison to the rest of the release. “Light In You” is a superb Broadway showstopper – quite probably the most powerful song of the album – and features the wonderful voice of Tony Kakko (Sonata Arctica) playing The Moon, deep in conversation with Sarah. The official story closes on a high with the peaceful piano-driven “Sarah’s Theme”. Bonus tracks fill the balance of the run time – an orchestral version of “Memories Fall,” and very quirky, bloody, and somewhat amusing “A Grim Christmas Story” – very Tim Burton!Despite being produced at different times and with different performers, Behind The Black Veil has a consistent, solid sound. There is a good deal of warmth in the orchestral pieces, yet they are crystal clear. Heidi’s voice is crisp and accessible, and the musical delivery by the entire Dark Sarah ensemble is technically excellent. The music is powerful, the performances tight, and the story is one just waiting to be brought to life on file or stage. While the dark material and heavy orchestral overtones won’t appeal to everyone, fans of symphonic, Gothic, or female fronted metal will find a lot to enjoy.Dark Sarah’s Behind The Black Veil is highly recommended for fans of the darker, Symphonic genres." - Hard Rock Haven 
    $14.00
  • Third album from this New Jersey symphonic rock band.  All of the band's albums are conceptual pieces based around literary works.  In fact the band's name is derived from a Ray Bradbury story.  On A Dark And Stormy Night is based on Madeleine L'Engle's fantasy novel of the same name.  The album is a wet dream for any fan of symphonic prog.  As I make my way through the album I'm frequently reminded of some similarities to Glass Hammer.  This is very keyboard driven music with a healthy amount of guitar leads.  There are even some nice Mellotron sounds popping up now and then.  These guys dream big and hit the mark.  Highly recommended.
    $11.00
  • Kindly Bent To Free Us is the long awaited third album from Cynic.  It finds the core trio of Paul Masvidal, Sean Reinert, and Sean Malone intact.  Just as Traced In Air was an evolution from Focus, so is Kindly Bent To Free Us a natural sounding progression from Traced In Air.  There is a common underlying sound which is clearly Cynic.  The music still maintains metallic and jazz roots but it serves as a foundation for a sound that owes more to prog rock.  If you are expecting Focus you will be disappointed.  This probably owes more to Porcupine Tree and Riverside as its not quite as technical as in the past, relying more on atmosphere.  But don't get me wrong, there is some unbelievable playing going on.  Once again Sean Malone demonstrates that he is the most underrated bassist in the world.  Highly recommended.
    $11.00
  • "YES - the combined age of the five guys on stage at the Hippodrome was more than 300 years - and some unkind souls would say that feels almost as long as some of their more indulgent numbers.But everybody knew why they were here. We all knew well in advance what Yes were going to play even down to the encore, and the scene was set with the entrance music of Stravinsky’s Firebird theme - just like Yes used 40 years ago. But although there were no surprises in what they played, there were plenty in how they played.Aggression isn’t probably a word that springs to mind when it comes to Yes, but there’s plenty present - along with the shifting rhythms, hardcore virtuoso musicianship, sheer power and soaring over it all the high clear harmonies and sweeping melodies that make Yes YesOriginal singer Jon Anderson is not currently with the band - but his replacement, 43-year-old American Jon Davison, is a more than adequate stand-in, sounding uncannily like Anderson at times but adding his own touches to the songs and a friendly vitality to the band onstage. The other long-standing Yesman not present is grumpy old Rick Wakeman. This time on an array of keyboards we have Geoff Downes, who has been playing with Yes on and off for 30-plus years but whom many may know best and possibly not too fondly for Buggles and Video Killed the Radio Star.The rest of the band - guitarist Steve Howe, bassist Chris Squire and drummer Alan White - are as Yes was 40 years ago - and although age may have had its impact on their hairlines or girth or ability to bop around the stage, it has totally failed to diminish their musical skills.Howe can still play lightning fast and pure, delivering faithfully favourite old solos but also bringing new embellishments and invention. And Squire showed just how important a part his melodic driving basslines have always been to the distinctive Yes sound. And when the band are playing as one they can still deliver moments that can take your breath away.It’s something of a rarity to have a rock concert at the Hippodrome - perhaps the fact the concert was being filmed meant they wanted a more theatrical setting. It seemed quite apt that there were occasional elements of pantomime - “Hello Bristol!” “Hello Steve!” - and the rather startling appearance of Chris Squire’s triple-necked bass. There was also a large screen showing films largely with New Age/old hippy themes - lots of fractals and turtles - and during Turn Of The Century what looked disturbingly like a cross between Game Of Thrones and a cereal advert. And the explosion of confetti towards the end during Perpetual Change could have seemed tacky - but it worked beautifully with the soaring optimism of the music and had the audience grinning like the children they were long ago.Highlights were too numerous to mention, but there were a few moist eyes around at the opening of And You And I; Yours Is No Disgrace sounded as good as it ever has; and the transition from the "give peace a chance” section of Your Move to the rocking abandon of All Good People might well have had a younger audience dancing in the aisles. As it was by the time the encore of Roundabout came around everybody was on their feet.It’s more than 40 years since Yes were first a huge name - able to release a triple-disc live album and have a top 10 hit with it. They and their audience may have aged a lot - but Yes still sound as good as ever when they hit those dizzyingly exuberant moments of wonder. And the audience wasn’t entirely grey-haired and wallowing in nostalgia - my 15-year-old daughter wasn’t the only youngster up and whooping at the end." - The Bristol Post
    $20.00
  • Japanese SHM-CD in a mini-lp sleeve."Even though Master of Puppets didn't take as gigantic a leap forward as Ride the Lightning, it was the band's greatest achievement, hailed as a masterpiece by critics far outside heavy metal's core audience. It was also a substantial hit, reaching the Top 30 and selling three million copies despite absolutely nonexistent airplay. Instead of a radical reinvention, Master of Puppets is a refinement of past innovations. In fact, it's possible to compare Ride the Lightning and Master of Puppets song for song and note striking similarities between corresponding track positions on each record (although Lightning's closing instrumental has been bumped up to next-to-last in Master's running order). That hint of conservatism is really the only conceivable flaw here. Though it isn't as startling as Ride the Lightning, Master of Puppets feels more unified, both thematically and musically. Everything about it feels blown up to epic proportions (indeed, the songs are much longer on average), and the band feels more in control of its direction. You'd never know it by the lyrics, though -- in one way or another, nearly every song on Master of Puppets deals with the fear of powerlessness. Sometimes they're about hypocritical authority (military and religious leaders), sometimes primal, uncontrollable human urges (drugs, insanity, rage), and, in true H.P. Lovecraft fashion, sometimes monsters. Yet by bookending the album with two slices of thrash mayhem ("Battery" and "Damage, Inc."), the band reigns triumphant through sheer force -- of sound, of will, of malice. The arrangements are thick and muscular, and the material varies enough in texture and tempo to hold interest through all its twists and turns. Some critics have called Master of Puppets the best heavy metal album ever recorded; if it isn't, it certainly comes close." - Allmusic
    $16.00
  • Exile is the long awaited third album from this British progmetal band.  To-Mera is fronted by Julie Kiss with the principal songwriting coming from guitarist (and her husband) Tom MacLean.  Some of you may recognize Tom's name from his membership in Haken as their bassist.  It gets slightly more confusing as Haken's main composer/guitarist/keyboardist is To-Mera's keyboardist Richard "Hen" Henshall.  Yes life can get complicated sometimes.The new album is a conceptual work about human existence.  Ms. Kiss' vocals flow like a constant river over some real bad ass and complex prog metal.  At times MacLean breaks out some incredible fusion leads taking the band in a whole different direction.  Hen's keys have a very specific sound.  At times you will be reminded for a moment of the Haken sound but in general this doesn't sound like a Haken album.  The album does feature some special guests...Marcela Bovio (Stream Of Passion), Stefan Forte (Adagio), and Ray Hearne (Haken) all make appearances.  An intricate and involving listen, this is easily going to be one of 2012's best metal releases.  Highly recommended.
    $14.00
  • Out of print limited edition mediabook comes with 2 bonus tracks."Doro has long been the reigning queen of metal, and with her 12th solo studio album, Raise Your Fist, she continues to reinforce that notion. Her new album has a thicker feel than her previous release, Fear No Evil (2009). Packed with her trademark anthems and velvet ballads, Raise Your Fist is Doro at the top of her game.Sure Doro has a weakness for the occasional Velveeta lyrical theme, but it is her passion for metal, her fans, and the music that keep her among heroes of the genre. On Raise Your Fist, Doro brings the traditional bang your head, throw up your horns metal, with memorable sing along choruses. The album’s opening track, “Raise Your Fist in the Air”, is a perfect example. A lyrical theme all metalheads can get behind, with air-guitar worthy riffage and an anthemic chorus.Motörhead mainman, Lemmy Kilmister drops by to show a surprisingly tender side on the ballad, “It Still Hurts”, and guitar icon Gus G (Ozzy Osbourne, Firewind) makes an appearance on the track “Grab the Bull (Last Man Standing)”, giving it some extra swagger.On the song, “Freiheit” she tackles the issue of human rights. She noted that this particular song is very close to her heart. Tracks like “Rock Till Death”, “Take No Prisoners”,  and “Revenge” are some of Doro’s meatier sonic assaults, and remind us that heavy metal need not be void of melody.Doro also pays homage to her dear friend, Ronnie James Dio on the album closer, “Hero”. The song was the first one written for the record, and hits home with serious emotional impact. Doro’s vocals are poignant and emotive, filled with admiration, loss, and angst.Raise Your Fist is a confident, well crafted, classic metal album, which offers a slab of horn-throwing anthems, with just the right amount of sentiment. Doro heads into a new decade with another load of rock and roll ammunition in her arsenal." - Metallic
    $6.00
  • "Justin Hayward, lead guitarist and vocalist of the legendary rock band, The Moody Blues, is one of the most prolific singer-songwriters in music. Winner of four ASCAP Awards, Justin's Nights In White Satin, Tuesday Afternoon, Question, The Voice, Your Wildest Dreams and I Know You're Out There Somewhere, name just a few of his worldwide hits. Performing and recording for more than 40 years with the band, during which the group has sold more than a phenomenal 60 million albums, Justin Hayward has been a driving force in the band's success.Spirits of the Western Sky, Justin's first solo album since 1996's The View From The Hill, features his trademark vocals & guitar work on tracks such as One Day, Someday, On The Road To Love & the lead off track In Your Blue Eyes. "
    $11.00