20th Anniversary (3CD/DVD)

20th Anniversary (3CD/DVD)

BY Royal Hunt

(Customer Reviews)
$21.00
$ 12.60
SKU: FRCDVD582
Label:
Frontiers Records
Category:
Melodic Metal
Add to wishlist 

To celebrate the band's 20th anniversary, Royal Hunt has put together this 3CD/DVD set.  Quite a bit of the early Royal Hunt catalog is out of print.  This set functions as a best of, culling tracks from 11 albums, a new song, and newly recorded acoustic versions of 3 songs.  The DVD compiles the band's promotional video clips.

There are no review yet. Be the first!

Product Review

You must login or register to post reviews.
Laser Pic

customers also bought

SEE ALL
  • ""The name SEVEN KINGDOMS has been floating around me for a while now and while receiving mostly good to great reviews, I never got around to checking out any of their two previous albums, so when the chance arose to snatch the promo for their third effort “The Fire Is Mine”, I took it - and I was not disappointed.Technically you could lump the band into the Power Metal genre with female vocals, but by just doing so, you would do the quintet injustice for they are not your run-of-the-mill girl-fronted Power Metal group. And instead of trying to do the smoke and mirrors trick of blinding you with a huge hype but in the end a weak album to follow it (*cough* HUNTRESS), SEVEN KINGDOMS offer us sharp riffing, great melodies and powerful vocals united in excellent songwriting, confirming the positivity I had come across all over for their previous releases.After the obligatory intro, opener “After The Fall” blew my socks off (I am still missing one to this date), double-bass driven, edgy guitars, great, expressive vocals and very nice melodies setting the pace. Good parts of the album are upbeat, mid- to fast-paced, but the Americans mix things up with great melodies, a bit of choir, some slower passages, creating a great and dynamic flow, above which reign the vocals of Sabrina, which are powerful and strong, blowing any thoughts of a Tarja clone out of the water. The riffing sometimes reminds me of a mix of BLIND GUARDIAN ("Flame Of Olympus") and ICED EARTH ("The King In The North"), but without coming off as copy cats, though.Another thing I really enjoy about SEVEN KINGDOMS is that while having a hand for catchy and epic melodies, they put enough of a twist on them not to make them too in-your-face, but a little lower, given them a different mood and more longevity. Best example for this are the already mentioned "Flame Of Olympus" and "The King In The North" as well as "Symphony Of Stars" (love the choir) and "Fragile Minds Collapse". The only track that is distinctly different, is the ballad "Kardia", which alternates between very calm and acoustic and the electric side of the six string, with THEOCRACY's Matt Smith on backing vocals."The Fire Is Mine" is one of Power Metal's strongest outings of the year, with sharp guitars, tight rhythm, great melodies and powerful vocals, I will definitely dig into SEVEN KINGDOMS' back catalogue!"" - Metal Observer
    $13.00
  • After a 10 year absence Enchant are back.  The band started in 1993 making them one of the earliest prog metal band.  Actually they are sort of an interesting band in that they seem to exist in both the prog rock and prog metal realms.  Some metal fans think of them as a bit lightweight and some prog rock fans think they are too heavy!  One thing is for sure they are wildly successful.  This is definitely prog but it never loses sight of the melody.  Fronted by the great Ted Leonard (who is now doing double duty with Spock's Beard) this one is a no-brainer - whether you are metal or prog head.  "irst impressions are the similarities to Spock’s Beard. Hardly surprising since Ted Leonard has been singing with them since 2011. He’s been with Enchant longer; their first CD came out in 1993. And familiarity doesn’t breed contempt here, fortunately.Bay area progressive rockers, they steer a straight course composing guitar-structured songs that they extemporise over. Guitarist Douglas A Ott is also the band’s main producer, with The Great Divide having been recorded at his own studio, but if in the past the band’s followed his direction they’re now more involved after a ten year gap working on other projects. Also, while integral, Ott doesn’t dominate Enchant’s sound but flows in and out adding a hard rock bias to their generic musical flavouring. Drummer/percussionist Sean Flanegan and bassist Ed Platt have the solidity of early Kansas and musically there are some pretty snazzy and often too brief keyboard solos from Bill Jenkins.A rolling cyclical bass line forms the basis of opening number ‘Circles’ with Leonard pondering life going round well, like a circle – while the lyrics aren’t profound they feel right and though this isn’t a concept album, despite the band stating otherwise, there are common themes concerning the human condition in a loosely existential manner. Mainly straight verse and choruses ‘Circles’ breaks out into more complicated time signatures before an acoustic comes to the fore, vocals return, an electric guitar take over and it concludes with a nicely warm keyboard solo. ‘Within An Inch’ follows with a steady rock backbeat over which Ott’s playing echoes Camel’s Andy Latimer interrupted briefly by some John Ellis punk-styled sirening. ‘The Great Divide’ follows suit in a more epic manner, the arrangement akin to Genesis in their golden period.Enchant don’t play with the fairies, despite what their name suggests. If anything they’re two steps removed from an AOR sound leaning in towards early Asia with some latter day Beatles thrown in, and a less grandiose take on Spock’s Beard. One might refer to them as technically proficient rather than emotionally overwrought, meaning there is a heartfelt flavour to their songs, and they tend to grow on you.The subdued opening to ‘Life In A Shadow’ throws a brief curveball echoing the Canterbury sound of Hatfield & The North before a heavy chorded chorus takes this into a rocking tune with soulful harmonies. ‘Deserve To Feel’ pours on the technical drumming and dribbling triplet bass figures with some flashy pyrotechnics predominantly on guitar but with keen keyboard flourishes, moving into a more intricate musical score as Jenkins and Ott trade inspired lines towards its conclusion. Likewise, ‘Here And Now’ builds reflectively moving towards emotional drama.Finely composed, played well, Enchant’s The Great Divide might not have you falling under its spell, but you may well be surprised how you find yourself being drawn to playing it." - The Midland Rocks
    $12.00
  • Outstanding new progressive metal band from Russia. Mechanical Poet is a trio consisting of Max Samosvat (vocals), Lex Plotnikoff (guitars/basses), and Tom Tokmakoff (drums/percussion). They have a very original premise, presenting their music as the soundtrack to a comic book (included in the booklet). The music mixes cinematic symphonic soundscapes with solid crunchy power metal in a manner vaguely reminiscent of Savatage. The execution is completely unique - I've never heard anything like it! The story is laid out in comic book form, with artwork by Lee Nicholson. It's a gorgeous package and a wonderful start for this band.
    $16.00
  • "With four years to work on it, Brazil's Scelerata takes a strong step forward with their third album, The Sniper. Where Skeletons Domination sounded like an early Edguy clone, from vocals to arrangements, this album, generally, breaks Scelerata out of that mold. Additionally, the band introduces a strong new vocalist in Fabio Juan, mostly not a Sammet clone.The Sniper pursues, more assertively, the progressive side of power metal without abandoning the underlying melodic heavy metal foundation. You can hear this at the start of the album in latter halves of both Rising Sun and Road to Death. Then Breaking the Chains and Unmasking Lies returns to the melodic power metal, the former with a more melodic groove, the latter with some aggressive heaviness. After this, Must Be Dreaming finds Fabio Juan's vocals getting a soaring work out over an arrangement of equally soaring melodic power metal. This song is definitely one of the highlights of The Sniper.The latter half of the album tends more to the heavy power metal side, with less progressive nuances. They're all good songs, but considering past experience, some might find them more typical, than advancements, for Scelerata. By example, Til the Day We Die may remind once more of the Edguy influence. But, again, it's a good power metal song. The exception is the closer, the title track, and it's prelude Money Painted Red. The song is certainly ambitious power metal, but offers diverse movements of tempo and instrumentation to make it more intriguing, without abandoning the metal assertiveness.As said at the start, The Sniper finds Scelerata advancing their melodic power metal, becoming stronger and often times more intriguing thanks to the addition of more progressive metal nuances. Recommended." - Danger Dog
    $12.00
  • "Assignment is another band releasing a new album on a new label after a short silence, five years to be correct. Inside Of The Machine, the progressive metal band's third work, finds them signed to Belgian's Mausoleum Records. It's also a quite ambitious work at that: a concept album with four different vocalist player character parts, and several guest guitarists.For the concept and vocalists, which include Robin Beck, Mats Leven, and Michael Bormann, and their parts you can check out the information following the review. Of three guest guitarist the most notable wizard is Bernie Versailles from Redemption offering some lead songs, though I don't know on which song(s).As for the music, this Assignment at their best, creating a progressive metal package by mixing elements of classic melodic hard rock, melodic and symphonic metal metal, power metal, and even a little rock fusion. That comes in the latter half of the instrumental Bug In The System, one of the best songs here. Some the best vocal songs are those with Bormann and Robin Beck (only because she's one of the best rock vocalists around), specifically Love Between Heaven & Hell and Ending Love. The latter one finds Beck's presence a bit stronger in front end which makes the song even more compelling. The antagonist in the story is obviously The Machine and it's introduction in I Am The Machine has a heavier darker feel. Alternatively, the concluding End Of The Machine has more melodic and brighter, yet still forceful, timbre to it. Throughout you get lots of ripping guitar leads often paired alternating synth solos. I'm guessing the full CD package comes with all the lyrics, otherwise, at times, the story is difficult to follow. Once more, Assignment's Inside Of The Machine is an ambitious and entertaining work of melodic progressive metal. Recommended." - Danger Dog
    $16.00
  • "There's no doubt that every genre has its leaders. Bands who through a confidence and display of ability, rise above the others who simply seem to follow in their wake. Primal Fear are one such band, leading the Euro Power Metal genre as if it is their own to do with as they please. In essence what they choose to do is, in truth, similar to countless other bands and still reliant on a blueprint created by the likes of Accept and Judas Priest many, many years ago. However with the class of Alex Beyrodt and Magnus Karlsson on guitars, PF already have a head start on the opposition, so when you add to that the bass bombast of Mat Sinner, drumming displays from Randy Black and the ultra powerful vocal viciousness of Ralf Scheepers, then immediately it becomes apparent why Primal Fear reign supreme.That line-up has been stable for some four years now and it shows on Delivering The Black, amazingly this band's tenth studio offering. What does it sound like? Well truth be told you know that already because Primal Fear do what they do so well, that tinkering with the sound would be merely to stray from a tried, tested and well loved formula. However the sheer energy and conviction behind the likes of "King For A Day", "Alive & On Fire" and "Inseminoid" ensures that what this Beyrodt produced monster of an album delivers, never falls short of fist punchingly good.However while each and every one of the ten tracks on show here (twelve and a "single" mix of "Death Comes Knocking" if you buy the deluxe version – and you know you really want to...) pulsates, gyrates and convulsates, the two which really stand out as the central pieces of Delivering The Black are the aforementioned, but full version of "Death Comes Knocking" and "One Night In December", both of which reach towards and beyond the seven minute mark. Orchestral embellishments are unobtrusively added and both tracks evolve through a variety of moods and atmospheres, while still sounding 100% like prime-time Primal. Add to that an acoustic based, but bombastically delivered slower number in the shape of "Born With A Broken Heart", where Leaves Eyes' Liv Kristine adds backing vocals and Delivering The Black stands out as an individual and ambitious album, while still being completely and utterly what this band have always been about. Something many acts have tried to do and failed.While a few new elements are successfully introduced here, the old adage of "if it ain't broke, don't fix it" still springs to mind and rest assured that Primal Fear are in full, glorious, working order." - Sea Of Tranquility
    $19.00
  • "For composer and keyboard player Carl Westholm humanity's future is bleak, and ends in death. The apocalypse is at hand, and Westholm's Jupiter Society tells its inevitable and fateful story in the third effort From Endangered to Extinction. Again Westholm is helped by members of several Scandi bands including Carptree, Krux, Candlemass, Soilwork, Opeth, and Evergrey.Needless to say, with the bleak concept, this is a dark and despairing album, from lyrics to music, with Westholm's ominous synth layers establishing the foundation. Lyrically, the story revolves more around the invaders and destroyers of the earth, led by the Queen of Armageddon, possibly aided by some satanic element, mentioned in the song Invasion, rather than the people of earth.The latter, the people of earth, get some reference in the last three songs, but with little hope. The song Fight back is crushed in the vice of No Survivors and Defeat. It's not good day on Planet Earth. And this is where Westholm's song composition comes to the fore. The music intentionally propels the frustration, devastation, and defeat of humanity in both tone and power. In other words, this dark and bleak story gets played out in a proper musical context and, therefore, makes From Endangered to Extinction creative and engaging. But considering the subject matter, again, entertaining may become a highly contested moot point. Recommended." - Dangerdog.comThird album in the futuristic prog metal series from Carl Westholm.  You may know him from his involvement from Carptree, Krux, and Candlemass.  Westholm always puts together an interesting cast of musicians for these projects.  This time he draws from bands like Krux, Carptree, Candlemass, Soilwork, and Evergrey.  Most notable are the great Mats Leven (as one of a few lead vocalists) and Leif Edling of Candlemass.  Intense apocalyptic stuff with a cyber metal angle to it.  Highly recommended. 
    $15.00
  • "Just under two years ago, at ProgPower USA 2012, the first single and video for the new track “Web of Lies” was premiered. Now all the blood, sweat ,and tears that Halcyon Way put into what would become the next album “Conquer” has finally come to fruition. Shortly after the release of the EP “IndoctriNation,” the seeds of “Conquer” were sown. Since that release and the last full-length album “Building the Towers,” the band went through a couple of lineup changes. However, the core remained the same and the end result is a testament to the will of guitarist Jon Bodan, vocalist Steve Braun, and drummer Ernie Topran’s unyielding desire to succeed. “Conquer” is by far the best offering from the band, incorporating a depth of influences that cross genres to the point where you can only call it “progressive.”There is much more to the concept of “Conquer” than the underlying message. Where there has always been great maturity and strength in the songwriting, the band has incorporated some of the most muscular riffs in its history, making this release by far its heaviest material recorded to date. Melody mongers need not fret, as the soulful whims of a hard rock band lurk deep inside the madness. The best way to describe the performance on “Conquer” is “armor-plated Saigon Kick with industrial tentacles.” Knowing much of the influences that each member brings into the fold, I can easily envision a death match where the old hard rock roots being pummeled and distorted by the modern meat mallets of Monster Magnet and Samael.The title track paves the way with Braun’s impassioned chanting equipped with sharpened blades. It’s a nasty little combination that leaves him open to take it in any direction. For tracks like “Conceived in Torment” and “Hatred is My Cause,” Braun ratchets up the edges aided by Bodan’s death grunts for lethal brutality. Lessor “evisceration” comes in the form of “Home” and two of the album’s most expressive tunes “Save Your Tears” and “The Poisoned Apple.” At no time does the album succumb to that programmed standard album formula: heavy, heavy, mid-paced, power ballad, heavy. It has too many moving parts that keep the sound fresh and modern.Some of the strongest offerings come in the relentless attack riffs in “World Comes Undone,” the equally destructive but faster paced “King of Ruin,” and the on par closer “Eviscerate the Morning Sun.” Personal favorites include the long released “Web of Lies” and its “you can’t hold me back” chant, and the brilliant modern metal classic “Militant,” which is the aggregate of what you will hear on the entire release. At the risk of sounding like a broken record, the production and sound aspects of “Conquer” can be summed up with the same two words that have graced many a review from yours truly in 2014: Lasse Lammert. I shall not further expound upon this man’s knob turning talent any more than has been stated in the past.“Conquer” may have been the logical choice for an album title. You can point to the many themes throughout the lyrics and extract all sorts of meaningful impressions. However, the true meaning of “Conquer” is that Halcyon Way has struck a chord of near perfection with an in fallible modern metal sound, which keeps the listener off guard with the unexpected…yet ironically with the same comfort level expected from a band with the maturation, talent, and songwriting ability of 13 year veterans." - Metal Underground
    $12.00
  • "What I thought, upon first listen, was going to be yet another Gothic Metal release in the vein of Epica, Midnattsol, Imperia, et al, turns out to be a bit more than that. Portugal's Enchantya touch most of the genre's clichés, from the band's name to the all-black look, the female lead singer and the haunting album art. But where the rubber hits the road, i.e. the songwriting, they brought a little extra to the table. Singer Rute Fevereiro has the requisite operatic voice and while not the match of a Tarja Turunen, she does a fine job with the material on Dark Rising, the band's first full-length album. Rather than settling for being just another Gothic Metal band, Enchantya's keyboardist brings a few Progressive Metal riffs to songs like the opening instrumental, "Unwavering Faith," and the solo of "Your Tattoo." The band wisely limits this trick using it just enough to give Dark Rising a distinct personality. "No Stars in the Sky" is a solid, up-tempo number, showing off some Nightwish worship, but also that Enchantya knows what goes into writing a good song. There are harsh vocals throughout the album, providing a nice balance to the sweetness of Fevereiro's singing. "Winter Dreams" is a beautifully melodic ballad while "Ocean Drops" successfully combines both the heavier and softer sides of the band. There are missteps, like the awful chorus on "She-Devil," but they are minimal and all is forgiven when the fantastic title track comes on. "Dark Rising" has wonderful melodies and a bright chorus and is sure to be a staple of the band's live set for years to come.Dark Rising isn't going to make people forget about Nightwish's Wishmaster or Autumn's Altitude but it is a strong debut with just enough individuality to stand out from the crowd. Gothic and Symphonic Metal fans will want to put Enchantya on the radar screen for the foreseeable future." - The Metal Crypt
    $5.00
  • New German neoprog band.  Within My Recollection is a 70 minute conceptual work with a load of epic length tracks as the focal point.  This one will appeal to fans of Marillion and Saga but you can easily hear how old school Genesis was an influence on them.  Vocalist needs some work but there are long sweeping instrumental passages that helps you forget.  While keyboards dominate the overall sound the fluid guitar solos have a Rothery feel stamped them.
    $9.00
  • Chicago prog-metal stalwarts Ion Vein are back but with a new game plan.  The music is now very much in the power metal vein and even has a groove to it.  New vocalist Scott Featherstone is a definite step in the right direction."ION VEIN's self-titled new album shows the band re-tooled, re-focused and re-energized in a way that captures the essence of their song-oriented and technically-skilled metal intensity. Also, a top notch production drives these pounding, meaty canvases to cut into the very core of your soul, while breathing new life into today's world of music. For fans of Metallica, Dio, Iced Earth and more!""The long awaited follow up to 2003's "Reigning Memories" was once again produced, recorded, and mixed by Neil Kernon (Judas Priest, Nevermore, Redemption) and is the first full length album with vocalist, Scott Featherstone, whom the band first debuted on the IV v1.0 and IV v2.0 three song digital EPs released in September 2011 and December 2012 respectively. Additionally, the six songs from those EPs have been re-mixed/re-mastered for inclusion on the full album."
    $10.00
  • Arjen Lucassen's long awaited Ayreon project is a total blast.  Like some of the earlier Ayreon albums, it owes as much to prog rock as it does metal.  All the old school heroes like Emerson, Wakeman, Wetton get to strut their stuff showing a young stud like Rudess a thing or two.  As always Lucassen latches on to some of the best vocalists around and this one is no exception.  Highly recommended.PLEASE NOTE THERE WILL BE A VERY EXPENSIVE IMPORT "ART BOOK" EDITION FORTHCOMING."You know what the metal world needs more of? Musicals. I'm not saying that ironically either. Sure, we have plenty of prog bands putting out concept albums, but cool as these records many be, the story themselves are not the focus of the album. Ayreon mastermind Arjen Anthony Lucassen has resurrected his grandest of all projects to continue showing these folks how to tell an epic story the right way.With 01011001 the Ayreon story came to an end, or so we thought. Arjen instead decided to focus on projects like Star One, Guilt Machine, and his solo album Lost in the New Real. When he revealed not too long ago that he was working on a new project, it wasn't a surprise to discover it was new Ayreon, but I was still plenty excited.Lucassen said of the newest record, "It's not science fiction, but a human story set in a science context." So no aliens or battling emotions or any of that. So, in an attempt to better understand the story, I contacting him for the lyrics and much to my surprise, he sent them to me saying, "Oh yes, you need the lyrics, definitely." Holy hell, was he right. The story is indeed more grounded than previous records, but there are still layers to this beast.Fans of Ayreon should know what to expect here. The Theory of Everything has seven guest singers and each singer plays a part in the story. They are JB (Grand Magus) as the Teacher, Christina Scabbia (Lacuna Coil) as the Mother, Michael Mills (Toehider) as the Father, Tommy Karevik (Kamelot) as the Prodigy, Marco Hietala (Nightwish) as the Rival, John Wetton (Asia/ex-King Crimson) as the Psychiatrist, and Sara Squadrani (Ancient Bards) as the Girl.Of these singers, the most impressive is the relatively unknown Sara Squadrani. She performs on a large portion of the story and shines every time, especially on "Love and Envy". I was also surprised to be so enamored with the performance of Christina Scabbia. She's always had  a wonderful voice, but her performance in this record might be her finest. Her harmonies with Squadrani stand out particularly on "Mirror of Dreams". This isn't to say only the performances by the female singers are worth mentioning. Tommy Karevik's introduction in "The Prodigy's World" is one of the strongest moments on the album.Press_Photo_01Every Ayreon album comes an eclectic group of guest musicians. This round primarily consisted of guest keyboardists. Rick Wakeman (ex-Yes) handles a good portion of the record, while Keith Emerson (Emerson, Lake & Palmer) and Jordan Rudess (Dream Theater) both make excellent solo appearances on "Progressive Waves".Having listened to all of Lucassen's albums at least once, I can say The Theory of Everything is the most musically diverse offering he's had a hand in, perhaps with the exception of his solo record. This isn't as heavy as previous Ayreon titles, but it has its driving moments like "Collision" and the Dream Theather-esque "Frequency Modulation." The aforementioned "Love and Envy" is a slower introspective song, while "Diagnosis" is massive and a little cheesy, but so awesome. "Transformation" has a Middle Eastern feel to it, and  "The Eleventh Dimension" sounds like intergalactic renaissance faire music.Often times there are jumps in mood, genre, etc in the middle of a song. This is fairly typical for an Ayreon release; what isn't typical is that technically this record consists of only four songs. These four songs are each at least twenty-one minutes, but they are cut up into forty-two pieces (yes, that's a Hitchhiker's Guide to the Galaxy reference) .This is a fun record. It's a record that does require a time commitment. I'd say listeners should treat it as a proper musical or film in a theater. Try to experience it all in one sitting for the full effect. It's absolutely worth it." - Metal Injection
    $17.00
  • Since the release of 2013’s In Crescendo, Kingcrow toured North America in support of Pain Of Salvation, and headlined a European tour.  Kingcrow kept busy in 2014, touring Europe with Fates Warning and at the same time crafting the material that would become Eidos.“Eidos” is a new conceptual album about choices, consequences, dealing with regret and disillusion. Their earlier album Phlegethon dealt with childhood and In Crescendo about the end of youth.  Eidos can be considered the third part of a trilogy about the path of life. Musically it sees the band exploring new territories and pushing the extremes of its complex soundscape with a darker atmosphere and a more progressive attitude.Describing the band today is quite a difficult task, but one could state that the influence of such artists as Porcupine Tree, Riverside, Opeth, Anathema, Radiohead , King Crimson and Massive Attack are all present in the music of Kingcrow.With each release Kingcrow has taken a step further away from their original roots as a classic metal band and is now one of the most personal and exciting bands that Italy has to offer.
    $13.00
  • "Right from the start I was impressed with the debut from this Roman Power/Prog Metal quintet, Noveria. Even just inspecting the artwork, which was created by none other than Simone Bertozzi, sparked my immediate interest. The bands sound instantly reminded me of Nevermore. The guitar work churned out by Francesco Mattei is very Loomis’-esque; super heavy chugging guitar, bordering almost death metal riffage (again ala Loomis) carries the songs into interesting territory.I anxiously awaited the vocals to enter not knowing if I’d be hearing Warrel Dane stylings or a more raspy approach ala Arch Enemy based on the riffage alone. Once Frank Corigliano‘s vocals finally entered it all made sense. Corigliano has more of a traditional power metal alarm clock vocal, but not overly zealous where it becomes comical. Frank’s vocals remind me very much of Jonny Lindkvist of Swedish Power Metal band, Nocturnal Rites (whom I am a fan of).Everything is very solid here, big heavy fast pace riffage, locomotive drumming, fanciful keys, and a booming vocal that complete this Roman outfit. While nothing super stands out, it is a release I definitely want to give more listens to see what else I can pick from. I also don’t mean to downplay the technical abilities of this band, they can all play…well! The unfortunate thing is t’s just all been done before. This release upon first listen is Nevermore with Jonny Lindkvist on vocals. This is not a bad thing, but it’s not necessarily flattering either. Fans of these bands will completely dig on Noveria. I hope to hear more from them in the future to see if Noveria expand upon the ideas from Risen and make it their own." - All About The Rock
    $15.00